There’s a new supergroup in town, folks. Local songwriters Anika Pyle (Katie Ellen, Chumped) and Augusta Koch (Cayetana, Gladie) have joined forces with Sheena Ozzella of Lemuria for a new project. The trio will perform under the name Sheena, Anika, and Augusta, and have announced a four-track EP called simple pleasures that will be released on Asian Man Records. Continue reading →
Philadelphia punk outfit Soul Glo has gone through a lot of changes since the release of their UNTITLED LP from 2016. The propulsive hardcore of that record is steeped in taut playing and nervy shrieks, but the gigs they’ve played have gradually developed and changed, making ample room for large swaths of expansive, cathartic noise. Theirs is a live show that makes the audience feel the frustration and anger of the music in a visceral way, and seeing the song listing of their new album include a cut called “noise tracc,” we expect that it will echo what we’ve been seeing Soul Glo bring to the stage over the past year or so. Continue reading →
The towering International House building at 37th and Chestnut has long been home not just for students from around the world attending college in Philadelphia, but for a vibrant array of arts and cultural programming. Their events calendar runs the gamut from film screenings to musical performances by traditional ensembles like the Liberian Women’s Chorus for Change, experimental artists like J.G. Thirwell and Zola Jesus, and left-of-center multimedia events like The 78 Project’s direct-to-acetate taping of a Joe Jack Talcum performance.
Brandi Carlile got her start by busking on the streets of her hometown of Seattle, and this past Saturday she took a nostalgic trip to Pike Place Market to play an impromptu set, bringing along fellow Seattle native Dave Grohl of Foo Fighters. The two musicians were accompanied by Carlile’s bandmates Phil and Tim Hanseroff, a.k.a “the twins,” and part of their set was streamed live on Carlile’s Facebook page, while onlookers captured their own video.
As crowds gathered outside the famous market to watch the unannounced set, Carlile and Grohl played a rendition of The Beatles’ “Let It Be,” plus some of their own songs, including the Foo Fighters’ “Times Like These.” Carlile wrote later on Instagram that the 15-minute set was “one of the most surreal moments of my life.” Watch clips of the performance below. Continue reading →
Fifty years after the creation of the Art Ensemble of Chicago. co-founder Roscoe Mitchell is taking on new recruits. The ensemble was formed in 1965 and, over the years, they have garnered praise for their avant-garde sound that successfully fused jazz with European art music and African folk styles. This year, the group is taking another leap this year by adding young, forward-thinking musicians to their ensemble. Among them is Philadelphia-based Moor Mother, a poet and experimental musician who has been collaborating with artists in the Philadelphia music scene for years.
Her work centers around ideas of freedom, future, and the abstract, and it is easy to see how she and Mitchell came together. Continue reading →
In the wake of the Trocadero’s reported closing on the horizon, news broke that another iconic spot for concerts in Philly may no longer be hosting shows. According to Philly.com, the Festival Pier at Penn’s Landing, a longtime host of outdoor summer concerts, will not open for a 2019 season.
One event Festival Pier may be best known for is the home of the annual Roots Picnic — so it was a bit of a red flag when it was announced earlier this week that after 11 years at the waterfront venue, the Picnic will be moving to the Mann Center this year.
Philly.com’s Dan De Luca spoke with Geoff Gordon, the regional president of Live Nation, which booked shows at Festival Pier and operates several venues across town, including the new Met Philadelphia. Although the exact term Gordon used regarding the venue’s closure was “sabbatical,” it appears more likely that Festival Pier’s hiatus will be a permanent one. Continue reading →
The Beastie Boys are documenting their legacy this spring with three live shows that will become a part of a film called “Beastie Boys Story Told By Ad Rock & Mike D.” Ahead of two NYC shows, the project will kick off with a show right here in Philly at the Tower Theater on April 5.
Last October, Beastie Boys members Adam “Ad-Rock” Horovitz and Michael “Mike D” Diamond released a seemingly career-culminating memoir, “Beastie Boys Book,” which recounted stories from their decades-long run. But with this announcement, which Horovitz and Diamond revealed to Amazon Music’s Nathan Brackett at a SXSW panel this week, it’s clear that the Beastie Boys aren’t finished yet. Continue reading →
Just a few months after releasing their latest album The Bluest Star, Free Cake For Every Creature has announced that the project is coming to an end. The West Philly indie pop outfit is led by singer-songwriter Katie Bennett, who started the project in 2013. Since then, she’s gone on to release three home-recorded full-length albums under the Free Cake name, but has decided it’s time to move on to other projects. Free Cake For Every Creature will play two full-band farewell shows in May. Continue reading →
Longtime artist collective Space 1026 has found a new home in an unlikely space. Forced to vacate the Chinatown building it’s called home for more than 20 years due to rising rent, the artists behind the collective launched a crowdfunding campaign to find its new home, and according to a report by WHYY’s Peter Crimmins, they have purchased a former North Broad Street beauty salon.
The artists hope the new location will be able to accommodate the same uses of the old space, which housed studio spaces, a screenprinting facility and a gallery space for art exhibitions and musical performances. It’s also a fresh start for the collective, which includes about 20 artists. “We’ve always been held together by duct tape and hot glue, and dumb positive attitudes and blind faith that it’s going to work out,” Space 1026 founding member Maximilian Lawrence tells Crimmins. “Until this round, which was different.” Continue reading →
Philly rock four-piece Mannequin Pussy has been working new music into their live set since not long after the release of 2016’s wonderful Romantic, and not only have we received word today that a new album is due later this year, the band found a new home for their music with legacy punk label Epitaph Records. Continue reading →