On the heels of their self-titled album released this past March, Three Man Cannon will be playing a free show at World Cafe Live upstairs, as part of the venue’s Spotlight Artist Series. Signed to Lame-O Records, it’s not surprising that Three Man Cannon incorporate that same punk rock with folk charm that echo the likes of Slaughter Beach, Dog and The Obsessives. Continue reading →
Underneath neon lights and in front of a sunset on a Philadelphia skyline, local band Harmony Woods performed for the first of Spruce Street Harbor Park’s 2018 Waterfront Sessions. The air smelled of beer, local food trucks, and the miscellaneous scents of the Delaware River, and as Sofia Verbilla, front-woman for the four-piece band, noted: “I’ve seen so many dogs and babies in the last hour! This is why I do what I do!” An incredibly peaceful and joyous night of amazing music, it was a perfect way to start off the summer-long series, featuring all local Philly bands and free admission.
The Key’s own John Vettese warmed up the crowd for a couple hours with an amazing DJ set featuring tracks from Kississippi, Maggie Rogers, Caroline Rose, Lauryn Hill, Sylvan Esso, Japanese Breakfast, and an infuriatingly smooth transition from Hop Along to Daft Punk. He concluded with the almost-too-on-the-nose track “The Walk” by Oso Oso for Harmony Woods to walk onto.
Harmony Woods began with the opener of their 2017 album Nothing Special, “Vignette # 1” leading into “The Best Things”. Their sound was surprisingly clear for an outdoor venue, the rough rhythm guitar of Sofia Verbilla punctuated by the sharper lead guitar provided by Chance Halter, smooth bass from Hank Byerly, and dynamic drums by David Juro. Sofia’s vocals were stellar as well, standing out among the instrumentation, particularly on their hit single “Renovations,” which rises from hold-your-breath serene to breathtakingly anthemic within three minutes. Their set also featured standout tracks “Jenkintown-Wyncote” and “Negro y Azul” with sparkling guitar riffs perfect to match the outdoor lighting and transportive descriptions of romance. Continue reading →
Decked out in a sparkling yellow ensemble and backed by a full band, Natalie Prass performed songs from her new album The Future And The Past as well as some older songs. Prass opened with “The Fire,” a song that shows off her unique blend of neo-soul and power pop. Her music is full of infectious rhythms and on-a-dime key changes, expertly handled with her signature soprano. She mentioned the lack of their touring keyboardist, resulting in a more stripped-down set, but still perfectly and polished and executed with style. Continue reading →
Maggie Rogers looked like a star Thursday night, headlining a sold out show at Union Transfer. And I mean literally. Decked out in a stellar jumpsuit/cape combo, covered in stars, eyes, hands, and flowers, she rocked the stage with her songs backed by a full band. Rogers kicked off her North America tour in Philly, playing through the entirety of her repertoire since her debut EP Now That The Light Is Fading was released last year on Capitol Records, as well as a few new songs from her upcoming full-length album. Continue reading →
Frances Quinlan sings like someone who loves singing. That’s not only to say that she has a clear talent for it, but also that her inflections are often adapted throughout Hop Along‘s performances — ever-changing, evolving, so songs always sound fresh and vibrant. At the band’s sold out headlining show at Union Transfer this Saturday night, in celebration of their new album Bark Your Head Off, Dog, hushed words became screaming anthems, better suited for live performance but also providing texture over the harmonies provided by Thin Lips’ Chrissy Tashjian. In addition to the band, the show featured low-hanging lights casting a moody glow on the stage, as well as guest appearances from the Philly band’s peers and friends (Kyle Pulley on tambourine, Cat Park on vocals), and a newly-brewed Hop Along IPA from nearby Love City Brewing on tap at the bar. Continue reading →