It’s been three years since Philadelphia has heard any original #dopeazzmusic from singer/songwriter Jacqueline Constance. In 2014, the local scene found itself binge-listening to the Mt. Airy songbird’s EP The Jacqueline Show — not too long after, we began binge-watching her YouTube channel, filled with dazzling a cappella sound-loop videos recorded at her home. But we’ve been waiting for a new season to the Jacqueline Show since then. That ends today, as Jacqueline Constance unveiled her latest single “Orange Moon.” Continue reading →
When we first heard Philly’s Jacqueline Constance, it was the clever and soulful mixtape The Jacqueline Show that got our attention. But see her play live and you’ll realize that it’s only one part of the puzzle. Onstage, the Philadelphia singer and sound artist mixes her own originals with covers of anyone from Sylvan Esso to Jazmine Sullivan — and the only accompaniment is her voice.
Over the past year and change, Constance has honed her craft as a live looping artist via her YouTube channel, and her latest tackles the title track from Beyonce’s much-discussed new visual album Lemonade. Shot, as all her videos are, in a bedroom, Constance lays down a mediative blanket of hums and beats that goes on to intertwine words and melodies from “Pray You Catch Me (Lemonade)” and “XO” from Beyonce’s self-titled 2013 album. Continue reading →
Philly R&B singer Jacqueline Constance makes music is exciting in its own right. But as we saw during her Key Fest set this spring, she also does incredible covers. Constance recently recorded a session with the folks over at RECPhilly, and it features her version of James Blake’s haunting “Retrograde.” She injects with a bit more soul than the (equally captivating) original using only a loop pedal and some impressive vocal control. Watch the session below. Continue reading →
I kind of see our first-ever Key Fest as a tour of the Philly scene, from the basements to the coffeehouses and ending up in thenightclubs. Since the concluding night of the series happens to be on a Saturday, we had to make it a party by getting together some of our favorite voices in Philly hip-hop and R&B and bringing them to the MilkBoy stage. Here’s a look at what’s in store. Continue reading →
Emerging Philly soul queen Jacqueline Constance headlines The Fire tonight with the arty and adventurous Brielle. Last year, the South Philly singer and songwriter released The Jacqueline Show, an imaginative album that blended positive melodies, slice-of-life storytelling and Constance’s voice (which reminds us of a young Jill Scott). Check out the video for “Good Life” (featuring Antwan Davis) below, and get tickets and more information on the show at the XPN Concert Calendar. Continue reading →
New Jersey punk group Aspiga celebrate the release of What Happened To You? at Ortlieb’s tonight. The LP marks Aspiga’s second effort for Paper + Plastik records, following 2012’s Every Last Piece full-length. On “My Little Eraser,” the first song shared from the new record, Aspiga hardens their pop-punk sound with an aggressive pace and a knack for brevity. More information for the 21+ show with Thing Lips, By Surprise and Fo A Cha can be found on the Facebook event page here. Listen to “My Little Eraser” below.
Jacqueline Constance‘s work is simply amazing. It’s very rare to hear a project from an artist, whether it’s an EP, mixtape, or album, that you can play through the whole thing and stay engaged. From the beginning to the end, The Jacqueline Constance Show – released this spring – is an impressive piece of work from one of our best up-and-coming local artists.
Singers and songwriters Dan Morse and Casey Bell met in Philadelphia, moved to Reno and began making music as Fine Motor, a new dreampunk project that explores themes of memory, identity and place in a lovely collection of atmospheric pop songs coming out in a self-titled LP via Exotic Fever Records. You can listen to the album in its entirety below and see the band tonight when it headlines Boot and Saddle on South Broad Street. Tickets and more information on the show can be found in the XPN Concert Calendar. Continue reading →
This summer, Philadelphia DJ / producer / multimedia artist King Britt revisited his experimental space music project Fhloston Paradigm with the new record AFTER…
King released the album last month, and appeared on WXPN to discuss the project’s creative genesis in sci-fi soundtracks and collaborations with a roster of vocalists from Kate Faust to Jacqueline Constance and Pia Ercole. Tomorrow night, he celebrates the release in true showcase fashion at Johnny Brenda’s, recreating the album with many of the featured vocalists joining him onstage.
Philly grown, internationally known Producer, DJ and composer King Britt has been pushing the broad and malleable boundaries of Electronic music for the better part of the past two decades. Working under a variety of genre pseudonyms, Britt’s catalog serves as an illustrative study of dance music’s hallowed past, with several experiments that point to potential futures. Firefly’s heady take on Classic House music, the pristine Future Soul remixes released under the Scuba moniker. Keeping with this practice of exploring specific sounds/genres under different names, Britt premiered his Fhloston Paradigm project in 2011. Under the Fhloston Paradigm moniker, Britt infuses experimental production techniques electronics with Afrofuturist ideals. Deviating from the soulful, dancefloor-ready of his earlier work and diving into strange, evocative soundscapes. The Fhloston… project reached a high point of detail and refinement with 2014’s The Phoenix full length, released on the Hyperdub label. For his latest FP album, After…, Britt has fused the highly abstract style of minimalist composers such as Phillip Glass and Steve Reich with his own experiments in sound design