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Getting to work with Philly punks Dark Thoughts

Dark Thoughts
Dark Thoughts | photo by Yoni Kroll for WXPN

While not all jobs are bad, we’ve all had bad jobs. Maybe it’s a boss who expects you to do twice the work for half the pay. Maybe it’s a coworker who seriously just won’t shut up. Maybe it’s the customers or the owner or the commute or the hours or literally anything. We’ve all been there and it sucks to know that day in and day out nothing will change until you finally get fed up and quit. Work is a necessary and generally positive aspect of life but sometimes it can be such a drag.

At Work, the new album by West Philly punkers Dark Thoughts– Jim Shomo on guitar and lead vocals, Amy Opsasnick on bass, and Daniel Cox on drums – definitely tackles all the important topics: mental health, punk, and coffee. Oh, and work, of course. This isn’t some anthemic diatribe about factory life; it’s a lot more fun than that. Clocking in at just over 20 minutes, the twelve songs on the album hit that perfect sweet spot of poppy, catchy music and introspective, intelligent lyrics that you can still very much sing along to.

The record was digitally released on June 15th, physical copies are available this week, and the band plays a release show at the Church on August 24th. We recently sat down with Jim Shomo to talk about some of the bad jobs he’s had – including stints as a toy train conductor and way too much time spent serving coffee – and if you can turn a BFA in sculpture into riches. For the answer to that age-old question, read on! Continue reading →

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Dark Thoughts channel punk’s roots on At Work

Dark Thoughts | via WKDU.org

The first word any writer reaches for when talking about Philly punk trio Dark Thoughts is “Ramones.” From the moment singer-guitarist Jim Shomo shouts “Gimmie soda! Gimmie soda! Gimmie something I can drink!” on the opening track, it’s clear that in their delivery, musicianship, and aesthetics, Dark Thoughts are deeply indebted to punk’s royal family.

But their blistering new LP At Work is no mere retread. Like their forefathers, Dark Thoughts know how to walk the line between economy and monotony—delivering a unified and repetitive musical assault with just the right amount of variation in tempo, dynamics, and chord changes to keep the energy at soaring levels. Continue reading →

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Dark Thoughts releases new tape recorded at WKDU

Dark Thoughts | via WKDU.org

Philly punk trio Dark Thoughts released a teaser of new music this week in the form of a live EP, recorded at Drexel University’s radio station, WKDU. Titled Dark Thoughts Live! on WKDU and recorded by Key contributor and WKDU host Yoni Kroll, the live EP contains four tracks split over the two sides. The live tracks are previews of Dark Thought’s upcoming sophomore album, Dark Thoughts at Work.  Continue reading →

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The Skeleton Key: March into spring with gigs galore, from Tuvan throat singers to heavy metal headbangers

Jim Shomo exhibit flyer | courtesy of the artist

Major announcement time, Philadelphia: it’s finally springtime! Go out into that sunshine and enjoy yourself! Don’t give me that look; I know it doesn’t look like it. I know that technically speaking we have two more weeks until the official start of the season. But it doesn’t matter. I am ready for winter to be over and if you are too – not judging! I was grinning ear-to-ear while riding my bike through the snow just a couple days ago – I have a full calendar of things going on.

Get that started tonight with the sweet stylings of Merge Records rock n roll powerhouse Mike Krol (no relation) with TVO and Wildflowers of America at Boot & Saddle. If you haven’t listened to these bands, you owe it to yourself, even if you’re not able to get to the show. I’m bumping the new Mike Krol album while writing this and it’s putting me in the best mood. TVO is great and if you haven’t seen Perry Shall’s Wildflowers of America yet I really don’t know what your problem is.

That band just announced a show in West Philly in April with Big Eyes and Dark Thoughts and at some point in the near future they’ll finally put out their debut album. If it’s even half as fun and catchy as their live set it’s going to blow everyone’s mind. Continue reading →

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The Key’s Year-End Mania: DIY Crystal Ball — Yoni Kroll’s most anticipated Philly music happenings of 2019

photo by Farrah Skeiky via facebook.com/breakfreefest

Year-End Mania is the Key’s annual survey of the things below the surface that made 2018 incredible. Today, Key writer Yoni Kroll takes a look at what’s ahead in the local DIY scene.

When I was at Drexel I took this class on “Sociology of the Future” where a big chunk of what we did was learn how to make accurate predictions of what’s to come based on analysis of the past and present. Pretty cool, right? I’d like to say that I learned a lot about prognostication and general soothsaying in this class but considering my, uhh, educational fortitude back then it’s doubtful I showed up half the time.

