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Check out FortuneWest’s new single, “We Eat, We Feed”

FortuneWest
Photo via soundcloud.com/fortunewest17

 

Philly instrumental electro hip-hop producer Cory Wilson is better known by his production handle, FortuneWest, and this past Friday he released his newest single, “We Eat, We Feed.” The combines old-school sound with new-school structure, borrowing from the sampling and sequencing practice of 80s hip-hop and applying it to  the synthesis and groove of newer electro-hop. It’s a song with a melancholy ambiance. but a lively one that keeps moving by a fluid drum pattern under almost trance-like pad sounds.

Beyond just “We Eat, We Feed,” FortuneWest has managed to convey an ethereal and pleasantly ambient sound which he self-describes as “experimental hip-hop delving into the realms of old school sampling, funky synths, and catchy leads.” Continue reading →

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Free download: 5 songs by Minus The Bear

Minus The Bear | Photo by Ryan Russell
Minus The Bear | Photo by Ryan Russell

Minus The Bear recently released a new album, Lost Loves, on Dangerbird Records. The album follows their 2012 release Infinity Overhead, and 2013’s Acoustics II. Formed in 2001, Minus The Bear includes Dave Knudson (guitar), Jake Snider (vocals, guitar), Erin Tate (drums), Cory Murchy (bass), and Alex Rose (synths, vocals). The Seattle band released their debut EP in 2001, followed by their debut album, Highly Refined Pirates, in 2002. Since then, the band has continued to evolve their sound, and on their new album, Continue reading →

Support for My Morning Download, from Flying Fish Brewing Company
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Unlocked: Download “Got The Knife” from Young Statues’ new The Flatlands are Your Friend

Young Statues | Photo via facebook.com/youngstatues
Young Statues | Photo via facebook.com/youngstatues

Young Statues’ 2011 self-titled debut album wasn’t exactly unintentional, but it was somewhat unplanned.

The South-Jersey based indie rock band was born from the collection of songs written by frontman Carmen Cirignano on a prolonged trip to Athens, Georgia. He had just left another band behind and was encouraged by people there and then upon returning home to turn what he thought would be solo material into a new project.

That collection of catchy, intricate indie pop tunes won over fans for a reason. Continue reading →

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Download the debut single by Philly dream pop newcomers Riva Ridge

RivaRidge
Philly’s Riva Ridge has written one of “those” songs. “Slide,” the debut single from Mel Riva. It’s the kind of song that instantly grabs you and has a hard time leaving. With twinkling reverbed guitars, soft fluffy synths, and a subtle, yet powerful hook, “Slide,” is a sweet slice of soulful, ambient dream pop. Continue reading →

Support for My Morning Download, from Flying Fish Brewing Company
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Download “Slow Knife” by Roadkill Ghost Choir

Roadkill Ghost Choir | Photo courtesy of the artist
Roadkill Ghost Choir | Photo courtesy of the artist

Roadkill Ghost Choir hail from Central Florida. The band is fronted by singer and main songwriter Andrew Shepard, and they recently released, In Tongues, their debut full length album. The band released a very impressive debut EP in 2012, Quiet Light, that had a rootsy foundation, more than a handful of rocking moments, and well crafted songs. Continue reading →

Support for My Morning Download, from Flying Fish Brewing Company
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The Key Studio Sessions: Dirty Dollhouse

I was hungover the first time I saw Dirty Dollhouse, but thankfully, so were they. It was a Saturday afternoon this spring, I had been out late at a show the night before. Sluggish and disoriented, I made my way to Bucks County’s East Coast Recording with my buddy Dan McGurk from Root Down in the Shadow to watch singer-songwriters Chelsea Mitchell, Amber Twait and Vanessa Winters perform during the studio’s short-lived afternoon concert series; one of the first things Mitchell did was apologize if they sounded off, as the band was also reeling from a whiskey and beer-fueled photo shoot, and were fending off colds to boot. Nonsense: they sounded remarkable, and their resounding Nashville-style harmonies worked wonders on my throbbing head. It was one of those rare perfect musical afternoons, and as the setlist wound into a country-folk spin on Wheatus’ “Teenage Dirtbag,” I found myself an instantly-converted fan. Continue reading →