(Sandy) Alex G’sRocket is a mighty fine, complex collection of some of his most eclectic, genre-crashing gems to date. One of these standout beauties is the dreamlike ballad “Sportstar,” in which frontman Giannascoli warps his voice with otherworldly auto-tune amidst a thick atmospheric soundscape of gauzy guitars and echoing piano. Aaron Maine’s NY-based synth-pop project, Porches, recently remixed the surreal tune, providing a clarified, breezy companion
Stripping away layers of vocal processing, Porches’ remix of the song summons the deeper and tad demonic Alex G monotone that we all know and love, while spicing it up with a hint of electro-steel drum, island music vibes. Continue reading →
Registration is now open for the second annual Porchfest, happening in West Philly on Saturday, June 3rd. As we reported last month, the day-long event will feature dozens of musical acts performing on the beautiful and spacious front porches situated along the Baltimore Ave corridor.
Okay, indiepop sweethearts, have we got a show for you. Bookish Scottish faves Belle and Sebastian will return to U.S. soil for a headlining tour with orchestral singer-songwriter Andrew Bird and DIY electropopper Porches — and it includes a stop in Philadelphia on Thursday, August 3rd at the Mann Center for the Performing Arts. Continue reading →
You can’t deny that NYC-based band Porches is unapologetically themselves. The group has always had a knack for the unusual, take their April performance at Union Transfer with hometown favorite Alex G as an example. Frontman Aaron Maine shimmied and thrusted his hips to his hearts content, encouraging the audience to not only join him in dancing, but at one point asking every member of the audience to sit on the floor.
Stage antics like these make for visual spectacles at Porches’ shows, embracing all things odd while delivering a healthy dose of dream synth awesomeness. It’s exciting to see, now, that the band have come out with a new music video for the song “Car,” because the only thing as good as hearing Porches is watching them. Continue reading →
NYC project Porches turned “Trying Your Luck” into an electro-wave downer on Sirius XM last week. Aaron Maine and his band were promoting their own new record Pool when they covered the track from The Strokes’ debut Is This It, trading in garage rock riffs for breathy synth beats.
The Indie Rock Hit Parade wants to be your Valentine, so do it a favor and listen to the show tonight at 11pm ET on WXPN. On tonight’s two-hour adventure, we’ll spotlight Commontime, the newest album from UK art-rock brothers Field Music! There’s also the business of new School of Seven Bells, Parquet Courts and Porches tracks to get to, so stuff your pockets full of conversation hearts and preview some stuff below:
After packing the house at the First Unitarian Church last weekend in support of his new Beach Music LP, Philly’s Alex G announced his next hometown show: headlining Union Transfer with Domino Records labelmates Porches (from New York) and Your Friend (from Lawrence, KS). Continue reading →
Every month, noted song expert K. Ross Hoffman presents Now Hear This, a sampling of fresh specimens for your consideration.
We’ve had a pretty good last month or so here in Philadelphia, on a couple of fronts. Musically though, at least in terms of the broadest, pop-cultural arena, things have felt just a tad uninspiring lately. The best-selling album of the year thus far, by a wide margin, is the Greatest Showman soundtrack; an artistic triumph I have no doubt. Camila Cabelo’s full-length bow, despite a couple of serviceable bangers, basically failed to make good on the promise of “Havana,” the year’s first new Hot 100 chart-topper and one of the best we’ve had in a while. The most notable musical performance, the halftime show of that one football game, was a perfectly enjoyable and well-executed medley of five-to-fifteen-year-old hits with no real relevance to anything in particular – I’m not sure whether it’s more dispiriting that Justin “Man of the Woods” Timberlake chose not to even attempt promoting his just-released new album by actually performing something from it, or that this was, on balance, probably the right decision. I mean, no offense JT…
Then there were the Grammys, which despite well-deserved (if largely meaningless) acknowledgments for the likes of LCD Soundsystem, The National, Aimee Mann and our very own War on Drugs, overwhelmingly reaffirmed its own insignificance, diversity issues and fogeydom (I mean, no offense Bruno); adding insult to irrelevance by denying a performance slot to (sole female) album-of-the-year nominee Lorde. That hot pile of nothingness was capped off by the truly vile, toxic comments of Recording Academy president Neil Portnow, who, in response to questions about the underrepresentation of women among winners and nominees, called for “women who have the creativity in their hearts and souls…to step up, because I think they would be welcome.”
Of course, it goes without saying that, beyond the psychotically warped bubble that is mainstream culture and the self-congratulatory machinations of the “music industry,” music itself continues on and, as always, the past month offered plenty of tunes worth digging into. You’ll find a smattering below, from indie-pop earworms to exuberant dance jams, including a handful of artists experimenting in various, intriguing ways, with strains of world music. And – I swear I didn’t plan this – it just so happens that all but one of the selections below were made, either by solely or in part, by female artists. Step on up! Continue reading →
Sam Huntington makes up one part of The Original Crooks and Nannies (with snake boy gang’s Madeline Rafter), another part of AllegrA (watch their Key Session here) and the whole part of his new solo project, Very Bad Vibes. Contrary to what the self-effacing name suggests, Huntington’s first single “Call Me Cool,” rather sends out some Very Particularly Weird Addicting Vibes. Continue reading →