Lucinda Williams’ seminal 1998 album Car Wheels On A Gravel Road celebrated the 20th anniversary of its release on June 30, so it makes sense that many younger artists have been paying it tribute lately — including Philly’s own Slaughter Beach, Dog, who joined in on the fun with a cover of one of the record’s best tracks, “Drunken Angel.” Continue reading →
Not much beats a stacked double bill of local favorites, and that must be just what Slaughter Beach, Dog had in mind when booking their upcoming tour. It’ll be the band’s first headlining run since last fall, when they released their debut LP Birdie, and for the East Coast leg of the tour, Thin Lips is coming along (the second half of the tour gets Gladie, which is pretty cool, too). The two Lame-O labelmates will join forces at PhilaMOCA on August 25. Continue reading →
“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
Jake Ewald would position the dissolution of beloved hometown heroes Modern Baseball more as an indefinite hiatus. One of the most heralded band of recent Philly history, MoBo played three sold-out goodbye-for-now sets at Union Transfer last Fall. Just before that, the below interview was recorded backstage at the inaugural Philadelphia Music Fest, where Ewald played a set with his new project, Slaughter Beach, Dog.
In the time since, Ewald has kept busy touring behind and gigging locally in support of Birdie, the second full-length for that band, and confounding music writers everywhere with Slaughter Beach, Dog’s unanticipated comma. The band trades pop-punk for a more acoustic-centered approach to Ewald’s unique brand of storytelling, and was recorded at his Fishtown studio The Metal Shop, a setup asselmbed with fellow MoBo-er Ian Farmer and Sorority Noise’s Cameron Boucher over the past four or five years, in a space he found on Craigslist. In this interview, we got Ewald’s perspective on straddling the space between one band winding down and another winding up, the scene that he discovered upon moving to Philly six years ago, and the ups and downs of different neighborhoods.
Lame-O Records‘ annual Rock Residency benefit series at Boot & Saddle returns for its third year next month, and WOW would you look at that lineup. A Lame-O event never disappoints, but this year they’ve put together an exceptionally stacked roster of labelmates and friends to take over Boot & Saddle every Thursday in January. And it’s all for a good cause — the proceeds from each show will benefit several local charity organizations. Continue reading →
I love when crunchy bands play Free at Noon. Especially local crunchy bands — that’s just the Cherry on top. Haaaa. You know, those bands that are more thought of in context of packing sweaty basements or DIY venues than playing WCL at an hour when coffee is still vital. And that’s exactly the musical forecast today’s early afternoon set called for, which saw Philly’s Slaughter Beach, Dog closing out the day’s rare local-favorite double-header .
Not only did this change of pace showcase well-deserving, insanely talented artists, it also brought about a refreshingly interesting collection of folks — where a crowd of longtime Free at Noon regulars became speckled with beanie-clad college students.
Just to be clear though, as previous co-frontman of a little mega band called Modern Baseball, Jake Ewald is no stranger to playing big venues. But his new project Slaughter Beach, Dog is an entirely different monster; particularly SB,D’s recently released record Birdie, where acoustic stillness and subtle twang serve as the go-to vehicles of Ewald’s casually intricate narratives. Continue reading →
A show like this Friday’s Free at Noon doesn’t come along every week — not only is this week’s concert a rare doubleheader, it’s also a chance to see performances by two of Philly’s best local acts together in one place — and at lunchtime, nonetheless. Slaughter Beach, Dog and Cherrywill both perform, and while they’re each fixtures of the Philly scene on their own, lately their careers have been running parallel: both artists released debut LPs in October, and both played Lame-O Records‘ 5th birthday showcase a few weeks back. Continue reading →
In recent years, Upper Darby art punk favorites mewithoutYou have toured in celebration of every milestone they’ve hit — this time it’s the 15th anniversary of [A–>B] Life, and they’ve hit the road to play the album in its entirety. Tonight’s stop at the TLA also includes a performance from Pianos Become The Teeth. Last time mewithoutYou played a show in town was for the 15th anniversary of Brother, Sister — read The Key’s review here. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Slaughter Beach, Dog’s album Birdie is available everywhere today via Lame-O Records. But before then, in an incredibly bold move of transparency, Jake Ewald and pals decided it was time to expose the horribly dark, forbidden, entirely and completely shocking secret behind the album through a mini documentary.
The video begins with Ewald’s loved ones describing their relationship with him, and detailing his exemplary character — well, at least, once exemplary character. Things quickly go south (err west?) when Ewald’s true colors are revealed. Continue reading →
You’re sitting on the porch with a cup of coffee. The sun’s setting, there’s a slight cool breeze, trees are rustling, and you’re tucked under a crazily cozy blanket. Not a care, just good and safe. If this setting of comfort had a musical equivalent, it would be Slaughter Beach, Dog’s new song “Acolyte.” Continue reading →
As Modern Baseball gears up to play its last shows for the forseeable future at Union Transfer — as of this writing, only tickets for the Sunday gig remain — singer-guitarist Jake Ewald is readying the release of Birdie, the latest and best release from his solo project Slaughter Beach, Dog. Following up on “Gold and Green,” a single released earlier in the summer and performed live during the band’s terrific Key Studio Session, today we get a melancholic pop tune called “Fish Fry.” Continue reading →