Philly based punk band The Menzingers have a new album, Rented World, due out April 22 via Epitaph records, and as of today you can stream the album in its entirety over at Spin.com. For the new record, the band worked at Miner Street studios in Fishtown with the help of engineer Jonathan Low, who has worked with countless Philly luminaries from Restorations to Kurt Vile.
You can pre-order the album Rented World before its April 22 release here. Catch the Menzingers live when they return to Philly May 31 at Union Transfer. Find tickets for that show here. Stream opening track “I Don’t Want to Be An Asshole Anymore” below, and listen to Rented World in its entirety here.
Rhythm Sessions - a Lindy and Blues event and West Philadelphia’s monthly jam for jazz dance, jazz music, and jazz fans – is happening again this Sunday, April 13 at Studio 34 on Baltimore Ave. in West Philly.
The event, which is typically the third Sunday of every month, has been moved up due to the Easter holiday, and this weekend’s session features music by Philly jazz band Chelsea Reed and the Fairweather Five. If you haven’t experienced Chelsea Reed live before, it is nothing short of an experience, knocking you back to the Bessie Smith era of the 1920′s and 30′s in the most authentic fashion.
With the cozy ambiance of Studio 34, the high energy tunes of Chelsea Reed and a BYOF policy (bring your own food), the all ages event is perfect for friends, family, and the like. No ticket is required to attend, just a donation suggestion of $10, but that’s up to you. Get more information on the event here. Watch Chelsea Reed and the Fairweather Five perform their own rendition of “Everybody Loves My Baby” below.
Heavy psychedelic rock band Creepoid have already announced their forthcoming EP, Wet, set to be released as a 12″ on April 19 – Record Store Day, appropriately – and in anticipation of that release the Philly band has premiered a new track from the EP titled “Truth” over at CMJ.
“Truth” opens up with a punch-in-the-stomach bass line, dragging the track the whole way through under ethereal, dream-like vocals. Anna Troxell’s voice is, in one word, mesmerizing; swaying in a way that evokes feelings of “I want to die and be alive” at the same time. The tempo is a bit slower than the previously released “Wet Bread”, with lugging guitars that creep and linger. I’m completely about it.
Be sure to pick up the 12″ via Graveface April 19. Stream “Truth” below.
The Japan America Society of Greater Philadelphia celebrates the return of spring with the Subaru Cherry Blossom Festival of Greater Philadelphia. There’s the Cherry Blossom 5k Saturday, weaving through the historic Centennial District, and the grand finale Sunday, the all day Sakura Sunday at the Horticulture Center in Fairmount Park, with among other activities a prize for the prettiest pet in pink!
Philadelphia is a true hotbed of musical activity. Cheap rent, collaborative vibes, an abundance of musically-minded people, and a solid support system for developing acts are just a few of the factors that help to make this city into a real deal music town. My favorite aspect of the greater musical community is, well, just that – that it’s a community. Philly feels tight-knit, but it isn’t exclusive or closed off to newcomers. It’s a support thing. Folks here play in lots of bands, they pop into each others’ recording sessions, and are always seeking ways to include one another in projects. Recently, I was thinking about the WXPN Performance Studio, the space where Folkadelphia, as well as Gene Shay’s Folk Show, World Cafe, The Key Studio Sessions, and most other WXPN-related in-studio sessions are tracked, and what musicians come through to record. I got to thinking that there is a contingent of local musicians that have spent a significant amount of hours in the room, that returning to WXPN is like coming home in a way. For these musicians and since the building’s construction, the space perhaps represents a safe zone for collaboration, experimentation, and uninhibited performance.
Chris Kasper is a Philadelphia local songwriter that we have looked for opportunities to include in what Folkadelphia does. We’ve seen how amazing he’s been working with WXPN on various events and we’ve listened to his four albums, especially his most recent Bagabones, with attentive ears, feeling considerable excitement at his impressive lyricism and turns of phrase. What has always drew us closer to Kasper is his collaborative spirit; many of our favorite Philly musicians play with or alongside Kasper, to name a few: Kiley Ryan (the two also work together with Foxhound), Phil D’Agostino, and Daniel Bower. For fun, you should construct a diagram where each of these musicians were connected to other bands they have collaborated with in some way, then expand from there, then expand from there, and so on. You’d need a lot of paper. What you’d get is a spider web of musical community goodness and that’s what Philadelphia is all about.
Towards the final days of 2013, Chris Kasper, along with Kiley Ryan on fiddle and Phil D’Agostino on bass, spent an evening recording with Team Folkadelphia. It’s a case of total chemistry, where the musicians are tight locked-in with each other, existing only in the present moment, and playing with a sense of joy. You didn’t need to give them a tour of the recording space, they’ve been here before.