Music writers love to romanticize DIY home studios — the hiss and static of the tape machine, the in-the-moment spirit of the performances, the images of bedroom walls lined with egg carton soundproofing and floors covered in piles of tangled cable.
The musicians themselves — they’re not always as sentimental about it. As Katie Bennett of Philadelphia’s Free Cake For Every Creature tweeted earlier this week, “[I’m] slowly realizing that, while my 100+ year-old apartment on a main street in a big city may be charming, it’s not the ideal place to record.” She continued: “listen for my neighbor’s trombone exercises and a minute-long trolly honk in every new song.”
While that definitely reads like Bennett’s West Philadelphia environs seeping into her recorded output, it also goes the other way around: the sound of Free Cake for Every Creature is the sound of Bennett and her musical collaborators reacting to their surroundings and turning their workarounds into strengths. Continue reading →