On their self titled debut LP, Full Bush reveal themselves as the rare kind of band that defies any expectation. Their songs unfold like stories from the wittiest person you know, so spontaneous they feel improvised but so seamlessly constructed you’d think they were rehearsed for years. And like a great story, once you hear the beginning, you can’t stop listening until you hear the payoff. Continue reading →
Amid all of the usual Fourth of July festivities happening next weekend, Johnny Brenda’s will play host to a smaller event, bringing together local music for a good cause. On Saturday, July 7, a lineup of three local bands will join forces for Rock & Roll & Birth Control, a benefit show in support of Planned Parenthood. Strange Parts,the duo of Attia Taylor and Corey Duncan who just released their debut album Oh God, What A Beautiful Time I Spent In The Wild, will headline the show. Also on the bill are local duo Tactand punk four-piece Full Bush. Listen to music from each artist below. Continue reading →
Philly garage rock four-piece Full Bush brings the sweet sounds of punk grit on their new single, “Someone.” Usually the four-piece hits us with wild headbanging tunes, like in their 2016 song “Ray’s,” but this time, they’ve slowed things down and pace themselves.
Frontwoman Kate Breish deadpan vocals sneak along with throbbing drums, tense bass, and righteous guitar riffs as the song explodes, makes this five-minute track a thrash kid’s perfect fantasy. Continue reading →
Tonight, Philly psych rock heroes The War on Drugs will play their first hometown show in two and a half years at the Dell Music Center in support of their fantastic new record, A Deeper Understanding. If that’s not enough reason to get you out to Fairmount Park East on a Thursday night, the concert is a benefit for Connor Barwin’s Make The World Better foundation, which has been rehabbing parks and playground across the city since 2014 — their 2017 project will be announced at the concert tonight — and openers Land of Talk put out a fantastic record this year as well, via Saddle Creek. Tickets to the concert are still available, more information can be found at the XPN Concert Calendar. Watch the glorious, Philly-shot video for “Pain” below. Continue reading →
Philly four-piece Full Bush tore it up at last year’s First Time’s the Charm festival, and in the time since, they’ve continued kicking some serious butt in glorious punk style. Tonight they’ll be doing just that at Kung Fu Necktie alongside Geisha Facade, The Psychodelics, and The Hell Hole Store. Find info on the show here, and listen to a live version of “Ray’s” below. Continue reading →
Mindbending NYC five-piece Guerilla Toss make their return to Philly tonight for a headlining show at PhilaMOCA. Their 2016 outing Eraser Stargazer melds the ferocity of circuit bent punk, free jazz improv and tripped-out psychedelia, and their live sets are utterly immersive. Joining them is Philly’s Moor Mother, who’s Don Giovanni Records debut Fetish Bones is out this fall. Tickets to the all ages show are available at the door, more information can be found at Facebook. Continue reading →
The week starts with blues rock ripper Selwyn Birchwood out in the burbs and wraps up in South Philly with the contemplative singer-songwriting of The Afterglows. In between: classic soul, immersive psych, punk rock and more. Here are 17 concerts to see in and around Philadelphia this week. Continue reading →
Starting tonight when jam band fans converge on the BB&T Pavilion and going through Sunday when underground punks converge on Johnny Brenda’s, this week is anything but light when it comes to live music. Here are fifteen concerts to see in and around Philly in the next seven days. Continue reading →
Starting off August’s edition of the Skeleton Key with some breaking news, which for the record is a strange thing when it comes to a column that comes out once a month. Pilam, the venerated “freak frat” at the University of Pennsylvania, is closed, at least temporarily. After more than four decades of being a space for DIY music in Philadelphia, the organization has lost its home. Details are still emerging as to what’s going on but for the time being I’d much rather just focus on the positive. Which, to repeat what I just said, is more than four decades of serving as a home for music in our city. That’s just incredible.
If you were to compile a list of every band that ever played Pilam we’d be here for a very long time. Hell, just looking at the listings of who performed at Human BBQ, the annual all-day concert at the house, is wildly impressive in both quality and quantity. This past year was the 40th BBQ with bands including Old Maybe, Norwegian Arms, Slingshot Dakota, and EDO. Screaming Females and Sadie from Speedy Ortiz played last year, along with a ton of other great bands. Two years ago it was Moor Mother, HIRS, and Japanese Breakfast. We could seriously go on like this forever.
The first time I specifically remember being at the festival was way back in 2001 to see An Albatross, Stinking Lizaveta, and … EDO. Some things never change. Also, I somehow missed Wesley Willis. Maybe I was getting pizza? Continue reading →
“I want to be in that band.” That was the shared sentiment between Attia Taylor and Corey Duncan when they first met and heard each other play back in 2012. At the time, Duncan had close ties to Girls Rock Philly where Taylor was participating as a camper; he was also releasing music in the Oh! Pears project, while Taylor dropped a series of solo EPs on Bandcamp. Fast forward six years later, Taylor and Duncan combined forces to release their first full length project under the name Strange Parts: Oh God, What a Beautiful Time I Spent In The Wild.
The album, which was released on June 8, includes 12 tracks of what Duncan describes as psychedelic art pop. The debut track “Treasures” offers listeners a folky yet dreamy vibe that is accompanied by languorous vocal pairings of both Duncan and Taylor. The closing track “Glorious Things” is a free spirited song that makes one reminisce on listless summer days with minimal responsibilities. The entire project is simply, effortlessly cool. Continue reading →