Bear In Heaven’s latest record, Time is Over One Day Old, has a telling song called “Dissolve the Walls.” It song starts off as a faraway confusion of conversation, blitzy synth running down a long tunnel as an upbeat womanly chorus chants: “Let the walls dissolve/ till there’s no room at all/ there’s no ceiling, no floor/ no windows, no door.”
Given this particular track and the cover art of the 2014 album (on which I can’t help but see a galactic rolling paper), you might think you could easily file it under ‘other worldly weirdness,’ right next to 2001: A Space Odyssey. But the group never has stopped with just one sonic style compartment, so you really can’t file this album as a whole under anything (and not next to any of the group’s previous releases, either).
“We’re always talking about output or creation, so it’s certainly not this, ‘alright, let’s definitely make this an effort to strip things back…’” says Adam Wills, guitarist and co-founder of Bear in Heaven, and writer of the song. The group, which headlines Johnny Brenda’s tonight, began 10 years ago as a project between Wills and co-founder/vocalist Jon Philpot. Continue reading →
It was a time before cell phones when Orrin Evans moved to New York City in 1996 with friend and trumpeter Duane Eubanks. So when he’d meet other musicians on the scene he’d simply tell them, “Call me at Duane’s crib if you need to find me.” The only problem was that Evans and Eubanks had been preceded by another Philadelphian named Dwayne a few years earlier – bassist Dwayne Burno. Evans realized his mistake when he received a phone call from the none-too-pleased bassist, who skipped past the pleasantries and proceeded to play an answering machine full of messages intended for the young pianist. Continue reading →
I called Michelle Zauner on the phone a couple weeks ago and this is what she said to me: “I forgot this was happening.”
It is easy to forget things are happening, especially in the summer. Plus Zauner was on vacation, in Oregon, the state where she grew up and where she lived before attending college at Bryn Mawr, before making Philadelphia her home and before starting the band Little Big League.
It was recently announced that Little Big League signed with Run For Cover, the Boston label that released the new album by fellow Philadelphians Modern Baseball, You’re Gonna Miss It All. A new Little Big League LP, the follow-up to the well-received These Are Good People (Tiny Engines; 2013), is expected to arrive later this year.
In addition to her work as the singer and guitarist in Little Big League, Zauner also makes music under the name Japanese Breakfast. Last month, the Seagreen Records label released her cassette American Sound & Where Is My Great Big Feeling?
Zauner is clearly very busy with music, but when she’s not on tour, she works elsewhere. For this new installment of Clocked In, we spoke with Zauner about her non-music-related work history, from clerical work at her dad’s truck broker business, to bossing a grill at Bryn Mawr, to holding down the comic shop Brave New Worlds. Continue reading →
Local bands A Day Without Love and Uncle/Father Oscar recently released a split EP, fittingly titled A Day Without Oscar. Alt-rock four-piece A Day Without Love, who just released their latest EP Confessions of the Innocent Mind earlier this year, starts out the EP with “Lost Children,” a song with the same apocalyptic feeling the band explored on Innocent Mind. However, during ”Broken Bridge”, the band puts on a more intense rock vibe, a slightly new direction.