“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
Birdie Busch’s new record Thunder Bridge is beautiful, meditative, with an attention to production details and sonic textures that would make Yankee Hotel Foxtrot-era Jeff Tweedy envious. Recorded in Germantown, Busch’s sixth LP sees the introduction of longtime friend Jaron Olevsky as keyboardist, as well as co-producer along with her partner, bassist Todd Erk. It’s a pensive, reflective collection of eight tracks that might remind you of Lucinda, Feist, or the moods of Beth Orton, and you’ll be comforted to know that Busch is a local Philly girl too.
What’s more, on June 18th, the Philly songstress will host a record release party at Boot & Saddle in celebration of the new work (get tickets and more info here). She’ll also be around town with a handful of show dates this summer, and come Fall, Johnny Brenda’s will host her seventh annual Philly Opry, a night of music cultivated by Busch, and conceived to mix-and-match local and traveling acts.
In her interview with us, Busch related her eclectic influences, her love for the city and its arts community. She speaks thoughtfully, poised with deliberation and without calculation, and throughout shares her contagious outlook of renewal and rejuvenation, whether it’s with reference to her relationship with live performance or just walking or biking the city’s streets and neighborhoods. Continue reading →