By

Now Hear This: New songs by Kelela, Parquet Courts, Fever Ray, Alvarius B., Special Request, Circuit Des Yeux and more

Fever Ray | via facebook.com/FeverRay

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

Much as I may pride myself on keeping my ears as wide open and omnivorous as possible, I’m often struck, as the time of reckoning draws nigh, that so much of the music that really affects me from any given year tends to fall into a few relatively narrow categories.  Looking back on the 2017 releases that I’ve spent the most time with and returned to most consistently, most of them can be sorted into two general buckets: emotionally resonant electronic pop made by (relatively young) women – Lorde, MUNA, Sylvan Esso, Kelly Lee Owens – or wordy, wide-ranging critical statements made by opinionated and perhaps over-analytical old (or at least aging) men: Randy Newman, Jens Lekman, LCD Soundsystem’s James Murphy, Stephin Merritt of The Magnetic Fields.

Is there a throughline there?  I tend to think of it in terms of personality: if there’s one thing most likely to pique my interest in a new artist, or keep me engaged with a familiar one, it’s in their music’s ability to serve as a tool for human expression, straightforward or otherwise; a means of telegraphing a vivid and recognizable individual identity – whether that individual be a quote-unquote “real person,” a constructed persona or, as it surely is in the vast majority of cases, some ambiguous, unparseable intertwining of the two.  Perhaps that quality is more readily apparent in the second group of aforementioned artists.  It’s not that those verbose songmen are single-mindedly preoccupied with age and mortality – though it’s clearly on their minds (see: Newman’s heartwrenching “Lost Without You”; Murphy’s “tonite”; Lekman’s bouncy but pensive “Wedding in Finistère”; the entire conceit of Merritt’s 50 Song Memoir) but it certainly informs their outlook, helping to distill a clarity of perspective (and tendency toward warts-and-all honesty) translating into albums that function as poignant, if sometimes roundabout self-portraits.   Continue reading →

By

Now Hear This: New Songs from Cold Specks, Moses Sumney, Cults, Susanne Sundfør, Laura Baird, Eamon and Mavis Staples

Moses Sumney | photo via facebook.com/mosessumney

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

October is the coolest month – musically speaking.  There are more (and, pound for pound, bigger) new releases flying around these days than any other time of year.  It’s dizzying.  And correspondingly, of course, there are also many many artists touring through town, now and in the coming weeks.  It’s left me with little choice but to offer an, umm, especially generous baker’s dozen by way of my monthly recap below.  So come feast your ears! 

Among other things, last month saw a considerable number of comebacks, of varying magnitudes – returns to action, artistic reinvigorations, etc – from artists all across the spectrum.  I’ve highlighted a good number of them below, along with a smaller, select handful of shining newcomer – most of whom turn out to be not entirely that new, after all.

The biggest (unintentional) theme for this month, a through-line linking all of these widely ranging selections, is the power of the voice.  The playlist below features a striking array of voices – extraordinary voices and commonplace voices, singly or in multiple, highly processed or unadorned.  And whether or not I call attention to to it in my write-up, each and every cut here offers something memorable in terms of its vocal dimension; a certain quality of the voice (or voices) at hand, or of the way that voice are used.  Let it be a reminder for us all, to keep on using our voices. Continue reading →

By

Now Hear This: New songs by Torres, Alvvays, Lucky Soul, EMA, Partner, Dent May and more

Alvvays | Photo by Shervin Lainez, courtesy of the artist

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

It’s prime time. As summer winds to a close, we’ve arrived emphatically at the part of the year where seemingly every week brings a fresh trove of high-profile new releases. The last few weeks have seen records from what feels like a who’s-who of top-tier “prestige” indie rock acts: The National, Grizzly Bear, Iron and Wine, LCD Soundsystem and, of course, Philly’s entry in the conversation, The War on Drugs. And there’s more right around the corner from Beck, St. Vincent, Destroyer, Wolf Parade and, of course, Philly’s entry in the next phase of the conversation, Kurt Vile (in collaboration with Courtney Barnett.) As always, it’ll be interesting to see which of these albums manage to live up to the anticipation, and how many wind up largely forgotten in a few months time.

