We’ve all had those awkward elevator rides. Nobody wants to experience them them, but it sure is fun to watch others suffer through one. Now, thanks to Courtney Barnett, we can do just that. The Australian rocker has released a video for the song “Elevator Operator,” off her 2015 album Sometimes I Sit and Think, and Sometimes I Just Sit.Continue reading →
A couple of weeks after performing just part of it in Philly, Courtney Barnett covered The Lemonheads 1993 tune “Paid To Smile,” plus two of her new ones, as an accoustic guest on CBC Radio 2’s The Strumbo Show. In a recent interview Barnett called it “The perfect pop song.” Continue reading →
Aussie singer-songwriter/guitarist Courtney Barnett and her band rocked it out out the Electric Factory on Thursday night. Barnett is currently touring in support of her critically-acclaimed 2015 album Sometimes I Sit and Think, and Sometimes I Just Sit. With multiple festival set appearances, a recent debut performance on SNL’s season finale and a Grammy nomination, Barnett has had quite a busy year since her last performance in Philly at last year’s XPoNential Music Festival. Continue reading →
Singer-songwriter-rock-and-roller Courtney Barnett is on a victory lap in support of last year’s acclaimed record Sometimes I Sit and Think and Sometimes I Just Sit; tonight, she plays her biggest Philadelphia gig to date, headlining the Electric Factory. With jams like “Pedestrian at Best” and “Dead Fox” and aching numbers like “Deprestion,” it will make you feel all the proverbial feelings. Tickets and more information on the show can be found at the XPN Concert Calendar. Watch Courtney playing XPNFest last summer below. Continue reading →
Saturday Night Live saved the best for last over the weekend as Courtney Barnett wrapped up another season of the late night show with a blistering performance of “Nobody Really Cares If You Don’t Go To The Party” and “Pedestrian At Best”. Watch. Continue reading →
This Thursday night, May 26th, WXPN Welcomes Courtney Barnett to the Electric Factory. Last night, she made her debut as the musical guest on Saturday Night Live, closing out the season of the show. Continue reading →
Since its inception in 1998, Coachella has transformed from a hipster mecca to a stomping ground for Taylor Swift’s #squad, but the festival still manages to bring in the world’s premiere rockers pushing the envelope. Australia’s top garage rocker and XPN favorite Courtney Barnett was there, and Pitchfork has compiled footage from her performance from over the weekend. Continue reading →
Confession: I’ve never considered myself a “Deadhead.” Every once in a while when I was growing up, my dad would play “Friend of the Devil” or “Brokedown Palace” (pretty much just American Beauty). I’ve always enjoyed their music, but I’ve really only scratched the surface when it comes to their immense catalogue of live recordings, Dick’s Picks, and journeys into psychedelia.
But when it comes to songwriting and capturing the American experience, The Grateful Dead really were one of the greatest bands of the past 50 years. The National knows this, and apparently 58 other hugely successful bands and musicians do as well. That’s why the Dessner’s (Bryce & Aaron of The National) have assembled the outrageously massive Day Of The Dead tribute compilation, which features everyone from Bruce Hornsby to Wilco, Philly’s The War on Drugs to Bob Weir himself covering classic Dead tunes from their earliest stages up until present day. Continue reading →
After several years of working on a benefit compilation of Grateful Dead covers, The National have announced the track list and contributors of their Day of the Dead box-set. The 59-song album is the second all-star project members of The National have put together for AIDS organization Red Hot, following up 2009’s Dark Was the Night.