After releasing her new record I’ll Sing in the fall, Shannen Moser has kept a steady touring schedule throughout the last few months. When she was in Chicago a while back, Moser and her bandmates stopped by Audiotree Live to record a session, which is out now. Accompanied by Julia Peters on cello and PJ Carrol on guitar, the Philly-based singer-songwriter fits a full eight songs into the 37-minute session, mostly playing tracks off the new album but adding in a few old ones, like “Alex (282)” and “Yr Undertaker.” Continue reading →
Berks Co. native Shannen Moser released the second single to her sophomore album. The track, “Haircut Song” follows up the previously released “Arizona (I Wanna Be Your Man),” a continues to draw on her folk and country influences.
“Haircut Song” paints a painstakingly beautiful narrative split into two parts, “before i cut your hair, and when I gave you haircuts,” from the song’s opening lines. Distant, trodding drums anchor the song through its two minutes and change, while twangy guitars accompany Moser in her register. The space between is filled with atmospheric, emotional keys, care of guest Cameron Konner on the track. The vignette painted on this single, along with the previously released “Arizona,” highlights Moser’s penchant for narrative-style songwriting and builds anticipation for the upcoming album even further. Continue reading →
Fixtures of the Philly scene Thin Lipsand Shannen Moser have a few things in common — not only are they Lame-O Records labelmates, but they both have new records either just-released or forthcoming.
To celebrate the new tunes, the two bands have joined forces for a double record release show at the First Unitarian Church on September 22, with fellow Philadelphians So Totally and Cheer Up lined up as support. Continue reading →
Philadelphia-based singer-songwriter Shannen Moser will release her sophomore album, I’ll Sing, this September on Lame-O Records, and today released the first single off the record, “Arizona (I Wanna Be Your Man).”
Diverging from her typically acoustic-based format, this song takes on a sharper edge with the addition of an electric guitar and bass, while Moser expresses an interest in the Southwest, breaking out from the typical confines of navigating relationships. Continue reading →
“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
A little over a year ago, Philly folk singer Shannen Moser released a debut studio full-length, Oh My Heart, on Philly-based indie record label Lame-O.
Moser is open about how emotional attachment affected everything from the approach to recording it to stagecraft. While her first tour in support of the material last summer was with a full band, her set at last fall’s Philly Music Fest — where we conducted this interview — was stripped down to herself and cellist Julia Peters, who’s worked closely with Moser since Peters moved to the area a few years ago. Continue reading →
This past weekend, the inaugural Philly Music Fest touched down at World Cafe Live, filling the venue’s upstairs and downstairs stages with two nights of performances by local artists. Highlights included dazzling late-night performances by headliners Cayetana and Strand of Oaks, packed-floor upstairs sets by Harmony Woods and Ivy Sole, the live debut of Skull Eclipses — the experimental hiphop project of Lushlife and Botany — and much more.
In the mix were foodies, artists and crafters, musicians in the audience watching the musicians onstage, and a couple top-secret stripped down performances for VIP ticket holders. 26 artists performed in total, money was raised for LiveConnections, and you can take a look at scenes from the weekend care of ace Key photographer Rachel Del Sordo.To see more of her work, check out her website, and give her Instagram a follow. Continue reading →
Since releasing the excellent Oh, My Heart record this winter, Philly’s Shannen Moser has been playing a lot of gigs regionally and nationally — including a tour with Sorority Noise — and filming a lot of videos. Rather than go the traditional music video promo route, Moser teamed up with Good Boy Audiovisual to shoot site-specific performances of several of the album’s songs all around Philly, from Penn’s Landing to Grey’s Philly, parks to post-industrial asphalt. Tonight, Moser can be found in the cozy enclosure of PhilaMOCA, opening the show for Clique and Peaer. Tickets for the all-ages show are available now, more information can be found at the show’s Facebook event page. Continue reading →
The concrete median just south of City Hall is a popular spot for photos. Wedding, tourist, selfies – they all look great with the ornate building standing behind and the lights glowing up Broad St. It’s also the spot Shannen Moser chose for the final installment of a live video series she’s been doing this summer, filming Oh, My Heartcloser “Dirt and Water” well past sundown as cars fly by.
Philly / Boston punk outfit The Kominas are charged-up social critics wrapped in catchy hooks and high energy. Their most recent full length, 2015’s Stereotype, is essential listening; in the years since, they’ve released a string of thought provoking and funny music videos tackling institutional racism and xenophobia. Tonight, they headline Johnny Brenda’s in Fishtown; watch the “See Something Say Something” video below and get tickets and more info at the XPN Concert Calendar. Continue reading →
Standing in front of the looming and historic SS United States down at Columbus and Oregon, Shannen Moser gives a solitary performance of “Yr Undertaker” from this year’s Oh, My Heart LP in the video below. The clip is the first in a series that Moser will be sharing over the next month, leading up to the vinyl release of the debut album via Lame-O Records on June 16th.