Around 2011, Bruce Howze, founder of SRA Records, had been looking for a singer to front his reverb-laden five-piece, Dangerbird, when he got in touch with Jim McMonagle of long-standing Philadelphia hardcore band F.O.D.
Howze would recruit him to help write, sing and play guitar on songs for a four-band compilation in the works. While in the studio McMonagle got to talking about F.O.D. material that’s been out of print since its original presses and that some people were interested in reissuing it at the time but McMonagle didn’t know them well enough to pursue it. Howze explained that he’d already been getting Dangerbird’s first two CDs and seven-inch into stores, so he was fit for the job. McMonagle agreed, and SRA Records was born.
A few years before that, in a similar recording scenario, Richie Records founder and namesake Richie Charles recorded some music to cassette with his friend just for fun. Charles’ friend made copies of the tape, wrote “Richie Records” on them and handed them out to other people they knew. Soon after that, a different friend approached Charles, mentioning the tape and its “Richie Records” moniker, assuming Charles was behind it. However, it was the first Charles had heard about it. Turned out his recording partner was passing the tapes without telling him he made copies, or even named them. After that, they made a couple more tapes together and distributed them informally because, “people wanted them for the novelty,” Charles says modestly.
When Charles was hit by a car in 2004, he used the settlement money to launch the label and Richie Records became more than a series of lo-fi home recordings circulating among friends. Perhaps Howze was in the right place at the right time, while Charles was in the wrong place at the right time. But even though these two records labels, each geared towards loud, hard-hitting and oft-abrasive garage, punk and metal, are completely unrelated to one another, they do overlap in ethos. Continue reading →