PREMIERE: Curtis Cooper’s Messy is a visceral work of compelling catharsis

Curtis Cooper | photo by Abigail Townsend Photography | courtesy of the artist

“I feel like all my closest friends are damaged,” says Philly’s Curtis Cooper. “And I don’t mean damaged in a bad way. I mean they have been beat down in one way or another and they’ve come back, and now they know the difference between having a good life and having a bad life, and they really appreciate what’s going on in their lives now. Those are the kind of people I want to spend time with.”

We’re talking one evening last week over falafel at Mama’s Vegetarian in Center City; “I love coming here,” Cooper comments, “there’s always somebody behind the counter wearing a Clique shirt.” And indeed, we’re handed our pita sandwiches from somebody wearing a jet black LIZARED tee. We grab a table and proceed to discussing Cooper’s personal and creative journey – through drugs, depression, and breakdowns – to their new album Messy, released this week. Continue reading →


Tonight’s Concert Picks: Shannen Moser at PhilaMOCA, Aldous Harding at Johnny Brenda’s

Shannen Moser | photo by Rachel Del Sordo for WXPN |
Shannen Moser | photo by Rachel Del Sordo for WXPN |

Since releasing the excellent Oh, My Heart record this winter, Philly’s Shannen Moser has been playing a lot of gigs regionally and nationally — including a tour with Sorority Noise — and filming a lot of videos. Rather than go the traditional music video promo route, Moser teamed up with Good Boy Audiovisual to shoot site-specific performances of several of the album’s songs all around Philly, from Penn’s Landing to Grey’s Philly, parks to post-industrial asphalt. Tonight, Moser can be found in the cozy enclosure of PhilaMOCA, opening the show for Clique and Peaer. Tickets for the all-ages show are available now, more information can be found at the show’s Facebook event page.
Continue reading →


The High Key Portrait Series: Zoe Reynolds of Kississippi

Zoe Reynolds of Kississippi | photo by Josh Pelta-Heller for WXPN

High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.

For the past few years, Zoe Reynolds has been diligently crafting her gorgeous, poetic reveries, framed by the tastefully reverberating rhythm of her electric guitar, all packaged under the Kississippi brand. Sometimes touring on her own, sometimes with more rounded-out crew of other musicians she’s met at shows, her recordings and performances are evenly thoughtful and intimate, and she delivers her rich vocals with just enough empty space between the notes.

Having already produced two EP’s and a live recording, Kississippi is putting final touches on a new full-length, which Reynolds is excited to share. A crowning achievement for an eventful Summer that included her first trip up to Canada to play a few dates, Reynolds will play in the company of her compatriot artists the first weekend of Fall at World Cafe Live, taking her place in a lineup comprised exclusively of local musicians in a few weeks for September’s Philly Music Fest, in what will be her first full-band show with the all-new Kississipi lineup. Get more information on that performance at the XPN Concert Calendar, and read our interview with Reynolds below. Continue reading →


Weller to set out on summer tour ending with a homecoming show at Everybody Hits

Weller | photo by Emily Dubin | courtesy of the artist

Philly basement rockers, Weller, are hittin’ the road this summer. The band just announced a tour along the East Coast starting in June, with support from Zanders for the first few stops, and ManDancing closing out the rest.

And of course, the band has kindly saved the best for last, as they’ll finish up the route with a hooplah of a homecoming show at Everybody Hits on July 1st. Along with ManDancing, the lineup also features the likes of Clique and Tombo Crush, so it’s sure to be a grand time. Continue reading →


Who is Harmony Woods? Getting to know the most exciting new artist in Philly DIY

Harmony Woods | photo by John Vettese for WXPN
Harmony Woods | photo by John Vettese for WXPN

If you ask Sofia Verbilla, she’ll tell you she’s no good at onstage banter.

