An old friend once made an observation about Ani Di Franco’s classic live album Living In Clip that’s stuck with me for 20-odd years: you can hear it in Ani’s voice when she’s smiling.
Even when the songs are devastatingly tragic, or fuming with rage, listening to the record (or, honestly, Ani’s entire catalogue) is a total joy, because at the end of it all, there’s this warm beacon of hope staring down an uncompassionate world, this realistic optimist standing at the microphone and singing words they wrote that, for that moment anyway, have the ability to make them happy…and by extension, make others happy.
I don’t bring that up to necessarily align Philly’s Allegra Eidinger to Di Franco in a musical sense; yes, both are masters of the fretboard-tapping guitar licks like you hear in folkies Tim Reynolds and Kaki King (or twinkle emo bands like Cap’n Jazz and Marietta). But beyond that stylistic affect, AllegrA the band has a sound all its own; bits of classic 70s singer-songwriter music in a Janis Ian sort of way, an effervescent energy straight out of the basement show scene, and a singing voice more mellifluous and honest than many of the band’s peers.
That idea of hearing a smile, though. That’s something that Eidinger carries forward into their work, whether intentionally or subconsciously. Continue reading →