Two up-and-coming acts shimmered their way through diverse sets of music at Union Transfer last night. Each recent Firefly performers, both groups are distinctly positioned for bigger things, and the sold out crowd on a Monday night was a testament to that. Continue reading →
“I guess we didn’t really think it through, does that kinda make us like dinosaurs?” Aaron Weiss—just as charmingly awkward as ever—asked the audience late on Saturday night. Earlier in the evening, he and his longtime friends who make up mewithoutYou had taken the stage of the Trocadero to the swelling orchestral theme from Jurrasic Park, to celebrate their breakout album Catch for Us the Foxes turning 10 years old. Whether you see Catch as a fossil from mewithoutYou’s early days or the cornerstone of their career-writ-large, Saturday’s sold-out, hometown show was undeniably one for the history books. Continue reading →
New York based electronica duo Phantogram rocked Union Transfer this weekend with an electrifying performance. On Sunday, the band played the second of two back-to-back sold-out shows in support of their second full-length album, Voices, which was released in February. Josh Carter (vocals, guitar, and electronic beats) and Sarah Barthel (vocals, keyboard, and guitar) were backed by a three-piece band, which allowed them to give a spectacular, full-sounding performance. Continue reading →
It’s a damn good day to be a white dude – this white dude in particular. David Burd, AKA Lil Dicky, performed for a packed venue and a warm homecoming at the TLA Thursday night. Laughter, thigh sweat and body hair flowed freely to “Lemme Freak” as the Cheltenham native stripped down to well-worn boxer briefs and gave a bewildered fan something that might be categorized as a type of lap dance, the sticky intensity of which she most definitely hadn’t anticipated.
It’s no secret that the Kopecky Family Band is not really a family, but with or without shared bloodlines, these Nashville rockers managed to make us all feel at home Friday night at Union Transfer. Their records are solid, of course, but there’s something about seeing them live that brings out something that’s just plain likable. Frontman Gabe Simon humbly introduced himself to the front row as he set up his own pedalboards. He even remembered seeing me at their killer TLA show from about a year back. But a nice guy does not a great musician make; we care about the sounds, and there’s a reason the Kopecky Family Band continues to have me coming back for more. Continue reading →
“Fleetwood Mac is a band that continues to grow through the good and bad times,” Lindsey Buckingham told the sold-out Wells Fargo Center crowd on Wednesday night. “Especially in the moment when Christine returned. I can say we have begun a beautiful, poetic and profound chapter.”
It certainly was a nostalgic evening as the legendary rock outfit – reunited with Christine McVie for the first time in 16 years – ripped through hits from their top-selling albums including Fleetwood Mac (1975), Rumours (1977) Tusk (1979) and more. Continue reading →
“Ladies and gentleman, I regret to inform you that you’re already dead.”
These were the opening words of Steven Ellison—aka Flying Lotus—to the crowd at Upper Darby’s Tower Theater, as he stood shrouded behind a prism-like projector screen that could almost pass for a bullhorn. He followed that statement with a swift salvo of beats that sounded anything but dead, certainly never dull. Continue reading →
This past Sunday World Café Live played host to an international call-to-the-soul in the form of Marketa Irglova and her music of the spirit, body and mind. With members ranging from the Czech Republic (Irglova herself), Iran, Israel and the U.S. and a sound driven by keyboard and harmonies, it was a calm, ruminative way to spend a fall night.
On Saturday, Oct. 4, a sold-out World Café Live audience was walking like Egyptians and basking in a hazy shade of winter with none other than the fab females of The Bangles. Rapturous joy was abound for a 23-song set that featured hit after hit.
Beginning with their glorious cover of Simon & Garfunkel’s “A Hazy Shade of Winter,” there were memory-stirring songs throughout the night. The dynamic trio of guitarist Susanna Hoffs, guitarist Vicki Peterson and drummer Debbi Peterson kept the 1980s alive and reminded the crowd that they can still craft great pop. Continue reading →
If you think back to when you were first really getting into music; back to when you had a chance to go to a concert you needed to be at so you could just see your pop idol with your own human eyes – that is the emotional temperature of a Betty Who concert.
One look at 23-year-old Aussie Jess Newham, aka Betty Who, and you see a front-woman who is dancing just as much as the fans beyond the stage barrier. Most of those fans were into their twenties at the TLA last Saturday, transplanted back to their carefree teens, begging for Newham to take their hand-written letters and mix CDs. Without that barrier for the “Who Crew” to press up on and extend their hands over, the glorious dance party on the floor would have probably looked a little less glorious — you had to see the persistence of some of them, zealously waving letters for four or five songs at a time. Continue reading →