Philly hard rockers HOUND are gearing up for a release of their new album BORN UNDER 76, and with the weather at last conjuring its charged, ominous atmosphere of spookiness, there’s no better time for some new HOUND tracks; the entire record is streaming now over at Allmusic, but we’d like to highlight its two new singles to jam to. Continue reading →
Last year, Katie Jo Knaub released her haunting, western-seared album The Widowmaker. Since then, she’s shifted her solo status to the full band, Katie Jo and The Knobs, forsome an added dose of twangy kickassery. Catch the band live at Kung Fu Necktie tonight, alongside The Quahogs, Matt Kelly, and Todd Fausnacht. Find more info on the show over at the XPN Concert Calendar, and stream The Widowmaker below. Continue reading →
LA-based three-piece Lo Moon are slowly but surely unveiling their music to the world. In addition to songs, “Loveless” and “This Is It,” Lo Moon has now added new track, “Thorns,” to their release repertoire. Continue reading →
Philly via Pittsburgh artist, AllegrA merges somber lo-fi bedroom pop with sunny licks and personal, charmingly quirky lyrics (i.e. the adorable “cuties”). They’ll be bringing this shining combination to Kung Fu Necktie tonight alongside Dog Tears, Mean Sider, and Susie Derkins. Bonus, not long after, prep to see them again at JJ’s Diner along with Weller and Three Man Cannon on November 4th, not to mention their album release party at Planet Phitness on November 17. Listen to the beachy dream tune “42nd St” below. Continue reading →
With their self-titled album just weeks away from release, Philly scene staples Weller have given us another sneak peek at the upcoming record by ways of their new infectiously optimistic track, “Point of Personal Privilege.”
After Weller warmly welcomes us to the song through a sweet guitar melody introduction, they quickly preview a taste of the track’s upcoming celebration with a jolt of pure, uplifting energy. But just as quickly, the ray of light vanishes — replaced with steady drums; somber, meditative vocals, and some uberly important negative space relief points.
Continuing in this oscillating sonic pattern, a backing choir of literal heavenly angels then submerges the song in a glowing, golden sheen before the track explodes into an exuberant troubadour joyfulness reminiscent of TheOh Hello’s. Continue reading →
This year, the Mural Arts Program’s Monument Lab project has pondered the question: what is an appropriate monument for the City of Philadelphia in 2017? This idea has been explored in various installations and workshops across the city, and over the summer, DJ and multimedia artist King Britt and visual artist Joshua Mays worked with students from the Mural Art Philly’s Art Education Program to create a “monumental time portal” titled Dreams, Diaspora, and Destiny.
This interactive music and visual performance will piece together sound samples, student-designed banners and artwork in order to both honor the past, and look with hope upon the future. The event, Youth Monument to the Future, will be free and open to the public this Saturday the 14th at Malcolm X Park in West Philly. Continue reading →
Merrill Garbus’ project, tUnE-yArDs, is bringing her experimental pop chaos back on the road for a few small venue tour stops. Thankfully, one of those visits includes Philly, in which tUnE-yArDs will be paying a visit to Boot & Saddle this November. Continue reading →
Shamir is not one for subtlety. Whether it be through his avant garde disco-pop introduction via 2015’s Ratchet, or the more subdued lo-fi tracks from his upcoming album, Revelations, Shamir remains as refreshingly blunt and expressive as ever.
While flashing a sarcastic, cheeky grin toward older generations in the floaty, dial-up nostalgia of “90’s Kids,” Shamir’s latest track, “Straight Boy,” is even more direct as it strips away any traces of an ironic veneer. Continue reading →
Now, with the help of the new local non-profit media collective, Dissenter Works, the gig’s philanthropic good-naturedness is being resurrected by ways of a benefit compilation of a few live recordings from the night. Continue reading →
During Low Cut Connie’s recent NYC show at Irving Plaza, the charismatic rock ‘n rollers paid tribute to the late great, Tom Petty, by covering “Learning to Fly.” Trading Petty’s bouncy acoustic strums, front man Adam Weiner spun Connie’s characteristic piano flair to the iconic tune. Continue reading →