Blind Willie Johnson’s influence will likely outlast us all. I say that as a matter of fact because his 1927 recording of “Dark Was The Night, Cold Was The Ground” was included in the 1977 Voyager “Golden Record.” Today though, we’re going to talk a about the traditional song “John The Revelator,” first recorded on April 20th, 1930. This recording session, for Columbia Records, would be Johnson’s last. “John The Revelator” is a call-and-response Gospel song, where Johnson “calls” “who’s that writin’?” and Willie Harris, Johnson’s first wife, “responds” “John The Revelator.” The song did not originate with Johnson, but as of time of writing, I could not find any previous instances of the song being performed or the history of the song. The song references John the Apostle, reputed author of the Book of Revelations in the New Testament, describing visions he had about the opening of the seven seals, the coming return of Christ, and the Final Judgment. When listening to the song, Willie Johnson sounds powerfully impassioned and almost fanatical in delivery, while Willie Harris sounds small and distant in comparison. Many may have heard this song as part of Harry Smith’s legendary Anthology of American Folk Music collection. Or perhaps, they may have heard any number of rendition over the years, from Son House, to the Blues Brothers, to Beck, to Steve Vai, to Depeche Mode. Many try to replicate the sheer force and urgency of the original record, but very few come close.
I often consider “Folkadelphia’s essential artists,” or core musicians that exemplify qualities of what we find important in modern folk music. One part of what we try to do here is to give a platform for musicians and artists that bridge the gap between the old ways and the new sounds and ideas, who are continually evolving, changing, manipulating, and weaving – working in different aspects of folk music tradition and storytelling into their craft. Since the beginning, Marissa Nadler has been one of the artists. Hear why tonight on Folkadelphia Radio, where we will premiere an excerpt from Marissa Nadler’s Folkadelphia Sessions, recorded 11/10/2013 and 3/16/2014, the latter featuring Janel Leppin on cello and backing vocals.
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