A few things we’ve learned about TJ Kong and the Atomic Bomb since first recording the Philly band for this series three and a half years ago: there are no periods in their name. Frontman Dan Bruskewicz is a stickler for punctuation, and if you will mess it up, his Twitter shall make it known. It’s also kind of shortselling Kong to describe them, as we did at the time, as “punkabilly.” Certainly there are elements of rowdy Americana in their sound, delivered with punk rock gusto and attitude. And sure, Joshua Machiz rocks an upright bass. But the tapestry this band pieces together – both on 2012’s remarkable Manufaturing Joy and this year’s Kong EP – is eclectic and evocative, stirring together dusty cinematic arrangements with lyrical tales of depravity and hard-luck humanity that sound like something out of a Cormac McCarthy novel. The band seems to currently be going through a Tom Waits fixation: Bruskewicz has always had that gravely voice, they’re throwing a Waits tribute night at Jose Pistola’s on May 14th and, heck, I mean just listen to “Snakeskin” in the session below and tell me it doesn’t sound all Rain Dogs. Also, they’re the only band (that we know of) that’s performed an exorcism in our studio. The bulk of Kong’s Key set was recorded the same day the band played on the Folk Show with Gene Shay, a preview of its EP release show at Johnny Brenda’s, and that set was such a knockout that we’ve included a track from it – the feverish suicide fantasy “Blood in the Bathtub,” enineered by Adam Staniszewski of StanzStudios and featuring a bit of interview with Shay at the end. Listen and download to the entire thing below; if you want more (and can’t catch Kong at the Waits tribute night), Bruskewicz plays a Kong solo set May 30th at Boot and Saddle.
The Key Studio Sessions, TJ Kong and the Atomic Bomb