Philly rockstar (Sandy) Alex G surprised Everybody Hits on Thursday night with an intimate, by-request, solo acoustic set in support of headliner (and his long-time friend) Coma Cinema. The 185-capacity venue capped around 8 p.m., and a warm, tight-knit feeling filled the room as everyone grew ready for a night of lyrical, lo-fi sounds.Continue reading →
A day with a new (Sandy) Alex G song is a happy day. So happy day to you all, because there’s a new one called “fay” that Giannascoli low-key uploaded to his personal YouTube account last night. Continue reading →
Though (Sandy) Alex G grew a cult-like following through online presence, it wasn’t of his own doing; it was the fans grassroots approach to his Bandcamp tunes. In reality, it seems that Alex Giannascoli tries to remain pretty absent from the interwebs — whether it be on social media or in his various music videos.
So when I saw that there was a video via Fader (in high definition quality and beautifully filmed, might I add) featuring exclusively him and violinist, Molly Germer, I was a tad surprised at this uncharacteristic move. But then I learned that the one-shot video was filmed at a creepy puppet palace, and all was right with the world once more. Continue reading →
For a good 24 hours, information on this news was nowhere else to be found, save the account (likely run by frontman Robin Pecknold) answering direct fan inquiries in the comments section. Either way, I naively thought that it was safe to assume the addition of Philly’s own Alex G to the upcoming July 31st show at The Mann Center was a given, as he had no other scheduled shows that day and Philadelphia is a Northeast location. Continue reading →
On Saturday night, (Sandy) Alex G ended a string of tour dates back home by selling out Union Transfer. After five weeks on the road with Cende and Japanese Breakfast opening for him, the bands were in top form and you could feel the excitement as fans crowded the room. Throughout all three sets it was a fun, laid back gig, complete with Tom Cochrane’s “Life is the Highway” serving as entrance and exit music. Continue reading →
(Sandy) Alex G’sRocket is a mighty fine, complex collection of some of his most eclectic, genre-crashing gems to date. One of these standout beauties is the dreamlike ballad “Sportstar,” in which frontman Giannascoli warps his voice with otherworldly auto-tune amidst a thick atmospheric soundscape of gauzy guitars and echoing piano. Aaron Maine’s NY-based synth-pop project, Porches, recently remixed the surreal tune, providing a clarified, breezy companion
Stripping away layers of vocal processing, Porches’ remix of the song summons the deeper and tad demonic Alex G monotone that we all know and love, while spicing it up with a hint of electro-steel drum, island music vibes. Continue reading →
When Philly’s (Sandy) Alex G announced their new LP ROCKET earlier this year, two new songs came with it, and they were very different from one another. The consensus was around here at Key HQ was that “Witch” sounded “pretty much like an Alex G song” — languid, melancholic, sorta Pavement-y — while the beautiful “Bobby” and its elegant infusion of folk arrangements and vocal harmonies was an exciting new direction for the Havertown-bred artist.
Evidently, frontman Alex Giannascoli is not trying to be typecast, as two additional new jams from ROCKET made their way into the world today, and each presents another layer of redefining that notion of “an Alex G song” is. Continue reading →
Two new updates from Alex G: the local musician has now adopted his social media handle (Sandy) Alex G as his official moniker, most likely in an effort to further differentiate his bedroom indie rock from the YouTube-famous pop covers of a different Alex G; and he’s shared a new track from the forthcoming Rocket LP due out on May 19th.
To cap the release day of their tenth studio album Critical Equation, Philly rockers Dr. Dog took the World Cafe Live stage at the stroke of midnight to a packed house of fans. WXPN’s first-ever #FreeAtMidnight concert saw the band stretching out across a 90-minute set, highlighting seven of the album’s ten songs. Continue reading →