It gives her a not super comfortable feeling, a sentiment shared by just about any honest musician you’ll talk to. Her nerves are already frazzled enough getting up there with her guitar and performing; add in expectations for public speaking that’s witty, chill and conversational but also profesh enough to keep the show moving and remind you that, oh by the way, there’s merch in the back…it’s just daunting. Awkward. Verbilla is not the sort to toss around the word “hate,” so let’s just say the closest form of active dislike you can get.

I would argue that the frontwoman of Philadelphia basement scene favorites Harmony Woods is fantastic at banter, and here’s an illustration. It’s March, her band is playing Underground Arts for an International Women’s Day benefit; a tuning break is needed, and the slight silence that descended during the last song lingers. (Verbilla has that effect on crowds.) As bartenders dump ice buckets in the wings, she asks, “So, does anybody have any jokes?” A pause. “I know one. THE PATRIARCHY.” She blows a raspberry into the mic and gives a thumbs-down; the audience gathered round the stage laughs, and the band launches into another song.

Really, everything about it was perfect. The right thing to say for this crowd, at this event. (Or, let’s face it, in general.) The timing was spot-on. It was funny. And it got the gig from point A to point B. When it comes to banter, as with most things music-related, Verbilla is a natural. Continue reading →


Finding Philly in Austin: Catching up with nine local artists at SXSW

The Districts | Photo by Noah Silvestry for WXPN |

South by Southwest: the festival to end all festivals. That time of the year when the entire world takes over the city of Austin for a week of networking, tacos, and lanyard tans. But somewhere amidst the corporate clutter, in between the long lines outside sponsored showcases and under the litter of promotional flyers strewn across the main drag of Austin’s 6th street by week’s end, is that which makes SXSW so strange and wonderful: the thousands of independent artists who chose to play more sets in just a few days than certain artists play in a year, compensated by the choice between $250 and a wristband, and the vague promise of discovery.

This year, I decided that I, myself, would participate in the SXSW hustle, running around the streets of Austin to the sound of a hundred bands at once, camera and notebook in hand (which is nothing, really, compared to the gear most musicians were toting) to catch up with nine of Philadelphia’s own artists showcasing at this year’s festival. Below, read excerpts from our conversations, and see photos from their live sets. Continue reading →


Community and Eclecticism: Philly gig promoters All Mutable on making an inclusive, daring scene

Chicago-based footwork dance originator RP Boo plays an All Mutable show on March 4th | photo via

As improbable a feat as this may seem, the still wet from the womb music promotions collective All Mutable has burned itself into the psyche of the Philly music scene with their daring vision of community and eclecticism. Even more improbable, they’ve managed to become one of the few promoters who force me– your friendly, neighborhood musical curmudgeon– to instantly smash “going” on all of the squad’s Facebook solicits even when I’m wildly unfamiliar with the bands they’re offering. Theirs is the ability to cultivate a strange, impossible oasis of color and sound within a sometimes diversity-barren landscape of independent DIY music.

While the group were all friends and music collaborators in various bands first– Jazz Adam from New York City, Nicki Duval from Connecticut, and Robin Meeker-Cummings from West Philadelphia (born and raised, naturally)– it is together with All Mutable that their true talents have reach an apex. While their roots are in experimental and noise music (and that aesthetic still rings true even as they expand), they’ve hosted raging punk noise outfits like Pinkwash, edgy afro-accoustic post-punk like Daphne, and minimalist drum and noise outfits like NAH under their umbrella and miraculously they’ve avoided any cross-genre clashing, eschewing the 10th grade mix CD model and have taken an approach that speaks more to the deliberate nature of their intention: freeing up class modalities and pushing forward with a futurist vision that is inclusive and liberating.

We sat down with the All Mutable squad for insight into their process, the origins of their name, and the future of DIY indie music Philadelphia and beyond. Continue reading →


Pilam BBQ XXXIX will feature Sad13, Screaming Females, Laser Background and more

Sad13 | photo by shervin lainez | photo courtesy of the artist

West Philly punk rock frat Pilam’s annual BBQ is a day-long musical endurance test, and the stuff of legend.

