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The Key Studio Sessions: Kiska

When Owen Staszewski isn’t pounding the drums in Ruby The Hatchet, he’s at the mic for another band of heavy rocking Philadelphians – Kiska. The new four-piece is actually relatively seasoned; it formed from the ashes, as the expression goes, of Philly modern rock outfit Desoto Jones. That long-running band had been experiencing shifts in lineup as well as sonic directions, and last year came to the conclusion that it had become a different band altogether. Rounded out by Owen’s brother Adam Staszewski on guitar, alongside bassist Ean Kyler and drummer Adam Francois, Kiska was born, and set to work recording its debut LP. Continue reading →

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The Key Studio Sessions: Girlpool

The first time I saw Girlpool, they weren’t yet a Philadelphia band – they were the LA duo on tour with Slutever playing a basement in Kensington back in October. Not too many people knew them, but they had the whole room’s undivided attention. Guitar and bass, captivating vocal harmonies, no drums or excessive instruments getting in the way of powerful lyrics by Cleo Tucker and Harmony Tividad. They songs are very honest and direct vignettes – stories populated by busted dudes and stressful friends and family members they love – and yeah, it may very well be no more than the thoughts and observations of two people going about their day with no intended greater significance. But Girlpool’s songs do work on another level, painting an incredibly detailed picture of what it’s like to be a woman and young in America in 2015. All sides of that experience: strengths, insecurities and awkwardness, inequities, humor. Watching this as a dude in his 30s, I knew this perspective wasn’t one I could ever fully understand, I knew these songs weren’t exactly intended for me  - but they spoke to me all the same.

Girlpool was hands down the best band I found out about last fall. So when I learned they were moving to Philly as their burgeoning music career moved forward, I was ecstatic. Continue reading →

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The Key Studio Sessions: Mike “Slo-Mo” Brenner

If you’ve spent any amount of time watching the Philly music scene, it’s hard to miss versatile guitarist Mike “Slo-Mo” Brenner. He’s ingrained in the local roots / Americana community, performing currently with No Good Sister, as well as collaborating with Psalmships and Kicking Down Doors; way back in the day, he led The Low Road and frequently sat in with Marah. Despite being one of the most skilled slide players – well, anywhere, but particularly in Philly – he also is very much about pushing the boundaries of what roots guitar means. He had a long-running collaboration with rapper Mic Wrecka in the aughts; going further back, the first time I caught him was at the North Star Bar in 2001, playing bluesy licks while a guy named DJ Vincenzo dropped breakbeats from two turntables. And for his current project, Brenner looks to the east. Continue reading →

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The Key Studio Sessions: Left and Right

Power pop punks Left and Right got their start in Charlottesville, Virginia a few years back, then moved to Philly and set up shop locally with a few cassette releases. We premiered their single “Low Expectations” back in August, and it immediately struck a chord with a sound spanning Weezer, Archers of Loaf and Mudhoney. Since then the band has alternated between short tour runs and stints working at coffee shops back home and playing DIY-minded spots like The Pharmacy in South Philly. Continue reading →

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The Key Studio Sessions: Cold Roses

It’s both a blessing and a curse: the more a band adheres to a time-tested, tried-and-true rock n’ roll sound, the harder it can sometimes be for that band to stand out from the pack. But even in a city with as robust a blues / Americana scene as Philly, Cold Roses makes an impact.

Here’s how: killer arrangements punctuated by a punchy horn section. Hooks for days. Direct, heartfelt songwriting by frontman Rob Clancy. The term “Springsteenian” would not be inappropriate in this circumstance, especially on “No Silence in the City,” the title track from its 2014 debut LP. Though if you couldn’t pick it up by their band name, Ryan Adams is also a huge reference point for Clancy and co., and you can hear traces of him in the new “Stayin’ Alive Ain’t Easy,” one of a handful of songs the band debuted during its Key Studio Session this week.

Stream and download the set below, and catch Cold Roses during one of its shows this spring: May 1st at Bourbon and Branch, May 16th opening for Breaking Benjamin at Wells Fargo Center and May 22nd at Connie’s Ric Rac. Tickets and information can be found at the XPN Concert Calendar. Continue reading →

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The Key Studio Sessions: Good Girl

Photo by John Vettese
Photo by John Vettese

It doesn’t take long to get hooked on infectious Philly R&B group Good Girl; I’d say about 60 seconds into their 2014 mixtape 90s Kinda Love was about all I needed. As somebody who grew up in the 90s, this charismatic four-piece captures everything that was great about TLC, Destiny’s Child, En Vogue, Janet Jackson…all those feel-good pop jams that soundtracked our bus rides and school dances. But as much as the ladies - Morgan, Megan, Arielle and Courtney – play off of this sense of nostalgia, you don’t need to be pushing 40 to appreciate what they’re doing. Continue reading →

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The Key Studio Sessions: Halfro

Photos by Dan Lidon | danlidon.com

A year ago when The Key’s Sameer Rao first introduced us to Philadelphia five-piece Halfro, he said that “comparing [the band] to its most obvious progenitor would be way too simple.” And while I do agree with his sentiment, not making that connection between this homegrown jazzy / funky hip-hop live band and The Roots leaves out a big part of their story. Continue reading →

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The Key Studio Sessions: Agudos Clef

Back in the fall, I was a presenting host in the city’s PHL Live music competition, and it led me one October night to Hard Rock Cafe where the finalists World Music category were set to take the stage. Admittedly, I wasn’t sure how this was going to go: “world music” is a broad term that can include anything from African highlife to Indian raga, eastern European klezmer to Jamacian reggae. I was nervous that my frame of musical reference (centered largely around Western pop/rock) was too narrow to do a good job at this gig.

Thankfully, my fears were for nothing. All the artists on the bill blew me away in one way or another, and though The Underwater Sounds (who we’ve been longtime fans of here at The Key) took home top honors, for me the standout set came from a new Latin hip-hop group called Agudos Clef. Based out of Trenton, this six-piece brought an unbelievable energy to the room – driving beats, a fierce delivery, undeniable charisma. They played an explosive 20-minute set that left me immediately wanting more, so in the days that followed, I tracked down their Bandcamp single “Monotonia” and invited them to our studio to record. Continue reading →

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The Key Studio Sessions: Brielle

Photos by Reji B. | rejibphotography.com

Singer, songwriter, composer, flautist: Philadelphia’s Brielle has a lot going on. In the same way that she plays a multifaceted role in making music, her sound is equally tricky to pin down. It’s got roots in R&B, but there is an undeniable experimental / psychedelic sheen on her 2014 EP The Rough Break-up. She raps verses and brings in guest MCs like fellow Philadelphian Thelonius, but calling it hip-hop isn’t entirely correct. When she plays live, her backing band – which, for this week’s Key Studio Session, was nine pieces – moves deftly between slick and smooth soul to amped-up funk rock. And then there are the bits of jazz that get folded in: trippy Bitches Brew-esque sax, emphatic trumpet and Brielle’s own breathtaking flute melodies.

In short: her’s is a heady, engrossing sonic blend, and hearing its growth from her initial recordings has been a treat.  Continue reading →

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The Key Studio Sessions: The Hoppin John Orchestra

Philly-area jazz ensemble The Hoppin John Orchestra has been doing its thing for nearly 20 years now, and it has a songbook to prove it. With over 200 selections in its repertoire – amassed by band leader Michael Hood since founding the ten-piece in 1996 – the HJO touches on vintage standards and original compositions in the spirit of Southern ragtime and New Orleans brass band music. Which means this time of year is the band’s busy season. Continue reading →