It’s Tuesday, meaning we’re at the part in our occasional Unlocked series where the person writing the series shares their review of the album we’re featuring. Thing is, we pretty much all love Hop Along and Painted Shut. So for today’s installment, we bring you our first-ever Key Staff collaborative album review. Enjoy!
Philly greats Hop Along have been hanging out in the shadows for quite some time. Although the band has been putting out exceptional music for the better part of a decade, they have kept a relatively low profile until now. Their new album Painted Shut, released this week on revered indie label Saddle Creek, introduces Hop Along to the masses. The album reads like a collection of short stories, leaving the metaphor and ambiguity of 2012’s Get Disowned behind and spinning narratives that pull you in like a great book.
The track “Horseshoe Crabs” exemplifies this beautifully. The song’s haunting melody perfectly accompanies the lyrics of loss illustrated through the lens of childhood memories about summertime adventures. Frontwoman Frances Quinlan reflects on memory throughout the album, memories that are pivotal to her – “Powerful Man” describes her fear and failure to intervene when, as a teenager, she saw a young child being abused by his father – but in some cases, the memories may not be the way others involved remember the situation.
Take “Waitress”: Quinlan blows up a frustrating, awkward scene in her head upon seeing somebody walk into her restaurant – “your friend looked over from the bar, she must have known who I was / the worst possible version of what I’d done” – but in reality, the people she’s waiting on may not have given the moment a second thought – “call you enemy because I’m afraid of what you could call me.” It definitely reflects that normal anxiety and overthinking self-consciousness that we are all prone to from time to time. Continue reading →