Here’s a perfect example of the influence of proximity in a tightly knit music community: Mikey Cantor has set up shop in West Philly for a couple years now with his spectral indie rock project The Goodbye Party, and moved in the same circles as the folks from Swearin’ and Waxahatchee, among others. A while back, he found himself housemates with Sam Cook-Parrot, who helms the prolific punk outfit Radiator Hospital. Both share an affinity for DIY home recording, playing gigs in warehouses and basements, and generally going against the grain in an oft-brutal music industry.
But as they told NPR earlier this summer, living together while working on music for their own projects made them realize their sonic similarities. Sure, Cantor reaches for stratospheric heights with shoegaze and psych-tinged anthems, while Cook-Parrott jams econo with distortion pedal rock at an incredible clip. But the songwriting bones of both date back to classic American pop of the 50s and 60s. Enter The Afterglows.
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