DJ Funkmaster Flex’s show on NYC station Hot 97 is something of a proving grounds for rappers to showcase their skills on the mic, those on the rise and established names alike. Last Wednesday, Philly MC Tierra Whack dropped by Funk Flex’s studio to take part in his freestyle series, and over two minutes of the beat from Busta Rhymes’ “Put Your Hands Where I Can See,” she was fierce, funny and filled with Philly love. Continue reading →
When her stunning 15-minute visual album Whack World was released earlier this year, the world took notice of Tierra Whack. The Philly-born 20 something effortlessly blends traditional songwriting chops with Eminem’s syllable-bending technical prowess and Missy Elliot’s bizarre surrealist aesthetic. Despite what some may think, Tierra did not appear out of nowhere. Since 2012, she had been making a name and building her skills in Philly’s underground rap scene. We’ve compiled a beginner’s guide to one of the music world’s brightest creative lights. Continue reading →
Bri Steves has had a pretty eventful year, between being signed with Atlantic Records — home to Cardi B, Bruno Mars, The War on Drugs and more — and releasing her debut track “Jealousy” along with a music video filmed right in our backyard. Steves returns to the Philly stage tomorrow, July 26, to perform at Power 99‘s Peace On The Streets concert series at Festival Pier with Georgia’s TK Kravitz, Jamaican-born emcee Hoodcelebrityy, and rising star Tierra Whack.
If you’ve ever caught Philly rapper Tierra Whack in concert, you probably walked away with the hook to “Toe Jam” rooted in your noggin; “CRACK KILLS IF IT DON’T GETCHA WHACK WILL.” The song had the same effect on Philadelphia soundscaper and beatmaker Kilamanzego, who chopped up the hook and folded it into her latest musical collage, “red light green light.” Continue reading →
When iconic singer/rapper Ms. Lauryn Hillannounced her upcoming tour celebrating the 20th anniversary of her debut solo album The Miseducation of Lauryn Hill, it seemed too good to be true. She’ll be playing the classic album in full, but if that isn’t reason enough to attend, we now know the opening acts for the Philly stop on the tour, happening at Festival Pier on July 13.
Two well-loved and long-running rappers are lined up for the show — Busta Rhymes, who recentlyappeared at the Firefly Music Festival for the second consecutive year, and M.I.A., whose last album was 2016’s AIM. Also in the mix is reggae artist Jo Mersa Marley (who just happens to bethe grandson of Bob Marley). But perhaps the most exciting part of this announcement is the addition of a local act — Philly-based hip hop artist Tierra Whack. She released a new visual album, Whack World, last month, and recently appeared at Roots Picnic and Firefly. Continue reading →
I don’t have a FitBit, so I can’t tell you how many miles I actually walked around the Firefly Music Festival yesterday, but it was undoubtedly a lot. What can I say? There was so much great stuff to see — and some clunkers, admittedly. Continue reading →
On Wednesday, Philly hip-hop artist Tierra Whack introduced her surreal visual album, Whack World. Whack combines the attitude of Missy Elliot with the sultry synth beats of Blood Orange, but ultimately curates a unique persona that separates her from predecessors.
The album is a compact fifteen minute set, every song running a minute each. In it, Whack guides the viewer through the carnivalesque spheres of her universe. The cartoonish settings morph into a nail salon, veterinarian office, Chinese takeout joint, pet cemetery, and a living room trashed with the remnants of a child’s birthday party. With each changing scenario, Whack shifts through moods with correlating colors and outfits to match. Continue reading →
Firefly Music Festival has announced its daily lineup for this year’s festival, annually hosted at The Woodlands in Dover, Delaware. The inaugural festival took place in 2012 as a 3-day festival and has continuously grown with each passing year, creating one of the biggest summer festivals on the East Coast. From the campgrounds to the festival’s main stage, Firefly is a highlight of the summer for many music fans. Continue reading →
If the four pillars of Meek Mill‘s latest output are hedonism, celebration, oppression, and determination, they all converge on the opening track to Championships, the current #1-album-in-the-country — not to mention its high-octane music video, which just dropped this week. Continue reading →
In her review of Lucy Dacus’ Historian, Key writer Sarah Hojsak uses a vivid phrase that sums up both the record, as well as the emotional landscape of 2018: “desperately sad but never hopeless.”
Oh, wait, I’m sorry…would you describe your year as happy? That must be nice, good on you. For many of us, it’s not as straightforward: the toxicity of the country at this moment in history, and the various players that fuel that toxicity, has a draining effect, whether you’re a marginalized person who is in the line of fire or an empathetic soul who is distressed from afar. There’s also the let-down: the pouring of our energies into something to watch it fail, whether personal or public.
And yet we experience moments of joy throughout it all: weddings are had, families are started, a breathtaking sunset is observed from the westbound platform of the Berks Avenue el stop. And there’s music, a constant source of joy and comfort that centers our lives. Continue reading →