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Last Wednesday’s oppressive rain was perfectly complemented by the bluesy punk of the duo of Allison Mosshart and Jamie Hince, better known as The Kills. Dropping into the Trocadero in between two appearances in New York City, they stormed through a set of songs that resonated with their Philly fans from start to finish.
The creative collaboration that is Sylvan Esso had today’s crowd movin’ and groovin’ to their electropop songs, kicking off today’s Free At Noon double-header with pizzazz. Playing material from their self-titled debut, producer Nick Sanborn gave us eloquent, chimey beats and wobbly synthesizer lines, singer Amelia Meath performed eclectic dance moves and delivered alluring vocals. Continue reading →
Two up-and-coming acts shimmered their way through diverse sets of music at Union Transfer last night. Each recent Firefly performers, both groups are distinctly positioned for bigger things, and the sold out crowd on a Monday night was a testament to that. Continue reading →
“I guess we didn’t really think it through, does that kinda make us like dinosaurs?” Aaron Weiss—just as charmingly awkward as ever—asked the audience late on Saturday night. Earlier in the evening, he and his longtime friends who make up mewithoutYou had taken the stage of the Trocadero to the swelling orchestral theme from Jurrasic Park, to celebrate their breakout album Catch for Us the Foxes turning 10 years old. Whether you see Catch as a fossil from mewithoutYou’s early days or the cornerstone of their career-writ-large, Saturday’s sold-out, hometown show was undeniably one for the history books. Continue reading →
New York based electronica duo Phantogram rocked Union Transfer this weekend with an electrifying performance. On Sunday, the band played the second of two back-to-back sold-out shows in support of their second full-length album, Voices, which was released in February. Josh Carter (vocals, guitar, and electronic beats) and Sarah Barthel (vocals, keyboard, and guitar) were backed by a three-piece band, which allowed them to give a spectacular, full-sounding performance. Continue reading →
It’s a damn good day to be a white dude – this white dude in particular. David Burd, AKA Lil Dicky, performed for a packed venue and a warm homecoming at the TLA Thursday night. Laughter, thigh sweat and body hair flowed freely to “Lemme Freak” as the Cheltenham native stripped down to well-worn boxer briefs and gave a bewildered fan something that might be categorized as a type of lap dance, the sticky intensity of which she most definitely hadn’t anticipated.
It’s no secret that the Kopecky Family Band is not really a family, but with or without shared bloodlines, these Nashville rockers managed to make us all feel at home Friday night at Union Transfer. Their records are solid, of course, but there’s something about seeing them live that brings out something that’s just plain likable. Frontman Gabe Simon humbly introduced himself to the front row as he set up his own pedalboards. He even remembered seeing me at their killer TLA show from about a year back. But a nice guy does not a great musician make; we care about the sounds, and there’s a reason the Kopecky Family Band continues to have me coming back for more. Continue reading →
The thought, 20 years ago, of Boyz II Men and Nirvana having anything to do with one another might have paralyzed the pop world with fear and anger. But in front of a small audience at Philadelphia’s High School for the Creative and Performing Arts (where the RnB legends famously formed while students), members Shawn Stockman and Wanya Morris felt no hesitation or weight of historical genre divides when they ripped into an impromptu, largely comical version of “Smells Like Teen Spirit”. Continue reading →