The Queen Theater will begin its new life as a Live Nation venue next month when the doors reopen after a few months of downtime.
Formerly the home of World Cafe Live at the Queen, the historic Wilmington, DE space changed hands with a symbolic “changing of the guard” event earlier this week attended by local government officials and Philly Mardi Gras band The Wild Bohemians, giving members of the press a sneak peek at the newly decorated walls.
Philly friends Corey Bernhard, Steve McKie and Chris Turner have an impressive resume as producers and session musicians alone — they’ve worked with Bilal, Jill Scott, Estelle, Ed Sheeran, Snarky Puppy and a lot more over the past decade and change.
But like most creative folks, they had their own fires burning in the mix of the gigs that were paying their bills. Enter Killiam Shakespeare, the band that came as a result of these longtime side players collabing in the studio — the project, with debuted in 2015 with a self-titled release on Ropeadope Records, spans the worlds of hip-hop, jazz, R&B / pop grooves and rock.
“We said ‘There’s no point in letting it sit around on our hard drive,'” recalls Bernhard of the music they were making. “We had all these songs, some of them instrumentals, some with our friends we still make music with.”
“Having our own studio in West Philly really gave us that platform to create our own music,” adds McKie. “You have times when you play in a band, it’s set up for you to play the show, you leave, you rehearse. For us, we felt we were more artistic, we had more to offer not just as musicians but producers and composers.” Continue reading →
Before they co-founded the aughties Philly rock outfit East Hundred, brothers Will Blair and Brooke Blair had a background in film and music video. After the band parted ways in 2011, they turned their sights back to that world, and it’s since become their full-time gig.
Out of a small studio on Frankford Avenue in Fishtown, The Blair Brothers have crafted the tense sonic textures and evocative musical backdrops to a number of indie films of the suspense-driven variety; their big break came with Jeremy Saulnier’s acclaimed 2014 film Blue Ruin, and they’ve since teamed up with the director again on last year’s Green Room, and worked with their brother Macon on I Don’t Feel At Home In This World Anymore.
Tomorrow, their latest soundtrack hits iTunes; it’s for Evan Katz’s Netflix thriller Small Crimes, and it draws on a variety of styles, from traditional salsa to mysterious jazz and haunting ambient textures. The Blair Brothers appeared on the WXPN Local Show this Tuesday evening to discuss their return to film, reflect on scores that inspired them and to share songs from the soundtrack. Continue reading →
Aughties hip-hop supergroup, Jurassic 5, are bringing their old-school vibes to the TLA tonight. Comprised of DJs Numark and Cut Chemist, and MC’s Chali 2na, Zaakir, Akil and Mark 7even, the group was formed at LA’s The Good Life cafe, and was incredibly influential in the West Coast underground scene. Tickets for the show can be found at the XPN Concert Calendar. Listen to their 2002 jam, “What’s Golden,” below. Continue reading →
Just over a year ago, Queen Village locals started peaking their heads in R&D Vinyl’s original Fourth Street location. At first the curious window shoppers were coming into the store out of earnest friendliness and interest. But quickly things changed, influencing R&D to take their experimental-focused and cassette tape-heavy inventory to a better-suited block of South Philly’s Dickinson Narrows neighborhood.
Now situated only a couple doors off Dickinson Street’s southwest corner at Sixth Street, R&D, which is short for Research and Development, is feeling at home. As a matter of fact, co-owner David Milstein calls that block of Sixth Street home, too. One day he passed the storefront, noticing a “For Rent,” sign on the door, automatically imagining having the store on the same block in which he lives being “kind of like a fantasy.” At the time, he and other co-owner John Mariano, had been considering moving the store for multiple reasons. One of which was the pushback they got from Queen Village residents throughout R&D’s inaugural year in business. Continue reading →
When Maxwell Ochester’s neighbor asked the then Mt. Airy teen’s parents if he could borrow him one weekend to work Brooklyn’s Roosevelt Record Swap, he probably didn’t know that he was changing a very small life. But he was. At the time, Max was hooked on records of the standard classic rock fare—Guns n’ Roses and Poison, for example. Hip hop, soul and funk were still a bit foreign to him. Foreigner was less so. But when Max got situated behind the booth at his first NYC swap, he found himself face-to-face with some of hip-hop’s biggest artists of that era.
“It just so happened that one of the first shows we did was this now super famous record show in New York where all the hip-hop artists from the early 90s were getting their samples from. So A Tribe Called Quest and Pete Rock & CL Smooth would all buy albums to sample for their records. So that’s how I got into it but I also got hooked right then. I was like, Oh my god, Q-tip is buying a record from me,” he remembers.
Today, that kid is 39 and he owns Brewerytown Beats, arguably the best record shop in the city of Philadelphia. And he wouldn’t have what he has, which includes approximately 20,0000 records and a coveted role as A&R and co-distributor for Jamie/Guyden Records, if it wasn’t for his experience at the swaps. “Watching Q-tip and Pete Rock and all these guys that I looked up to and the stuff that they would buy, I would really pay attention,” he says. “I used to watch what they would buy and then I’d listen to their music and try to dissect and find what kind of samples they were using for their music—and that’s how I got into it.” Continue reading →
Philly rockers Loose Tooth released their latest album Big Day in April, but have recently created a very necessary addition to the record: a recipe book. Featured on Impose Magazine, Loose Tooth has concocted a specific meal and accompanying cooking details for each track on the album. Because every tasty track needs a tasty treat. It’s basic physics, really.
While some of the songs seemed destined for a food companion — i.e. “Garlic Soup,” possibly “Fish Boy” — others are a bit more of stretch, and thus thoroughly enjoyable to read and map connections from the song to its food counterpart. Continue reading →
One of the hardest-working behind-the-scenes people in Philadelphia’s music community is Marley McNamara — manager of The Districts, The Dove and the Wolf and more, show-runner at Johnny Brenda’s and all around rock and roll enthusiast.
This week, she appeared on the latest episode of the 25 O’Clock Podcast with host Dan Drago, and the two talk about how McNamara forged her own path in the music world, how she found the artists she works with and why she prefers working in places that value musicians for their creative vision and not their commercial appeal.
Listen for lots of conversation on the Philly music scene, about how Car Seat Headrest helped her stay tapped into music fandom, why The Districts are distancing themselves from “Funeral Beds” and the reason she’s totally okay with that. Stream it below. Continue reading →
Sounds of Psychedelphia is a three-part series exploring the history of psychedelic rock in Philadelphia. this month, we begin by studying the scene’s origins in the late 60s and early 70s.
At the dawn of the new millennium, the post-grunge alt-rock hype had died down, making room for guitar-oriented bands to stretch beyond conventions that had grown stale by the later part of the 90s. This, along with the emergence of mp3s and file-sharing technology, drastically changed the landscape of rock and the music industry in general.
In Philadelphia, an intriguing brew of cross-pollinating musical styles and DIY ethos began to bubble up as underground bands were able to use the internet to engage their audiences. While many of the “Psychedelphia”-era bands of the 90s like Photon Band, Asteroid #4 and Bardo Pond carried on into the 2000s as integral parts of the Philly scene, a new, younger crop of acts began to make noise as well. Much like their forebears of the 60s and the 90s, many of Philadelphia’s millennial bands retained the melodic, guitar-pop influences of the U.K. (The Beatles, Kinks etc.), fusing those sweet sensibilities with a decidedly heavier, muscular sound. Continue reading →