Reed Kendall is one of those songwriters who can do just about anything. It’s easy to latch on to the breezy Americana vibes and DMB-ness of his Up the Chain – originally a solo recording project, now a full fledged band – and he does that style remarkably well. But looking at Kendall’s music through just that lens would miss the whole picture. Last year’s Seeds and Thorns had a standout late-night soul cut called “For to Give Away” that blew my mind; Up the Chain’s Key Studio session hits on raucous rockabilly ( the new “Sidecar”) as readily as sharp Randy Newman-esque pop (“Seasick Sailors”) and slinky vaudevillian jazz (“Here I Haven Meet”). The current crop of players are a knockout – recording with us in this session was Anam Owili-Eger on keys and vocals, Kevin Killen on drums, Matt Wong on bass, and Avery Coffey on guitar. They performed a total of three new songs – the others being “Hand & Gasoline” and “The Hardest Stone,” both drawing a very promising picture of the next UTC release. Listen and download below, and check out a video of “The Horse’s Course” by Bob Sweeney. Want more? You can catch Up The Chain live at Ardmore Music Hall on Saturday, April 26th, when they open for the similarly eclectic-minded David Wax Museum. Tickets and info on the show can be found here.
Ardmore Music Hall, The Key Studio Sessions, Up The Chain