Gazing into the eyes of the audience like a cat who wants attention, Angel Olsen ever so slightly grazed the strings of her ’79 Gibson S-1 as she sung the words “I ain’t hanging up this time / I ain’t giving up tonight.”
The 1,200 people inside the sold-out Union Transfer sang it with Olsen, who was decked out like Lady Stardust, wearing a glammy and metallic one-piece spacesuit-looking outfit. It was the moment the audience had been waiting for, and they didn’t have to wait very long for it. After opening with “Hi-Five,” a track from Olsen’s 2014 record, Burn Your Fire For No Witness, she dove straight into “Shut Up Kiss Me,” the radio-hit that propelled her into the spotlight. Seconds later, the rest of the band, sporting grey-blue pants and blazers and bolo ties, chimed in for the chorus in their ongoing sloppy-cool, not-trying-too-hard musical style.
It was a ballsy move. Playing your hit song so early on in the setlist? it can open the door for a steep drop-off in energy as the night progresses. But Angel Olsen’s a pro. This ain’t her first rodeo. Continue reading →