Six months ago, a friend of mine suggested I check out a guy named Kevin Morby. “Sounds like Bob Dylan,” I remember thinking to myself. Since then, I’ve seen Morby and his band three times, each show more rockin’ than the last. His Monday night set at Boot and Saddle was different for a couple reasons; it was my first time seeing him both outside of a festival setting, as well as my first time seeing him following the release of his 3rd LP, Singing Saw, this past April.
Monday night’s set brought with it a few more firsts. Morby played—for the first time ever, he told us—a 30 second-long song he wrote about Philly street names to the tune of Simon & Garfunkel’s “Blues Run The Game” (“Meet me down at Broad,” he sang). It was also my first time hearing a new Morby tune called “Tiny Fires,” which sounded more like early Wilco than Dylan.
But what’s best about a Kevin Morby show is not the new, but the old (or rather, the sounds old); mellower tracks like “Miles, Miles, Miles,” “Parade,” and “Black Flowers” (which, along with a cover of Townes Van Zandt’s “No Place To Fall,” he played solo) would feel right at home at The Gaslight Café (of Greenwich Village). CBGB might be a better fit for tunes like “I Have Been to the Mountain” and “The Ballad of Arlo Jones,” on which guitarist Meg Duffy (whose solo on “Destroyer,” may I add, lead me believe that she is some sort of real-life guitar goddess) dug in and let loose. Continue reading →