support from Cancer Treatment Centers Of America
Northern Maine singer-songwriter Jacob Augustine brings his band and his powerful voice to Philly tonight for a Folkadelphia showcase with promising locals Friendship. This spring, Augustine released a split single with Philly’s Bad Braids – listen to the emotive “Salvation” below and get more information on the show at its Facebook event page. Continue reading →
New Brunswick rock mainstays Screaming Females will play Union Transfer tonight in support of this year’s Rose Mountain LP. They released a new video for opening track “Empty Head” last month, which follows a cast of paper cutout creatures around an industrial city. Watch it below and pick up tickets for the all-ages show with Vacation, Radiator Hospital and Pinkwash here. Listen back to Screaming Females’ Key Studio Session from last week here.
Grandchildren release their new album Zuni at Johnny Brenda’s tonight. The cinematic rockers stopped by for a Key Studio Session earlier this summer, giving us a sneak peek of some of the new songs and proving that band is still locked into the textures and sounds that made their earlier releases so captivating. Watch them perform “Walking Dead” below and pick up tickets to the 21+ release show with Spaceship Aloha and White Bike here.
Nobody captures midtwentysomething ennui quite like Philly’s Alex G. The quiet guitar strums and dreamily chiming harmonic leads, the murmured lyrics, the midtempo pace and listless minimalism. It kind of nails that point in everyone’s life where directon is unclear and the only positive use of time is sprawling out under a graffiti-covered bridge, smoking cigarettes and watching the sun set. That’s pretty much the vibe of the new video for Alex G’s “Bug,” directed by Micah van Hove; it almost feels like a slice-of-life short story, a vignette following a squatter couple about their day. Continue reading →
The annual Clark Park Fall Festival hits West Philly on Saturday, September 19th, and in addition to the usual assortment of crafters and food vendors, it brings together a day-long lineup of local music to support education nonprofit Rock to the Future. Tapped for the show are funky favorites You Do You and Black Landlord, jazzy-prog hitmakers Darla, singer-songwriters Rosemary FiKi, Nik Greeley and Abi Reimold, and much more. Music runs from 11 a.m. to 6:30 p.m., and more information can be found here. Below, check out music from some of the artists and check out the set times. Continue reading →
Personally, I will never get tired of “Pretty Pimpin’.” It’s Kurt Vile‘s best single to date, hands down. But he’s got a whole new record of music about to drop next month, and from this new trailer released today, it’s sounding pretty promising. Matched with footage of the band goofing around in the desert and working in the studio, we hear bits of songs “I’m An Outlaw” and “Lost my Head there.” Check it out below, and pre-order b’lieve i’m goin down…over at Kurt’s website. He headlines Union Transfer with Waxahatchee on Friday, October 9th. Tickets and more information can be found at the XPN Concert Calendar. Continue reading →
Tonight, LA saxophonist and acclaimed band leader Kamasi Washington brings his aptly-titled debut LP The Epic to World Cafe Live with an eight-piece band. In an interview earlier this week with The Key’s Shaun Brady, Washington talked about breaking down the boundaries of genre:
The word ‘jazz’ and the word ‘hip-hop’ have a separation, but the music doesn’t really have that same separation. You can’t talk about hip-hop without talking about A Tribe Called Quest, and their music is inundated with jazz. You can’t talk about west coast hip-hop without talking about James Brown and Parliament.
There’s a type of folk music that’s difficult to listen to in an abstract way, a type that’s difficult to extricate from the rich context of its history. A type that seems to always evoke a sort of timelessness, along with its most prominent practitioners and all of the artists who have carried it into the modern era. Nick Drake. Fairport Convention. Pentangle.
Oh, and “The Battle Of Evermore. “ Obviously.
Toward the end of her until-then lifelong residency in the Philadelphia area, in December of 2010, Meg Baird opened for the late great folk singer and guitarist Bert Jansch at Johnny Brenda’s, at what would be his last appearance here. Shortly following that show – in retrospect, an evening on which the proverbial torch of this tradition and this artistry was arguably passed, metaphorically speaking, between its masters in two generations – Jansch would pass away, sadly, and Baird would uproot, and relocate to the West Coast. Continue reading →