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Folkadelphia Session: Andrew Jackson Jihad

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In my mind and for at least a good chunk of years now, Andrew Jackson Jihad have occupied a musical sector between sweaty basement punk rock and outspoken brash folk (I picture Billy Bragg or even Woody Guthrie) and I guess, the two are not so very different after all. Lyrically driven, songs with meaning, songs with humor, songs with a message, songs about life and living it and being a part of the world. They can be action oriented, acidic in delivery, absurd and totally irreverent in narrative, and sometimes very sweet. Many have done it before AJJ and many will do it after – to speak openly, to sing loudly, to share widely, but AJJ does it with a certain style unique to them. I became a fan late in the game and it’s with their new record, Christmas Island, that the band has totally made me a through and through devotee (I’m having a blast digging into the back catalogue), but even before this point, the band held a weighty stature for me in my imagined hierarcy of music. I always pictured AJJ live performances to be on par with religious congregations, with people chanting, waving their hands and moving wildly, maybe even violently. I see the room as blur of bodies and raw sensory stimuli where my own senses can’t quite get a solid read on anything. But it’s the unknowingness, the uncertainty, the fever pitch of it all, that makes the performance relevatory. I think folks would agree with that scene and I know I’ve heard many dazzled accounts by attendees of AJJ concerts.
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Folkadelphia Session: Caroline Reese and the Drifting Fifth


Reading, PA’s Caroline Reese and the Drifting Fifth – for our recording session, the Fifth was just one, Mark Watter – help to remind me why we’re here doing this whole Folkadelphia thing. All of this music we take in and care about isn’t just about virtuosity, pedigree, accolades, and next steps, it’s also, and maybe mostly, about having fun and spreading that infectious joy around. The duo was able to coax out that joy that exists, but is sometimes dormant, in the studio during an evening in late May. I think that speaks a volumes about Reese’s future as a performer.
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Folkadelphia Session: Mark Mandeville & Raianne Richards


Before we hear from this week’s Folkadelphia Session, let me tell you about Kettle Pot Tracks, who produce On The Hill Sessions, bringing mostly local-ish as well as some touring acts into their home studio to capture pristine video and audio. Nicole and Michael who run the whole operation have become friends of Folkadelphia and we often shoot messages back-and-forth about music. I consider them a great source of musical discovery – y’all should too, check out their site! Continue reading →

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Folkadelphia Session: Chelsea Wolfe

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Photo by Ally Newbold | http://www.allynewbold.com/

Finally, Folkadelphia is pleased to present the premiere of our session with Chelsea Wolfe, recorded five months ago from today – how time flies! – but what an absolutely perfect one for Halloween. The genesis of our session with Wolfe can be tracked to the end of 2012 when we saw she was performing at the tiny and intimate First Unitarian Church Chapel. Jump forward in time through two albums (Unknown Rooms and last year’s Pain is Beauty), various tours, and a handful of emails back-and-forth, and we finally were able to welcome Wolfe and her band to the WXPN studio. Why the extra enthusiasm for this session? Why try so hard to record a single artist? Well, listen to Chelsea Wolfe and you’ll immediately find out why.
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Folkadelphia Session: Mandolin Orange


Over the past handful of years, the North Carolinian duo Mandolin Orange, comprised of Emily Frantz and Andrew Marlin, have been building and growing on their extreme talent and chemistry together, on the road and on record. Last year they released their most accomplished record yet, This Side of Jordan, via the Yep Roc Records label, a perfect home for this brand of genuine and emotional Americana. Continue reading →

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Folkadelphia Session: Slowey and the Boats

As we make the seemingly abrupt change from the muggy warm weather months to the brisk autumnal chill, let’s reminisce. As you break out the long-sleeves, the flannel, the sweaters, let’s remember how good Summer was to us. Perhaps you had a beach vacation or a leisurely stroll in the forest that’ll keep you going through the cold that’s coming. For us here at Folkadelphia, we’ll think on our recording session with Philadelphia local’s Slowey and the Boats. Continue reading →

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Folkadelphia Session: Dom Flemons

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I had more than one fan-boy moment during our recording session with Dom Flemons back in June of this year. Sometimes I can’t help it, my excitement disrupts my normally cool professional exterior. It’s just that I love Flemon’s music a lot – from his work with his former group the Carolina Chocolate Drops to his solo material, like this year’s absolutely phenomenal Prospect Hill – so, it was a bit of a coup on our part to snag him into the studio. Continue reading →

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Folkadelphia Session: Lily & Madeleine

It’s certainly easy to stay focused on the musical accomplishments and inherent talent compared to the respective ages of Lily and Madeleine Jurkiewicz, the sisters that make up the duo Lily & Madeleine. The accomplishments are grand – an LP and EP in the bag, a fantastic sophomore album Fumes to be imminently released by Sufjan Steven’s Asthmatic Kitty Records, the talent runs deep and strong in these two, and their ages, well, let’s just say teenaged. Instead of framing it like “look what these girls have accomplished and they’re only BLAH BLAH BLAH years old,” how about we say that Lily and Madeleine have just commenced on their hopefully long and fruitful musical journey. Continue reading →

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Folkadelphia Session: The Bones of J.R. Jones

In our latest session, you’ll hear the Bones of J.R. Jones. The band is self-described as “dirty, grainy, blues-influenced” that navigates the divide between full-on sweaty face-in-the-dirt rock-and-roll and somber folk-balladeering. You’ll hear resounding drum hits, shimmering tambourines, thumping bass, beefy guitar licks, stomping boots, and some sweet harmonica playing. Continue reading →