Bedouine, the nomadic solo project of L.A.-via-Syria artist Azniv Korkejian, headlines Johnny Brenda’s tonight with support from Domino Kirke and the fresh-off-of-tour Rosali. Known for 60’s- and 70’s-inspired folk tunes, Bedouine released a debut self-titled album this past summer. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Hurray For The Riff Raff, main project of the once train-hopping Alynda Segarra, recently stopped by NPR to perform cuts from their 2017 record, The Navigator. Announcing that they’re glad to start the day with some resistance music in D.C, Segarra and company did just that. Continue reading →
Tour announcement season is officially upon us! With a handful of star-studded spring/summer lineups already announced (Waxahatchee / Hurray For The Riff Raff / Bedouine at Union Transfer on 4/16; Japanese Breakfast / LVL UP / Radiator Hospital at Union Transfer on 6/3; Dr. Dog / (Sandy) Alex G at The Festival Pier on 6/23), it’s only fitting that one of the best modern day Hip-Hop labels announces the tour of the summer.
Dubbed TDE: The Championship Tour, the label’s all-star lineup enlists Kendrick Lamar, SZA, ScHoolboy Q, Jay Rock, Ab-Soul, SiR, Lance Skiiiwalker, and stops in Philly on Friday, June 8th at BB&T Pavilion. Continue reading →
After an introductory year introducing Big Thief, Jamila Woods, and Lo Moon to listeners across the country, public radio’s emerging artist spotlight Slingshot returns for a second year — and a seven-fold increase in artists.
Some of the class of 2018 will be familiar to savvy listeners of XPN — like Bedouine, who recently appeared on World Cafe, or Phoebe Bridgers, who was an XPN Artist to Watch (and who appeared onstage with Conor Oberst at XPNFest). Many of them will be new — and that’s the whole point of Slingshot. Continue reading →
Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.
Much as I may pride myself on keeping my ears as wide open and omnivorous as possible, I’m often struck, as the time of reckoning draws nigh, that so much of the music that really affects me from any given year tends to fall into a few relatively narrow categories. Looking back on the 2017 releases that I’ve spent the most time with and returned to most consistently, most of them can be sorted into two general buckets: emotionally resonant electronic pop made by (relatively young) women – Lorde, MUNA, Sylvan Esso, Kelly Lee Owens – or wordy, wide-ranging critical statements made by opinionated and perhaps over-analytical old (or at least aging) men: Randy Newman, Jens Lekman, LCD Soundsystem’s James Murphy, Stephin Merritt of The Magnetic Fields.
Is there a throughline there? I tend to think of it in terms of personality: if there’s one thing most likely to pique my interest in a new artist, or keep me engaged with a familiar one, it’s in their music’s ability to serve as a tool for human expression, straightforward or otherwise; a means of telegraphing a vivid and recognizable individual identity – whether that individual be a quote-unquote “real person,” a constructed persona or, as it surely is in the vast majority of cases, some ambiguous, unparseable intertwining of the two. Perhaps that quality is more readily apparent in the second group of aforementioned artists. It’s not that those verbose songmen are single-mindedly preoccupied with age and mortality – though it’s clearly on their minds (see: Newman’s heartwrenching “Lost Without You”; Murphy’s “tonite”; Lekman’s bouncy but pensive “Wedding in Finistère”; the entire conceit of Merritt’s 50 Song Memoir) but it certainly informs their outlook, helping to distill a clarity of perspective (and tendency toward warts-and-all honesty) translating into albums that function as poignant, if sometimes roundabout self-portraits. Continue reading →
On July 17th, the Fleet Foxes Instagram account posted an announcement that they had added several artists to their upcoming US tour: (Sandy) Alex G in the Northeast, Natalie Prass in the Northwest, Bedouine in the Southwest, and Nap Eyes in the Midwest in addition to the already-billed Animal Collective and Beach House.
For a good 24 hours, information on this news was nowhere else to be found, save the account (likely run by frontman Robin Pecknold) answering direct fan inquiries in the comments section. Either way, I naively thought that it was safe to assume the addition of Philly’s own Alex G to the upcoming July 31st show at The Mann Center was a given, as he had no other scheduled shows that day and Philadelphia is a Northeast location. Continue reading →
Monday nights mean new music discovery on WXPN, and tonight we get back in the studio to share some great recent finds. The show starts at 8pm and on the menu we’ve got new albums from Lindsay Buckingham and Christine McVie, plus Jason Isbell & the 400 Unit and Gov’t Mule. Also, the band Deer Tick are set to release TWO new albums, we’ll hear a new song from each of them. The Philly music scene keeps cooking, we’ll play you new Waxahatchee, The Districts, and Son Little. Plus, check out a few more new tunes we’ll spin this evening.