There’s something heavenly entrancing about the work of Moses Sumney. It’s a quality that seems to connect his listeners with more than just music — his choir-like vocals juxtaposed with his interactive, experimental loops and multi-instrumental tracks, along with his emotional and intimate lyrics, lead to an all-encompassing, physical, and seemingly spiritual experience.
Sumney is on the tail end of his US Tour, headlining for the first time, and debuting his new album Aromanticism. Fans jam-packed the basement in First Unitarian Church last night in anticipation of his set. He played a myriad of songs off the album such as “Doomed,” “Quarrel,” and “Make Out in My Car,” as well as a cover of Bjork’s 1994 song “Come to Me.” Continue reading →