But it’s a great time of year for all sorts of music; not just the big names and known entities. There’s so much stuff coming out it’s hard to even keep track of it all, and the influx of well-established acts means higher-than-usual potential for worthy smaller records to slip through the cracks. But I’ll do my best to help – read on for a smattering of relatively under-the-radar releases from the past month or so. No deliberate themes or through-lines this time, but there are a few trends that stick out. Notably, we are now sufficiently far enough removed from last November’s election – and the many varieties of devastating fallout that ensued – that an increasing number of new releases are referencing or responding to the national (and global) political situation at least on some level – and there are several examples below. Also, for no particular reason except that it just happened that way, all of these songs were made by women – well, with one or two exceptions right at the end, but at least those are sung in falsetto. Enjoy! Continue reading →

By

Now Hear This: New songs by Haim, SZA, Kesha, Daphni, Aminé, Julia Michaels and more.

SZA | photo by Cameron Pollack for WXPN
SZA | photo by Cameron Pollack for WXPN

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

Ciao!! Now Hear This is coming to you this month one week later than regularly programmed, due to your faithful correspondent’s international travel schedule: I recently spent ten days in Sicily, where I got to experience firsthand the pleasures of a record-setting heatwave fondly dubbed “Lucifer.” Trips abroad always afford an interesting lens on pop music – you never know quite what you’ll get when you flip on a radio. The Italian pop I encountered seemed generally jaunty and decidedly dorky, featuring a surprising amount of accordion. The DJs were effusive and highly entertaining, speaking faster than I could probably follow even if I did know any Italian. I heard “Young Folks” and noname (the latter playing in a shop.) I heard one DJ leapfrog from The Beatles to Run-DMC to Empire of the Sun; rambling excitedly over the introduction to each song. The only current American pop number I heard in multiple places while in Italy was Calvin Harris’ “Feels” (ft. Pharrell, Katy Perry and Big Sean), a supposedly “summery” song that I guess I support more in theory than in practice. Continue reading →

By

Now Hear This: New songs by Lorde, Ride, Algiers, Offa Rex, Saint Etienne, Japanese Breakfast and more

Lorde | Photo By Noah Silvestry | silvestography.com

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

We are having a shoegaze moment.  I’m not entirely sure that the fuzzy, buzzy swirls of early-‘90s Britain speak to our times in any particular way, beyond their basic, perennial resonance with the heavy haze of a hot summer.  But there seems to be as much life in the now-venerable style – along with its cuddlier, more scrutable cousin, dream-pop – as at any point in the last quarter-century. Continue reading →

By

Now Hear This: New songs by Amber Coffman, The Mountain Goats, Jade Jackson, Bleachers, Diagrams, Blondie and more

Amber Coffman | via facebook.com/AmberCoffman123

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

The calendar still says it’s spring, but that’s purely a technicality. It is summertime, buddypals, and with the year we’ve been having, it’s about dang time. So where are the jams? Doesn’t quite seem like Katy Perry’s coming through for us this time around – the Teenage Dream summer of 2010, it turns out, was a long seven years ago. I’m personally getting major mileage out of Carly Rae Jepsen’s “Cut To The Feeling,” a soundtrack loosie packing as potent a dose of fizz-pop headrush euphoria as anything on E*MO*TION, let alone last year’s B-Sides (Man, was 2015 only two years ago?) Keep a lookout for Lorde’s new LP this Friday (and Haim a bit down the line), but in the meantime I’ll share some other prospects with you below.

On the live show front, it’s been a busy month what with another fabulous NonCOMMvention here at WXPN, last weekend’s dueling cross-town polarities of the Roots Picnic and West Philly Porchfest, and an action-packed concert calendar across the board – my personal highlight being the first of Sylvan Esso’s two-nighter at Union Transfer, featuring the most fervently enthusiastic audience I’ve been a part of in ages (no wonder, considering the show sold out in a matter of hours.) Things are looking strangely sparse for the remainder of June, at least from my vantage point (U2 who?), which I blame on the increasing dominance of the summer music festival circuit, infiltrating nearly every level of the industry as opportunities for the sweaty intimacy of those AC-free mid-summer Unitarian basement gigs steadily dwindles. Perhaps. Still, there are a handful of bright spots, particularly on the rootsy/folky end of things, which I’ll get to a bit further on. Continue reading →

By

Now Hear This: New songs by Sylvan Esso, Juana Molina, Colin Stetson, White Reaper, Shugo Tokumaru, Alice Coltrane and more

sylvan esso
Sylvan Esso | photo by Shervin Lainez | courtesy of the artist

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

Let’s see. Cruel April gave us DAMN., Coachella, the debacle-du-spectacle that was Fyre Festival (not actually much a music story, as it turned out)… oh, and Record Store Day. Which, I gotta say, is the one capitalism-based holiday I can fully get behind – not so much for the cavalcade of exclusive releases, which feels more extraneous and vaguely exploitative every year, but for the explicit excuse/occasion to go hang out in record stores, which I sadly rarely do otherwise. And also because quirky devised human-scaled social rituals like that are just great.

