By

The Key Presents: Saintseneca

Saintseneca's Zac Little | Photo by Jeremy Zimmerman | http://jeremy-zim.com/
Saintseneca’s Zac Little | Photo by Jeremy Zimmerman | http://jeremy-zim.com/

“I write all the songs that I want to write,” says Saintseneca‘s Zac Little as we’re walking around on the Reading Viaduct, “so why would I need another band?” While many of his bandmates moonlight in other projects — All Dogs, Yowler, The Sidekicks, to name a few, these are not unknown bands in the slightest — Zac feels fulfilled in one sphere. One whole cloth.

It’s a philosophy that Zac takes into his songwriting, as well. Anything can be profound, everything is valuable in the right light. A question like “How Many Blankets Are In The World?” might seem inane, but in Little’s hands it finds meaning beyond measure. Continue reading →

By

Meet Queue: a new five-piece spinning effortless dream pop melodies

Queue | Photo by Tina Letter
Queue | Photo by Tina Letter

“Falling Into Skies,” the debut single from Philly scene newcomers Queue, is like waking up. First, your pupils contract, adjusting to the light. Then your surroundings slowly come into focus, but you’re still groggy.

Queue perfectly captures this feeling of early-morning haze. Singer Olivia Price’s voice is thick and smooth, lethargically holding on to syllables at the ends of phrases. Even the drums have a muted quality to them.

The five-piece is split between D.C. and Philly, but you wouldn’t know it from how cohesive “Falling Into Skies” sounds. Although three-fifths of Queue currently works in corporate, nine-to-five jobs, the goal is to one day all live in the same city and focus on the band. It’s still early, but after listening to “Falling Into Skies,” that proposition doesn’t sound all too unreasonable. In the month since its release, the track has received over 5,000 listens on Soundcloud and has been picked up by radio stations in both the U.K. and France. Continue reading →

By

This Day in Music History: Joe Cocker makes his television debut, The Verve breaks up

The Verve

1966 – The Beatles started recording the John Lennon song “I’m Only Sleeping” at Abbey Road studios in London, England. The song features the then-unique sound of a reversed guitar duet played by George Harrison. It is released two months earlier in the United States on the album Yesterday And Today and is not featured on the original US version of Revolver.

Continue reading →

By

Eight questions with Philly rapper Tunji Ige

Tunji Ige
Tunji Ige | photo courtesy of the artist

We’ve been fans of Philly rapper Tunji Ige here at The Key ever since first putting our ears to The Love Project, his debut mixtape that dropped in late 2014 when he was 20 years old. He’s an MC at heart, but paints his music with a broad brush – it incorporates elements of dance pop, psychedelia and experimental rock. A couple years down the pike, we’ve been totally enthralled with the direction he’s taken his career, from gripping music videos with longtime collaborator Glassface to guest spots with emerging Parisian pop outfit Christine and the Queens.

This spring, Tunji dropped Missed Calls, a seven-song set that you can stream below. Is it an EP? Is it a full length? I don’t know, but it’s good. We caught up with him on the phone last week, and basically asked him everything we’ve wanted to know more about over the past two years. Read our interview below, and catch Tunji tonight when he opens the show at Underground Arts for JUMP Philly’s Red Bull Sound Select party.  Continue reading →

By

This Day in Music History: Simon & Garfunkel release “The Boxer,” Elton John makes his solo stage debut

Simon & Garfunkel

1967 – The Beatles complete the sessions for Sgt. Pepper’s Lonely Hearts Club Band at Abbey Road studios in London. The final recordings are of gibberish and noise which would follow “A Day in the Life” in the run-out groove. They record assorted noises and voices, which engineer Geoff Emerick then cuts up and randomly reassembles and edits backwards. At John Lennon’s suggestion, they also add a high-pitch whistle audible only by dogs. These are omitted from the American version of the album.

Continue reading →