UPDATE: Tonight’s Clap Your Hands Say Yeah show at Parks on Tap has been cancelled due to illness. Kicking off Parks on Tap’s Twilight Music Festival tonight are local indie heroes, Clap Your Hands Say Yeah. Instead of one long day of tunes, this festival is broken up into weekly installments happening Sundays on MLK Drive. Find more info on the 21+ festival here and watch the video for Clap Your Hands Say Yeah’s recent video for their track, “Down.”Continue reading →
Hometown heroes Clap Your Hands Say Yeah erupted onto the Johnny Brenda’s stage this past Thursday, March 2nd. This was actually the first night of two that the band performed at JBs — the second night being sold out well in advance — and also the first day of their nationwide tour, followed by another four weeks in Europe.
Getting to be the first ones to see a live tour is a big deal for concert-goers, especially when it’s in the city of Philadelphia which remained the stomping grounds for CYHSY for a good portion of their career. Seeing any band perform their first show on tour in comparison to their last is two completely different experiences. Fans get to watch as the band learns to ride a bike again and go through any opening night hiccups as well as experience all the energy and initial excitement to play new material. Continue reading →
Vessna Scheff grace the stage tonight at Bourbon and Branch, and you can expect clear, sultry vocals atop ukulele strumming and saucy trumpet backings (courtesy of Koofreh Umoren.) Yes, this eclectic combination is a real thing, and it’s refreshingly amazing. See for yourself by watching Vessna Scheff perform “Nodding (Always On My Mind)” live below, and then head over to the XPN Concert Calendar for more info on the show. Continue reading →
Buzz is a fickle thing, especially in the world of indie rock, and few artists are more experienced in its ups and downs than Alec Ounsworth of Clap Your Hands Say Yeah. It was over 10 years ago that the band’s debut self-titled album cut so piercingly through the muddled early aughts indie scene, demanding attention like few other debuts. Notoriety, as many bands have found throughout the years, is truly a double-edged sword. Success is certainly rewarding but it also leads to oversimplification, from bloggers and listeners alike, who make their new favorite band into whatever they want them to be, ignoring the artist themselves.
Ounsworth could have easily succumbed to the pressure that arises in the face of such success. He could have doubled down, he could have churned out album after album of fan service and perhaps he would have been more ‘successful’ because of it, but that’s not what make Clap Your Hands Say Yeah the band they are. Even today, the release day of the band’s fifth LP The Tourist, Ounsworth remain steadfast in his individuality. “We didn’t get in this business to acquiesce,” Ounsworth told me during a recent phone interview. Continue reading →
Philadelphia art rockers Clap Your Hands Say Yeah are back with The Tourist. It drops next Friday, February 24th, following 2014’s Only Run, but you can stream it now via NPR’s First Listen. If you’ve been a fan of the project up to this point, the album is ready and eager to please, but it’s anything but a rehash of their old sound.
CYHSH may not sound as pleasantly rough-around-the-edges as they did on their debut, but they certainly haven’t lost that album’s frenetic energy. The drums on tracks like “Better Off” and “The Vanity of Trying” are as driving and scatterbrained as ever, while cuts like “Fireproof” and “Unfolding Above Celibate Moon (Lost Angeles Nursery Rhyme” ride more spacious, yet equally engaging grooves. Meanwhile, “A Chance to Cure” forgoes drums for almost half of its runtime, highlighting one of The Tourists’ defining characteristics–its doubled-down emphasis on the vocal. Continue reading →
Philadelphia soul-pop favorites Vita and the Woolf have a busy spring ahead of them, leading up to the April release of their next LP, Tunnels. On January 25th, they head out on a tour of the southeast, later teaming up with Irish pop-rock outfit BellX1 for a run of dates in the northeast in late February. Then, after playing the Savannah Stopover festival on March 10, they connect with Philly art-rockers Clap Your Hands Say Yeah and will open for them for the rest of the month across the midwest and on the west coast. Continue reading →
The Indie Rock Hit Parade is back in your face tonight at 11pm ET on XPN! Be sure to listen after What’s The Frequency??? with John Vettese for a full two-hour show that’s buckling under the weight of so many new songs. We’ll hear from newcomer groups like Cherry Glazerr, The Proper Ornaments and Landlady, along with new releases from established favorites like The Feelies, Slowdive and Clap Your Hands Say Yeah. Plus the IRHP Album Spotlight is back for another round in the midnight hour, where we’ll hear a few selections from The xx‘s newly released I See You.
Aughties art-rock favorites Clap Your Hands Say Yeah are back in motion this winter, releasing their fifth LP, The Tourist, on February 24nd.
The project of the multi-instrumental Mt. Airy native Alec Ounsworth finds itself in reflective mode on this outing, though that’s certainly reflection with a generous helping of sonic positivity: jangling guitars, spacey ambient stratospheres, and simmering synthesizer pulsations accompany Ounsworth’s ruminations on personal upheaval, blame and mortality.
Today, we’re happy to bring you the second single from the LP, the intricate and progressive “Down (Is Where I Want To Be),” and the song’s very structure mirrors the stages of coping. Continue reading →
Philly band Clap Your Hands Say Yeah is back with “Fireproof,” the first single released off their forthcoming record The Tourist. This plucky synth-heavy track details the dangers of being “fireproof,” or overly confident. The song features numerous bass and vocal driven buildups that trail off into instrumental interludes, giving way to introspection on the end of both listeners and singer Alec Ounsworth. Continue reading →
To commemorate such an accomplished release, the Philadelphia-based band has set a release date (June 2) for a remastered reissue of the album. And what’s the best color for a re-release? Gold, of course. The album will be pressed on gold vinyl. Continue reading →