90s alt-rockers Belly are back the old grind. After regrouping for a tour last year, which included a kickbutt stop at Union Transfer, the crew has decided to prolong the fun by recording their first new record in twenty years. Currently dubbed NameTBD, there’s no concrete release date as of yet. Continue reading →
For Atlanta-to-Philly rapper STS and multi-instrumentalist / producer Khari Mateen, combining their musical powers for epic results is no new phenomenon. It comes naturally to these extended Roots crew members, and this smooth easiness emanates from every fiber of their new track, “Better On A Sunday.”
With Mateen grounding the track in slow-tempo bluesiness through achey guitar twang and the soulful, steady chorus, STS peppers in texture as he raps verses in tribute to the everyday blue collar worker. Continue reading →
Ah, Lo Moon. The mysterious, mysterious band who came out of seemingly nowhere with their hit song, “Loveless,” last year. I was introduced to the group — comprised of Matt Lowell, Crisanta Baker, Sam Stewart, and touring drummer Sterling Laws — when prepping to see them at NonCOMM last May. And though I clasped my super-sleuthing cap on tight in detective-like determination, I could find nothing, save the lone 7 minute-long, slow-burning and soaring atmospheric rock track.
This Friday, WXPN welcomed back the LA-based band as one of the three inaugural Slingshot artists for a moody and ambient Free at Noon. Still as enigmatic as ever, Lo Moon has just released one new track, “This Is It,” along with a live performance of their 80s pop hook track, “Real Love” with KCRW. In an information-overload world of instant gratification, their patient material-reveal timeline whispers a sort of magical, otherworldly feel to their music. Continue reading →
You’re sitting on the porch with a cup of coffee. The sun’s setting, there’s a slight cool breeze, trees are rustling, and you’re tucked under a crazily cozy blanket. Not a care, just good and safe. If this setting of comfort had a musical equivalent, it would be Slaughter Beach, Dog’s new song “Acolyte.” Continue reading →
Friday the 13th is about to get a big dose of spooky off-kilter oddity, courtesy of longstanding local experimental rockers, Upholstery. The puppet-speckled crew will take over Johnny Brenda’s on this hallowed, eerie day to celebrate their band’s self-described “sordid and salacious past.” Continue reading →
Teenage strange-pop superstar Lorde is coming to Wells Fargo this April 2nd, which is some pretty flippin’ cool stuff on its own. But nope, someone must’ve said, we must make it even more wildly awesome. And then they casually added Run the JewelsandMitski to the bill to completely rock the socks off of all the people. Continue reading →
The last time we heard from Keith Hampson’s experimental lo-fi project, Power Animal, it was breathing as a solo entitiy. Now, Power Animal is back, and though the upcoming material is the most personal Hampson has been, he’s enlisted the help of friends for a move back to full-band territory, which comes to fruition in the album, Good Wind Pt. 1.
With the the world being the world it is right now, it’s nice and fine to take a breather for a sec. But you know what’s also nice? Raging in anger to Philly hardcore rockers, HOUND’s new track, “Aqualamb,” thats what.
The new song blazes in heavy, charged resistance as a blatant middle finger to you-know-who. Continue reading →
On the heels of performing the loaded Philly Music Fest at World Cafe Live, Eric Slick just shared a new track titled “secrets” via Boiled Records, which features Speedy Ortiz’s / Sad13’s Sadie Dupuis.
Of the song, Slick describes writing it after watching a news piece focused on a Jewish real estate agent in Montana who had been viciously trolled and threatened by a Neo-nazi hate group. Continue reading →