I first heard “The ‘59 Sound” on an HP laptop computer, through Apple earbuds, streaming from New Jersey upstarts The Gaslight Anthem’s MySpace page in July 2008.
For any young fan, the impression that a piece of music leaves can feel like a hot iron imprinting itself into our skin. That is, if the stars are aligned, so to speak. Until this point, The Gaslight Anthem was rapidly building buzz among punk rock circles, on blogs and message boards and in bars and basements. With one full-length album and one EP behind them, the band signed with indie label SideOneDummy to release a follow-up to continually growing anticipation.
When The Gaslight Anthem released the title track to The ‘59 Sound that July, it felt like serendipity. Here is a young band absolutely bursting with potential that very well appears to be exceeding every expectation. (I vividly remember feeling very 17 years old and absolutely floored by the confidence, power, and conviction to a singular vision that “The ’59 Sound demonstrated.) One month later, The 59 Sound was released on August, 19, 2008, jettisoning The Gaslight Anthem to near-ubiquity among rock music fans of most kinds and cementing an impact in contemporary punk rock. Many regard it as a minor rock and roll masterpiece.
Which, of course, brings us to last Wednesday, August 15, 2018. A near 10 years since the release of The 59 Sound, at a sold-out FIllmore (a Philadelphia venue that did not exist in 2008), a stop on The Gaslight Anthem’s ‘59 Sound 10-year anniversary tour. Continue reading →