Unlocked: Why Jersey’s Young Statues took measures to make “Flatlands” feel like a home away from home

Young Statues _Shervin Lainez (LoRes_WEB)
Young Statues | Photo by Shervin Lainez

Carmen Cirignano hopes putting on his band’s new record can provide a very certain kind of feeling.

He relates it to taking a trip to his grandmother’s house. Whenever he visited her, he’d feel a certain way and have very distinct memories. It’s an idea of being somewhere familiar that’s not exactly home.

“I wanted a cohesive, kind of flowing record that made sense from the beginning to the end and felt like a tangible thing, in a way,” Cirignano says. “I wanted people, when they listened to it or put it on, to be able to go somewhere, go to a place, wherever that place is to whoever listens to it. It could be different for everybody. I wanted it to have that feeling, like it was something as a whole rather than just a collection of songs.”

Cirignano, frontman for Young Statues, is sitting at an outside table at Old City’s Ole Café, having just driven downtown from his home in Prospect Park. He’s joined by bassist Tom Ryan, who has just driven in from across the bridge in New Jersey. They’re both joined by Ryan’s sister’s small dog, who remains mostly quiet as the two discuss the past and present history of the band. Continue reading →


How mushroom soup and an optimistic work ethic keep Courtney Barnett moving

Courtney Barnett | Photo via
Courtney Barnett | Photo via

Courtney Barnett sometimes gets saddled with the “slacker” tag—she’s got this shaggy hair and these boxy tees, and these slow, shuffling bass lines that amble lazily across your eardrums, like maybe they had two beers and it’s a Saturday. Really though, she’s anything but—the Aussie crooner founded her own record label, Milk Records, while in her early 20’s; now, barely into her mid-20s, she’s emerged as somewhat of a workaholic, playing no less than 64 shows since I saw her last February, in addition to working on a new record.

“I don’t reckon you would know anything about me if I wasn’t moderately hard-working,” she once quipped.

Hard work probably got Courtney there a little sooner. But it’s her songwriting—and quirky, relatable lyrics—that did most of the heavy lifting. Continue reading →


The Ultimate Basement Show: Why Gainesville’s FEST is so important to the Philly DIY scene

Philly's Restorations is headed to Gainesville's FEST for the fifth time, and timed it's new album release around it | photo via
Philly’s Restorations is headed to Gainesville’s FEST for the fifth time, and timed it’s new album release around it | photo via

Some musicians route their tours around it. Others plan major releases to coincide with it. Others still will travel thousands of miles to play a one-off show at it, turn right around and head home.

The annual FEST in Gainesville, Florida, has become something of a DIY scene mecca over its 13-year existence. A series of punk concerts housed in a handful of venues over the course of a weekend where, as legend has it, the University of Florida’s football team is always out on an away game, THE FEST – usually written in all-caps, but not for any particular reason – is a huge draw, especially for artists from the Philadelphia region. Continue reading →


Sax player Mark Allen draws out the beauty of the baritone

Mark Allen
Mark Allen | photo by Howard Pitkow

The baritone is often treated as the red-headed stepchild of the saxophone family. It’s often viewed as a bulky, unwieldy instrument, good only for anchoring the sax section in a big band where its honking bleats can be kept under control. A few great bari players have emerged over the course of the history of jazz, but even the best known – Gerry Mulligan, Pepper Adams, Cecil Payne, Hamiet Bluiett – have failed to approach the iconic status of their smaller horn counterparts like Charlie Parker and John Coltrane. Continue reading →


Interview: The Art of Hip Hop No. 1 with Black Milk

Black Milk
Black Milk | photo courtesy of the artist

Born Curtis Cross, Black Milk is a renowned hip hop producer and MC from Detroit. Influenced heavily by the likes of J Dilla, he has worked with prominent musicians from all over the pop spectrum. Although a frequent collaborator, he has also forged a career as a solo artist and is due to release his sixth full length, If There’s A Hell Below, on October 28.  His music has evolved steadily since his 2005 solo debut, Sound of The City, combining his foundational soul and jazz sampling with an ever increasing array of studio manipulations and sonic experimentation that mark him as both one of the most ambitious beat smiths now working, and one of the most subtle. He will be performing Saturday, October 18 at Johnny Brenda’s and recently spoke to us from Texas where he was visiting family. Continue reading →


Interview: Matt Scottoline of Hurry talks about covering Weezer and what’s in his fridge

Matt Scottoline (center) with his bandmates in Hurry | photo by Ally Newbold

At this time last week, Matt Scottoline was playing in a Weezer cover band with members of Bleeding Rainbow and Blowdryer. Not because he didn’t have anything better to do than spoon down Little Baby’s Ice Cream and practice “My Name is Jonas” a bunch of times. (But that does sound like a delightful life…) Continue reading →


Reconsidering history with jazz guitarist Nir Felder

Nir Felder | Photo courtesy of the artist
Nir Felder | Photo courtesy of the artist

At the time that guitarist Nir Felder was writing the music for his debut album, the world around him seemed to be in the midst of momentous changes. It was 2011, and headlines blared news of the global financial crisis, the Arab Spring, the Occupy Wall Street movement, and President Barack Obama’s reelection campaign. The events couldn’t help but start Felder wondering about the future – as well as the past. Continue reading →


Orchestras, busking and Led Zeppelin: Andrew Lipke reflects on ten years at World Cafe Live and beyond

Andrew Lipke
Andrew Lipke | Photo by Chris Sikich

As we begin to celebrate our 10 year anniversary of our new home at 3025 Walnut Street I wanted to talk with a few of the local artists that performed around here.  I remember like it was yesterday – I heard their voices echo throughout the building, thinking to myself this is really happening! We built a building and they have come!  This week I spoke with Andrew Lipke about the ten years we’ve spent in this XPN home.   Continue reading →


MusicNotes from the XPN Morning Show: Watch Gary Clark Jr. shred his guitar, Aretha Franklin belt-out Adele and scientists sneak Bob Dylan lyrics into writings

Photo : Getty/Kevin Winter
Photo : Getty/Kevin Winter

XPN fav Gary Clark Jr. has released a two-disc live album called: “Gary Clark Jr. Live”. On it he covers Jimi Hendrix & Albert Collins. Watch Gary Clark Jr. tear it up on “Don’t Owe You Thing” @ Hyde park after the jump. Continue reading →