When we last heard from Philly rapper Bri Steves, she was onstage at Made In America with Kendrick Lamar, singing her summertime jam “Jealousy” for the crowd gathered on the Ben Franklin Parkway. Late last week, she released her latest single, a jam called “Miami” that creates a compelling contrast between the dreamlike, downtempo beat and Steves’ rapid fire, aggressive delivery. She spits truth about music industry sexism, and the challenge of grinding and hustling to get to the boss-level she’s attained, creating a song that reflects on her journey so far while looking ahead to what’s next. Continue reading →
Cat Power, the longtime recording project of songwriter Chan Marshall, recently released Wanderer, her first album in six years. Before heading out on tour in support of the new LP, Marshall stopped by Los Angeles NPR member station KCRW for her first live radio session behind Wanderer. She chose one of the album’s slower tracks, “In Your Face,” and stripped it down even further for a raw and emotive performance. Watch it now via NPR Music. Continue reading →
A year ago, Lauren Denitzio’s geographically roving punk outfit Worriers released their latest LP, the excellent Survival Pop. Now, after a busy year of touring behind the release, Worriers have announced that they’ve signed with the Richmond-based label 6131 Records, which has reissued Survival Pop with two new tracks. It’s out now digitally, and will also be available on CD and vinyl (pre-order here).
The extended version of Survival Pop includes the addition of a previously unreleased track called “The Saddest Little Waffle House in Eastern Pennsylvania.” Continue reading →
For years, Philly singer-songwriter Gracie Martin hid her music from the world out of self-conscious fear. She finally released her debut EP Unconscious in the summer of 2017, which she recorded solo before assembling her band The So Beautifuls.
“Siren Songs,” off Unconscious is a mythical folk pop track, Martin’s vocals taking on an airy, ethereal quality. Her voice is backed by weeping cello and stringy, hopping ukulele. In the new music video for the song, Martin shifts through flimsy, mutable realities. Continue reading →
Louisville rock adventurers My Morning Jacket turned a corner in October of 2005. Previously beloved as an indie band with an impressive knack for roots / Americana-infused songwriting and a penchant for heady jamming, that fall’s release of Z, their fourth LP, saw them bringing tones and textures into the fold that they hadn’t previously touched — atmospheric ambient flourishes, deep dub vibrations, and some of Jim James’ poppiest hooks, sometimes all in the same song (see the still-killer “Off The Record”).
On tour in support of that record, the band hit the Southeastern Philadelphia region several times that fall, beginning with a gig at Lancaster’s Chameleon Club on October 11th. Watch a few video clips from that show down below. Continue reading →
Philly’s Kurt Vile released his album Bottle It In today on Matador, one year after his and Courtney Barnett’s collaboration on Lotta Sea Lice. And if that hour and 18 minute LP isn’t enough Kurt Vile for you, you can also check out his 74-minute episode of WTF with Marc Maron, released yesterday. Continue reading →
Speedy Ortiz recently announced a new string of headlining tour dates behind their recent album Twerp Verse, and now they’ve added a new single to their catalogue to mark the occasion. “DTMFA” is a catchy, riff-filled song that Sadie Dupuis has had on the back burner for awhile. The songwriter reportedly considered it for her 2016 solo album Slugger, and then again for Speedy’s latest LP, but it never quite made the cut. Continue reading →
It’s been a year since Royersford’s Savan DePaul caught our ear in the Items Tagged Philadelphia project with the otherworldly EP Sketchpad, and his work has only become more refined since then. Over the winter, he re-emerged with the genre-fusing Musings from a Jovian Moon, and late last month, DePaul dropped his latest project, .cranium.scatter., Vol. 2, a heady serving of impressionistic, FlyLo-styled beat tapestries with surrealistic, pitch-shifted lyrics in the vein of Dr. Octagon. DePaul calls .cranium.scatter. an “odyssey of lofi hip hop and abstract consciousness,” and that description sounds about right to us.
A month after dropping their saxophone-driven, dad rock debut Catholic School, Joey Sweeney & The Neon Grease made an appearance on Fox 29’s The Q this week, playing the nostalgic “Polaroids on the Floor.” The band announced that proceeds from the record go to Rock to the Future, a nonprofit organization providing music education for youth in Philadelphia. Their performance is as goofy and energetic as always — as they pointed out on Facebook, Sweeney breaks the fourth wall to look directly into the camera and into the homes and offices of viewers across the Delaware Valley to sing the line “I just stayed inside on the couch/and I got HIGH” — and you even get a little bit of host Quincy Harris awkwardly holding a tambourine like he’d never seen one in his life. Continue reading →