More specifically, he was onstage backing Kate Faust and her sensual electronic rock with impressive poise and fluid motion. The Camden artist, who studied ballet at University of the Arts and spent a few years after school practicing modern dance in Germany, has always been an interpreter of music, the vehicle that a current of music sets into motion. But the more time he spent around it, the more he began to absorb and incorporate music directly into his practice. This year, Ibeneche debuted with CHi, an eclectic EP that serves as a fine introduction to him as a singer and songwriter, an interdisciplinary artist. Continue reading →
Experimental artist Kingsley Ibeneche is set to play The Barnes Foundation’s third annual College Night, in partner with Campus Philly, on October 19th. Throughout the month of October, The Barnes will be celebrating the fifth anniversary of their move to the Benjamin Franklin Parkway with a series of events that reflect the Barnes Foundation’s commitment to community engagement.
Kingsley Ibeneche is no stranger to performance: he’s trained professionally in ballet from University of the Arts in Philadelphia, and soon after graduation he pursued a modern dance tour through Europe. He’s appeared onstage with Kate Faust as a dancer, but as a multi-instrumentalist, vocalist and songwriter, has begun performing his own material lately as well. Continue reading →
Your choices are many; your excuses are few. Here are 25 concerts you could see in Philadelphia this week; enough for you to catch one per day, or for the more enterprising of you Key readers, several per day. Starting with folksinger Sam Amidon, and going up to arena pop rocker Lorde, here are our picks for the week ahead. Continue reading →
New Jersey singer songwriter Jasmine Cassell focuses on love for her recent EP S7VEN. Different types of love; self love, the love of God, romantic love. The lyrical theme, mixed with superb instrumental arrangements, made this project a standout debut.
I had heard Jasmine Cassell perform “Let Me In” live, so I was pleasantly surprised to hear some layered 80s synths — a signature style of producer Lee “LeBeet” Clarke, who has also worked with Kate Faust and Kingsley Ibeneche. That sound could have easily been a very cheesy move, but it works so well for the song and compliments the melody really well. The melody is catchy, and the way the chorus comes in makes this perfect for an impromptu car karaoke session. The lyrics echo Erykah Badu’s “Bag Lady” sentiment with lyrics like “You’ve got a lot of baggage, girl. / Let me in so I can trash it, girl.” Continue reading →
O:O Our Black Arts Festival is this weekend, February 9th and 10th, at Circle of Hope in South Philadelphia. The two-day festival welcomes people of all ages, shapes, colors, genders, and orientations. There will be visual work, poetry, and performances from various artists, which you can read more about below. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2017 incredible. Today, Key photographer Koof Ibi Umoren (who plays trumpet with West Philadelphia Orchestra, Little Strike and a host of others) shares Philly’s best non-traditional venues to perform at in 2017.
Traditional music venues need musicians and beer in order to successful. This year has proven that musicians need beer, but not necessarily the traditional music venues. A musician can spend a lot of time performing in Philadelphia without setting foot on a traditional stage. If you’re smart and you chose an acoustic instrument in elementary school, and didn’t give it up for a cooler electronic instrument in college, then the world is literally your stage This year I’ve had the pleasure of playing and attending shows at some very interesting Philadelphia “venues,” and here’s a recap of some of my favorites. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2017 incredible. To kick off the series, Key editor John Vettese recaps six of his favorite Philadelphia music discoveries from the past 12 months.
Earlier today, I was listening to a conversation with Johnny Brenda’s talent buyer Chris Ward on the 25 O’Clock podcast, and he made a very interesting point. The bumper crop of musical talent in Philadelphia, or what is often perceived as such, is no sudden phenomenon. It’s not as though, pre-2006, the city was in some dire straits or a lesser creative state, and has subsequently grown and evolved to the present-day bursting of the proverbial seams.
The truth is that amazing music — rap music, rock music, pop music, soul music — has always existed in the 215; in many cases (the Gamble & Huff era), it’s downright thrived. But as Ward pointed out, a more recent confluence of factors and persons and places and institutions over the past decade (like him and JBs, I might add, or like our friends at The Deli and Jump, or like countless others) have helped amplify the scene tremendously.
Every year around this time, as we launch into The Key’s annual year-in-review extravaganza, I begin by sitting down and reflecting on the new artists and new-to-me artists who, over the past twelve months, have knocked me sideways. There have always been artists like this in Philly, whether or not the outside world is paying attention. And there always will be; even if, at some point, the zeitgeist declares Philly to be “over,” if you look and listen, you’ll find them continually creating, somehow, somewhere.
Grandchildren‘s Aleks Martray has teamed up with fellow Philly musician Vessna Scheff to put together a short series of benefit shows. In a fundraising effort for local youth film and music programs, the two artists have assembled a variety of local musicians to perform at Boot & Saddle on November 16. The second show, November 17 at Warehouse on Watts, will feature youth films and musical performances. Continue reading →
Against Me! released their latest LP Shape Shift With Me a year ago, and tonight their tour makes a stop at Union Transfer with support from Bleached and The Dirty Nil. The gritty folk-punk band are known for emotional, personal tunes penned by frontwoman Laura Jane Grace; their last two albums reflect on her experiences navigating relationships and life as a transgender woman. Listen below, and find tickets and more information on the XPN Concert Calendar. Continue reading →