I missed RSD this year for the first time in a while, but I made up for it later in the week by swinging by the Numero Group “Factory Outlet Roadshow” tour stop in Kensington: a traveling pop-up shop from the peerless Chicago-based reissue label: where I stocked up on gorgeously-packaged reproductions/assemblages of 20th-century pop ephemera. (Including, to keep things semi-2017-related, the supafunky sample source of Jens Lekman’s megajam “How We Met (The Long Version)” which has also been in my head for about a week.) So far I’ve barely even scratched the surface of my Numero haul – I’ve been much too busy combing through new releases in order to winnow out the month’s absolute finest strains to share with you, dear reader – but I’m pretty amped to dig in deeper as soon as I hit publish! Continue reading →

By

Now Hear This: New songs from New Pornographers, Six Organs of Admittance, Lydia Ainsworth, Soulwax and more

new pornographers
The New Pornographers | photo by Jenny Jimenez | courtesy of the artist

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

Happy Spring! Are we allowed to be happy it’s Spring? While it feels like we’re still a long way from Summer jam season proper – Calvin Harris notwithstanding – the contenders are already starting to get in line. So far I’m liking Lorde, Lana, and Charli XCX’s bubbly one-off with Mura Masa, or maybe something from hnew oer super-fizzy PC Music-abetted mixtape – I’ll admit that I have yet to fully contend with last month’s highest-profile, er, “playlist” (shut up, Drake!) though I hear there may be some keepers there too.

Meanwhile, over on the indie side of the fence, we’ve already got a solid backlog of Spring-ready melodies to sift through as we round the bend on the first quarter of 2017. With worthy new efforts from Spoon, The Magnetic Fields, The Shins and (soon) New Pornographers (see below) joining Jens Lekman and, sure, the Flaming Lips, it’s been a busy couple of months for indie-pop lovers of a certain vintage, with plenty of opportunities for nostalgic reminiscence. (You’ll have to forgive me a few slight indulgences along our way.)

Continue reading →

By

Now Hear This: New songs by Thundercat, Alex Lahey, Justin Carter, Dirty Projectors, Spoon and more

Thundercat | photo by Eddie Alcazar | courtesy of the artist
Thundercat | photo by Eddie Alcazar | courtesy of the artist

Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.

Mmmm…You can just feel it in the air, wafting in on the alt-Spring breeze and/or bluster: South by Southwest season is upon us.  Like a gulf coast hurricane spinning off a series of storm fronts, the mid-March musical mega-marathon stirs up tour schedules all across the country ‘round about now (and again toward the end of the month) as countless up-and-comers begin plotting their way down to Texas and/or their triumphant return therefrom.  Early Spring is a time for new life and, especially, new music: bigger, better-established artists tend to take a backseat at SXSW (and to some extent, perhaps accordingly, in March release schedules), although there are always a couple notable exceptions, including, this time around, Austin’s favorite indie-rocking sons… Continue reading →

By

Now Hear This: New songs by Jarvis Cocker and Chilly Gonzalez, Gabriel Garzón-Montano, Austra and more

Gabriel Garzón-Montano
Gabriel Garzón-Montano | Photo by Breanna Keohane for WXPN

Every month, noted song expert K. Ross Hoffman presents a sampling of fresh specimens for your consideration. Here are his picks for February, 2017.

Happy new(-ish) year!  January tends to be a slow time for new music, as release schedules (and concert calendars) gradually shift back into gear following a generally-observed hibernation around the holidays.  That felt especially true this year, with no major releases dominating the musical conversation the way, for instance, Bowie did in 2016.  (I guess we also had a few other things to pay attention to.)  But there were still a handful of gems to sift through, all well as some promising signs for what’s to come later in the Spring.  The selections below includes a pair of pre-release teasers from disgruntled old geezers, sterling examples of several different strains of soul music, a smattering of political content – sorry, you can’t escape it here either – and the first great pop banger of 2017.

Continue reading →