This year’s installment — the 39th annual, or the XXXIXth in the parlance of the gig poster —  was just announced, and its stacked as ever. Screaming Females and Sad13 co-headline, appearances are made throughout by Laser Background, Clique, Ill Fated Natives, Curtis Cooper, and so many more.

22 bands, 12 hours, noon to midnight, food for carnivores and vegans alike — there’s a lot to love here. More information can be found here. Full lineup, music and more below. Continue reading →


Tonight’s Concert Picks: Hardwork Movement at Johnny Brenda’s, Sorority Noise at First Unitarian Church, Daughter at The Electric Factory and more

Hardwork Movement
Hardwork Movement | photo by John Vettese for WXPN

Philadelphia hip-hop collective Hardwork Movement is playing a record release show at Johnny Brenda’s tonight. The group’s music boasts intricate jazz-tinged instrumental arrangements and a fierce pride of their deep roots in The City of Brotherly Love. 2016 was a fantastic year for the nine-member group: earlier this year they released their debut LP Good Problems, and a few months later they signed to Chill Moody’s #nicethingsMUSIC imprint. Come help Hardwork Movement celebrate and get a taste of their mixtape Draft Night at their last show of 2016 in Fishtown. Brooklyn-bred Tacuma Bradley’s Unity Band and Philadelphia singer-songwriter Julia Rainer are also on tonight’s bill. Check out the WXPN Concert Calendar for more information on this 21+ show, and check out Hardwork Movement’s performance of “City Bars” during a session with Philadelphia-collective Out of Town Films. Continue reading →


The High Key Portrait Series: Dave Davis of Sun Ra Arkestra

Dave Davis | photo by Josh Pelta-Heller for WXPN
Dave Davis | photo by Josh Pelta-Heller for WXPN

High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in biweekly installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.

This Monday, Johnny Brenda’s will host a show that’s become a standing Philly tradition: a spaced-out afrofuturistic psychedelic New-Orleans-style big band-tastic freaky Halloween celebration courtesy the Sun Ra Arkestra. The show is an outright spectacle as they try to find room not only for all the many Arkestra members, on the precious real estate of the Brenda’s stage, but for all the swinging horns as well.

For this installment of High Key we caught up with Dave Davis, who’s blown a trombone with the Arkestra for over twenty years, and who never misses a gig. Davis is decidedly soft-spoken and understated, and as he spins tale after tale about his history and career among Philly arts giants you lean in, and hang on his words. He’s engaging, charming, the personified illustration of the benefits of pursuing your dreams and following your heart, and he has this wide-eyed-kid-from-Kansas exuberance about having lived in and loved Philly that, for him, makes even the advantage of big city public transit something to be excited about without a trace of irony. With a slow, easy smile, Davis manages to share that infectious, refreshing exuberance so relatably, both in his words and in his music.

Philly’s beloved Arkestra suffered the passing of its founder in 1993, but the now 92-year-old maestro and director Marshall Allen hasn’t lost a step yet in keeping up the traditions, from international stages to regularly local engagements all over the city as well, from the Art Museum’s “Art After 5” Program to local jazz festivals to favorite Philly clubs like Brenda’s. Although this holiday’s event at is already sold out, as always, opportunities to catch them live in Philly abound, as the band continue to be as prolific and active on the touring circuit as ever.

To this day, the Arkestra still convenes for rehearsals at Sun Ra’s West Philly home, and when asked about the latest horizons, Davis notes at the wealth of the untapped archives that the band is still combing through and bringing to life. “He has a stack of music that’s never been played,” says Davis of the late composer and bandleader Sun Ra. “He wrote a tune everyday for The Creator. He has a lotta tunes that he recorded on tapes, so we’re constantly playing new Sun Ra music.” Continue reading →