Icelandic post rock band Sigur Ros brought its summer tour to the Mann Center for the Performing Arts last night. Celebrating its 20th anniversary, the band performed two career-spanning sets as a trio, mixed with their trademark visual spectacle. Check out a gallery of photos from the show care of our Matthew Shaver. Continue reading →
Icelandic rock royalty Sigur Ros are gracing us with their presence at the Mann Center tonight. Get swept away in their myriad of hits — whether in Icelandic or the band-created musical language of Hopelandic (like c’mon, how cool is that)– for an atmospheric, open-air performance of dynamic, otherworldly soundscapes. Find more info on tickets at the XPN Concert Calendar, and listen to “Festival,” a.k.a. one of the most beautiful songs to ever exist, below. Continue reading →
After a captivating performance at the Academy of Music earlier this year, Icelandic post-rock soundscapers Sigur Ros are coming back for another taste, bringing their atmospheric post-rock to the Mann Center on June 16th of 2017.
Orchestral Icelandic outfit Sigur Ros are at the Academy of Music tonight. Led by Jónsi, the post-rockers will perform two sets, pulling from their expansive catalog that includes standout records ( ) and Takk…. along with 2013’s Kveikur. Tickets and information for the all-ages concert can be found here. Watch “Óveður” below, released this summer.
We’ve barely cracked into springtime and the fall seems a long way off, but you’ll want to put a hold on Saturday, October 8th so you can see Sigur Ros at the Academy of Music for what is sure to be one of the most beautiful shows of the year.
Icelandic ethereal rock group Sigur Rós paid a visit to Philadelphia’s Mann Center this past Friday in support of their most recent record, Kveikur. Fans were treated to a beautiful evening, and more importantly, an incredible musical experience. Sigur Rós is unique in countless ways; the lyrics are (mostly) in Icelandic, they have complete brass and string sections, and their frontman, Jónsi Birgisson bows a guitar on nearly every one of their songs. What struck me about their live performance was the dichotomous nature of their music rhythmically, harmonically, vocally and compositionally. It is not often that I enter a concert with a simple interest in an artist’s work and leave craving more, though this was the case with Sigur Rós.
The band opened their set with the atmospheric “Yfirborð”, a song which, at its beginning, seems to burrow its way through a sonic underground before reaching its cadenced and rhythmic coda, all the while retaining the modulated timbre of a telephone call. They moved on to what might have been the most powerful song of the evening, “Brennisteinn.” This track, if none other, best captures the more driving and forceful sound they’ve introduced with their most recent record, Kveikur, and hit all the right notes in the live environment. The aforementioned multi-faceted nature of their music couldn’t have been more present; dissonance met melodiousness and dynamic rhythms were juxtaposed to moments of serene string interludes.
Another song that stood out was “Olsen Olsen”, a tune that appears on their first record, and whose string/brass refrain evoked an uncanny feeling of gratification. A couple songs later, I was delighted to hear “Stormur”, another track off Kveikur that exemplifies Birgisson’s ability to use his voice as no less than an instrument; perhaps it is that I, being an English speaker, take lyricism out of the equation, or that the instrumentality of his voice is somewhat of a mission statement of his. I couldn’t help but appreciate even Birgisson’s inward breaths as being of a deliberate musical essence.
Immediately following “Stormur” was “Sæglópur”, a song so formidable that I was convinced we were underwater, and appropriately so, the song’s title being Icelandic for “seafarer”. It was this power to instill emotion and feeling by which I was captivated listening to Sigur Rós’s music. It was their dynamic and compelling sound, Birgisson’s beautiful and mellifluous voice and bowed guitar that acted as a distinct yet completely organic sounding tie-in between songs that have won me over.
Opening for Sigur Rós was Julianna Barwick, whose avant-garde chordal arrangements were, at the very least, interesting. However, the ubiquity and lack of dimension in her music ended up being a real downfall, as a lot of the crowd seemed to lose interest relatively quickly. That is not to say, however, that I did not have an incredible time. In a mere few hours, my perception of a band was changed entirely for the better. Sigur Rós, you’re doing it right!
Keeping true to her meditative sound of layered voices and atmospheric acoustics, Julianna Barwick”s video for “One Half,” a song from her upcoming album, Nepenthe, finds her other half in an illusory state enhanced by her whispering vocals. Close ups of Barwick’s hand holding an elegantly decorative knife, eyes, and a Victorian dress are cut in between shots of her demolishing a small tower of flowers on top of fruit and drizzling icing. Barwick will be touring with Iceland’s ethereal post rock outfit, Sigur Ros, and will be opening for them at their Mann Center show, September 20th. Find more information and tickets for the September show here.
Watch the video for “One Half” below.
Listen to Barwick’s album, (out 8/20), in its entirety here via NPR Music.
Sigur Ros – whose latest full-length, Kveikur, is out now via XL – have delved into the world of DJing (under the name Triple Nipple), and just released a brand new mix for FACT Magazine. Just short of an hour long, the mix is available to both stream and download via FACT’s website here. For any fans of Sigur Ros’ previous work, be warned, this mix bears little resemblance to the rest of their backcatalogue. They said in a statement recently that “this is how Sigur Ros get down and unwind in the dressing room and on the tour bus after a show” and that “if you are expecting a mystique enhancing exercise of deep solipsism, look away now.” The band, currently on tour in support of Kveikur, will be coming to Philly this fall, for a show at the Mann on September 20th. Tickets are on sale now. More info can be found here, and listen to the Kveikur track “Ísjaki”, below.
WXPN welcomes Icelandic heavyweights Sigur Rós to Philly on September 20th to play the Mann Center main stage. Tickets go on sale to the general public on Saturday, June 15th at 10 a.m. The experimental, ambient, post-rock outfit will be releasing their seventh studio album, Kveikur, on June 18, after a year of worldwide touring. They released “Brennisteinn” as the lead single back in March, and “Ísjaki” as a radio-only single in April. Sigur Ros played a crazy awesome show at the Skyline Stage at the Mann last summer (two days in a row due to overwhelming demand), so be sure not to miss them this September. The new leg of the tour will include an 11 piece band and all of their new material. Meanwhile, check out the eerie and exhilarating music video for the first single, “Brennisteinn.”
Ethereal Icelandic group Sigur Rós returned this year with Valtari, their sixth full-length album and first in four years. They’re supporting it with two sold-out shows at the Skyline Stage of The Mann Center for the Performing Arts this weekend, and for today’s contest, we’re not only giving away a pair of tickets to the Sunday night show, but a autographed vinyl LP of Valtari. All we’re asking you to do is weigh in on some (somewhat easy) band trivia: Sigur Rós named itself after singer Jónsi Birgisson’s sister. But what is the literal translation of the band’s name? Leave your answer in the comments, and we’ll choose a winner at random this afternoon!