A fanfare greets you in the opening seconds of Interminable‘s Key Studio Sessions performance this week, and it has a very intentional effect. The sounds of two trumpets and a trombone immediately grabs any listener’s attention, and as the beat kicks in on “El Camino,” the band immediately comes together into a cool groove as frontperson and songwriter Ximena Viiolante sings about, well, coming together. Unity and forward-motion.
On the chorus, Violante’s voice soars with the line “Este camino es largo / Y lo llevaré en mi voz / Caminemos juntxs / pa’ que avancemos mejor,” which means “This journey is long, and I’ll carry that in my voice / let’s all walk together / so that we can move forward stronger.”
As a band, Interminable is a model of the sort of unity its lyrics aspire to. Violante has a background in son jarocho, a style of folk music from the Veracruz region of Mexico, and is also an educator who gives community workshops on the history and versatility of her chosen instrument, the jarana. Trumpet players Becca Graham and Marty Gottlieb-Hollis both play in the hip-hop ensemble Hardwork Movement, though Graham comes at it from a classical background, while Gottlieb-Hollis leans more jazz and experimental. Trombone player St. Clair Simmons III plays in jazz bands, salsa bands, cover bands — he’s a versatile musician as well, as is the rhythm section of Yeho Bostick (who also plays in the psychedelic ensemble Circadian Rhythms) and drummer Joe Perullo (who ranges from chamber rock with The Up and Ups to Latin jazz with Viva and the Reinforcements). Continue reading →