The latest compilation of live performances from NPR’s World Cafe is available this spring to XPN members — and it’s a fantastic collection.
Ranging from rock and folk vets Bob Weir, Little Steven & The Disciples of Soul, and Suzanne Vega to new voices Maggie Rogers, Sweet Spirit, and Phoebe Bridgers, Philly rooted artists The Districts, The War on Drugs, and Waxahatchee, Live at the World Cafe Vol. 43 is an expansive release. Continue reading →
Day one of the Firefly Music Festival was marked by near perfect weather – sunny skies and comfortable breezes – and some excellent sets of music. Maggie Rogers was by far the standout set of the day. She’s originally from Eastern Shore, Maryland, so this was sort of a hometown set for her. Both OAR and Salt Cathedral played pop-up sets in the Firefly Coffee House after their main stage sets; OAR had the place packed. And there were several cool covers; Maggie Rogers did “Wannabe” by Spice Girls, and Eden did “Billie Jean” by Michael Jackson and “Hey Ya” by OutKast. Continue reading →
Alternative pop princess Maggie Rogers made a stop by World Cafe Live for an energized Free at Noon, taking time out of her sold-out tour of the great United States to pay one of her favorite stations a visit. Just like her sparkling blue kicks, her brand of singer-songwriting adds that ounce of shiny flair with a fantastic blend of folk harmonies paired with booming electronic instrumentation.
Maggie Rogers – remember her name. The singer-songwriter recently went from a being a nearly unknown folk musician to an overnight sensation. On June 1st, a video of Maggie sitting in a class she was taking at NYU with musician and producer Pharrell was posted on the internet. During the playback of the song, “Alaska,” he was brought to tears by her song, and the video went massively viral. Continue reading →
Through her transition from folk to self-made genre “schizodrift” (a self-styled blend of surf rock, country and folk), Caroline Rose has created a name for herself in recent years, attracting the attention of The New York Times Magazine, NPR, Pitchfork as well as us here at WXPN, who named Rose “Artist To Watch” for May. The NYC-based songwriter’s latest record LONER’s success is attributed to taking a more pop approach, but at the same time still staying true to her aesthetic self. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2017 incredible. In this installment, WXPN’s listener-voted best songs of 2017.
We played songs, you listened. You voted, we listened. Today, after tallying up the numbers and playing back the jams, we are delighted to bring you Your top 50 XPN songs of 2017.
You’ll notice a lot of recurring themes, whether it be the mission statement of Strand of Oaks — “play it, play it loud on the radio” — or multiple cuts from epic space rockers Lo Moon, who made a galvanizing introduction this year; art popster St. Vincent, who won over the masses with the daring MASSEDUCTION; disco infultrators LCD Soundsystem, who returned from retirement in top form; or Philly’s The War on Drugs, whose major label debut is their strongest and most confident artistic statement to date.
A Deeper Understanding was a massive winner in our listening community, and you voted four of the album’s ten songs in to the overall top 50 list. Revisit the ranking below, or scroll to the bottom of the page to listen to the entire package in one handy dandy Spotify playlist. And whatever you wind up doing tonight, have a safe and happy New Year. We can’t wait to discover more music with you in 2018. Continue reading →
Important thing to remember this festival season: a fifty percent chance of rain is also a fifty percent chance of no rain. It could be a fifty percent chance of scorching sun and dry heat. Reality might not line up with your anticipations, and the best approach is to be prepared for anything and expect the unexpected.
This is something that came up at several intervals last weekend at Delaware’s Firefly Music Festival; I went in expecting to get soaked and instead I got sunburnt, I’d read media murmurs about diminished attendance but found it positively jumpin on Saturday; I thought (from experience at XPNFest a few years back) that Bob Dylan was going to to be insufferable and sad, and he was actually mostly very good — the best thing we can hope for with a Dylan set in 2017, honestly — closing his nearly 90-minute performance with a ripping “Ballad of a Thin Man.” Continue reading →
Here’s a quick rundown of day two of the Firefly Music Festival. While there were over thirty bands on the schdedule on Friday, the big hits of the day were Twenty One Pilots — whose fans are the hypest people at the festival by far — and Judah & The Lion, who opened the main stage in the afternoon. Judah & The Lion joined Twenty One Pilots during their set to cover “Tubthumping” by Chumbawumba and “Jump Around” by House of Pain and the world exploded.
Sofi Tukker was the best set I saw today. The Brooklyn based duo – Sophie Hawley-Weld and Tucker Halpern – played very interactive dance rock with touches of South American percussion. Maggie Rogers came onstage to join in on a song with them. Banks was stunning; and her haunting performance was marked with beautiful sound, choreography, and a lot of awesome weirdness. Franz Ferdinand DJ’d Euro pop on the Treehouse Stage after their main stage set; and Louie Louie performed on the Campground Stage. Continue reading →
As any committed concert-goer will tell you, the best music you’ll find at summer festivals is often the stuff you come across far from the maddening crowd. Sets stumbled upon by chance when you’re looking for a spot to stretch out in the shade; artists you’ve never heard of who bowl you over as you’re waiting to catch one of the headliners; a DJ playing on a campground stage in the middle of the night or a band in the same spot come early afternoon.
Delaware’s annual Firefly Music Festival kicks off this Thursday afternoon; as we have said in the past, it is one of the most positive festivalgoing experiences of its scale. The headliners are massive, but quality; the crowds are packed, but comfortable; you’re essentially holed up in a ginormous camp-out for the weekend, but it doesn’t feel like you’re being gouged for cash. It’s a fan-friendly experience, and that extends to the fans who are down for discovering new music, seeing new performers for the first time.