Philadelphia psychedelic pop outfit The Morelings seemingly arrived on the scene this past year with a fully realized look and sound. Spectral guitars, shimmering melodies, distant voices breathlessly beckoning you to pay close attention. Then again, the band and its sound is the product of years of friendship and collaboration between founding duo Kedra Caroline and Matthew William, stretching back to their college days in Ann Arbor, MI. And the sound continues to evolve.
Caroline and William bonded over Nick Drake and Fairport Convention; William also had a strong fondness for John Fahey, and these disparate influences informed the first music they wrote together. Flash forward to Philadelphia in 2014, when The Morelings recorded its debut EP No Sign with Kyle Johnson. Their songs moved in a decidedly dreamy direction comparable to the giants of the shoegaze 90s – Slowdive, Lush and their contemporaries. Drifting, spacious and minimal, the EP strikes notes of haunting serenity, with Caroline’s voice floating in the fray as though it was another instrument. Continue reading →