There are two trends in live music happening now that I am absolutely in love with: the reunion tour, and the album tour. Houston, Texas emo outfit managed to fit (almost) both of them in to a single evening at Union Transfer last week. Continue reading →
Whether you hear Chris Isaak’s “Wicked Game” for the first time or the 50th, it is still unlike any song from 1989 or 2014. And to see Isaak performing this and any of the dozens of songs he has created or covered is a must-see. I finally caught him on Friday at the Keswick and was as ecstatic with the show as the rest of the nearly sold-out crowd. Continue reading →
“Proficiency” was the common thread throughout this particularly brisk Friday evening at the Mann Center’s Skyline Stage. A thoroughly stacked lineup, it’s tough (and downright reductive) to refer to the bands who played before The Gaslight Anthem as “openers.” Based on the draw each act produced during their respective sets, Friday night’s audience would heartily agree. Continue reading →
On Saturday night, Dr. Dog treated us to an all-night party at the Mann Skyline Stage sharing the spotlight with Hop Along, The Front Bottoms, and Mac Demarco. At first glance, this line-up sounds like it might not work but as proven by the end of the night, Dr. Dog is open to many sonic adventures, so it only makes sense that in their hometown, they took a chance and exposed their fan base to some music that may go against your average tour promoter’s instincts. Continue reading →
World Cafe Live is getting a treat tonight Americana folk-rock band, Goodnight Texas. No, bandmates Avi Vinocur, Patrick Dyer Wolf, Alex Nash, and Bobby Kendall are not from Texas. The name actually came from the geographical midpoint between the songwriters Avi Vincour (of San Francisco) Patrick Dyer (of North Carolina). What a clever way to create a unique name. Their music give you a nice, feel-good, chill vibe; it’s as if you want to sit on the porch with your significant other and watch the sun set. That makes World Cafe Live the perfect place tonight to go on a date. Checkout their song “Maggie’s Farm” below. Continue reading →
Long-time Philadelphia indie-rock favorites Dr. Dog are set to take the stage at the Mann tonight. With over eight albums and a handful of EPs under their belts, the six-piece has a plethora of material to chose from to curate a rockin’ set-list. Their most recent album, B-Room, has a psychedelic flair with tracks like “The Truth” and “Love.” For tickets and more information head over to the XPN Concert Calender. Below, check out the music video for “Shadow People.” Continue reading →
New Jersey rockers The Gaslight Anthem bring their new record Get Hurt to The Mann Center‘s Skyline Stage tonight. Released earlier this year, Get Hurt follows the band’s 2012 LP Handwritten with a retuned style and updated aesthetic. What was previously all retro and throwback rock to the early days of Springsteen is now modernized, though the group’s blue collar, everyman stories are still present. Watch the video for the title track below and get tickets for the show with Jimmy Eat World and Against Me! here.
It’s Fringe Festival’s second weekend of performances….
The Four Seasons Restaurant, pictured above, from Italy’s Societas Raffaello Sanzio presents a provocative take on the effect that absence, solitude, and negation have on the human condition. Award-winning director Romeo Castellucci is well known internationally and his On the Concept of the Face Regarding the Son of God was featured at last year’s Fringe. Continue reading →
The latest in the semi-regular Obscura series brought a stellar lineup of local talent to the A-Space anarchist community center in West Philly on Saturday night. Founded by local writer and promoter Lissa Alicia Simpsons, the series aims to spotlight local independent artists who are all too often overlooked in the Philly music scene. Continue reading →
You probably know them as a fun punk rock band, but that doesn’t mean Philly’s Dead Milkmen don’t have a dark side. Last Friday, the local favorites headlined a benefit at Laurel Hill Cemetery in East Falls. The band performed between the pillars of a mausoleum off of Hunting Park Avenue, while the crowd – reportedly over 1,000 in attendance – gathered along the walkway and among the headstones up the hill. As dusk turned to dark and clove cigarette smoke filled the brisk pre-autumn air, the four guys on crypt stage launched into a squalor of rumbling beats and instrumental feedback as frontman Rodney Anonymous murmured “White on white translucent black capes.” Holy shit. They were covering “Bela Lugosi’s Dead” by Bauhaus. So perfect. Continue reading →