By

Nothing Is Exclusive: Exploring the double-identity of Philly punks Mannequin Pussy and their new LP Romantic

Mannequin Pussy | photo by Scott Troyan | courtesy of the artist
Mannequin Pussy | photo by Scott Troyan | courtesy of the artist

“You don’t need to feel tied to one sonic identity.” Those words, spoken by Mannequin Pussy vocalist and guitarist Marisa Dabice, echo what seems to be the central tenet of her band. “You don’t need to be one thing in order to be easily defined.”

The Philadelphia-based four-piece, which started as a duo of friends Dabice and guitarist Thanasi Paul in the early 2010s, releases its sophomore album Romantic today. Following the punk stomp of Gypsy Pervert (GP for short) — which was initially released in 2013 and re-released to greater distribution a year later — Romantic bears the fruit of its members’ expansive musical ethos. Continue reading →

By

Breaking Down the Boys’ Club: Why PhilaMOCA’s She Shreds showcase is so necessary

Marisa Dabice of Mannequin Pussy performs at Hazzard Hall | Photo by John Vettese
Marisa Dabice of Mannequin Pussy performs at Hazzard Hall | Photo by John Vettese

There’s a musical revolution going on in Philadelphia, hidden away in the corners of makeshift venues peppered throughout the city. It’s a revolution unbeknownst to many but a revolution that is, to borrow a phrase, hidden in plain sight. It’s a revolution against your parents’ rock music, a revolution against the historically prevailing notion of rock and roll as a boys club, a revolution against the idea that rock and roll should look and behave a certain way.

On April 4 at PhilaMOCA, this revolution will be on stage in full force, as Portland, Oregon’s She Shreds magazine hosts a celebration of musical women in Philadelphia. On the bill are rock stalwarts Swearin’ and Amanda X, punk heavies Mannequin Pussy, and power poppers Anomie (a solo project of Field Mouse’s Rachel Browne), along with DJ sounds by DJ SAD 13 (Sadie Dupuis of Speedy Ortiz).  [Girls Rock Philly band Jane Doe was scheduled but unfortunately had to drop out.]

It’s an event that will highlight a Philadelphia scene that excels in its acceptance, support, and diversity, one that can be held up as a model for the musical landscape at large. Continue reading →