Still, I don’t need a crystal ball to tell all of you about some of the amazing things we have to look forward to in 2019. So put away those tea leaves and save those complicated star charts for another time and let’s take a look at everything in store for us over the next twelve months. Continue reading →

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The Key’s Year-End Mania: Yoni Kroll’s best new bands of 2018

Yarrow | photo via yarrowphl.bandcamp.com

Year-End Mania is the Key’s annual survey of the things below the surface that made 2018 incredible. Today, Key contributor Yoni Kroll recaps his favorite bands that started in 2018.

What we want from bands is at times a very amusing catch 22: they need to be perfect but not polished, experienced but with a youthful electric energy permeating everything. It’s why you hear people talk crap on new bands. They’re young, they’re inexperienced, they’re doing something new or different or maybe not different at all. It’s why my roommate when I was 20 couldn’t stop talking about how every band I was getting into wasn’t as good as NOFX. True story.

But you know what? I’d rather see a bunch of new bands trying to figure it out than a bunch of old people going through the motions. It’s generally more fun and more interesting. Sure, you might not be able to sing along, but is that really your only criteria for enjoying a band? This year I got to see a bunch of bands that were either just starting or recently coalesced from ‘project’ to actual performance. That includes groups formed for the First Time’s the Charm 2018, a biennial concert held last July “made up of entirely new bands that must include women, people of color, queer, trans and gender non-conforming people, and those with disabilities” all playing their first sets ever.

The goal for the event, which I helped organize, was to create a space for those who have been marginalized in our music communities. It was a resounding success, we donated $1500 to music education non-profit Beyond the Bars, and most importantly eight brand new bands were unleashed on Philadelphia. While continuing past that initial performance is not necessarily a goal of the event, a number of bands from this year and past First Time’s the Charm concerts are still playing out regularly. That includes Teenage Bigfoot and Marge from the 2013 edition, Aster More, Taxes, and Full Bush from 2016, and Babe Grenade, Pritty Gritty, and GRIT from this past year. And yes, those are two bands with ‘Gritty’ in their names well before it was cool to do so. That’s how awesome First Time’s the Charm really is.

Without further ado, here’s some of the best new bands that I saw in the past year. Most of them don’t have any recordings yet, so keep an ear to the ground for that. Think of this also as a list of bands to look for in the coming year because I’m sure they’ll all be doing cool stuff. Continue reading →

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The Skeleton Key: The end of the year, called and counted, filled with reggae, klezmer, punk, film screenings, and more

Pinkwash | photo by Yoni Kroll | courtesy of the artist

Everybody is out here with their 2018 top ten list and I’m still completely obsessed with one of last year’s favorites, the self-titled debut from jazz quintet Irreversible Entanglements. It’s not just the music or the lyrics or the delivery, all of which are, for the record, incredible. Really it’s the fact that I still haven’t had the chance to see them play despite them being from here. Somebody please book this band a show in Philadelphia! Continue reading →

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The Week Ahead: Strand of Oaks, Ivy Sole, Mavis Staples, Swearin’ and more

Ivy Sole at SXSW | photo by Rachel Del Sordo for WXPN | racheldelsordophotography.com

From alt rock heros to rising stars in hip-hop, a Philly favorite taking over three nights at Boot and Saddle in South Philly, while a soul queen posts up for two nights at World Cafe Live in University City. And the time of year being what it is, there are not one, not two, but three holiday shows on the calendar this week. Here are 16 concerts to see in the next seven days all around Philadelphia.  Continue reading →

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The Week Ahead: Jessie Reyez, Max Swan, Pusha T, Killiam Shakespeare and more

Killiam Shakespeare | photo via killiamseason.bandcamp.com

Think a holiday week means there’s no live music to keep you entertained? Think again. Starting tonight with rising R&B star Jessie Reyez, carrying through an album release from Killiam Shakespeare this weekend, and a Green Room showcase with DaniLeigh on Monday, here are twelve concerts you can see in the next seven days all around Philadelphia. Continue reading →

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The Skeleton Key: The ABCs of November with Adrian and Ali, Bowerbird and bugs, CraftNOW, Daydream Nation, and more

On The Water | photo by L.J. Brubaker | goodolljb.biz | courtesy of the artist

These days it’s so tempting to revel in the awfulness of the world, to throw your hands up and just give in to this feeling that nothing will ever change. Bad news has been coming from all sides and whatever respite we can get is incredibly fleeting. I’m reminded of the song “Another Happy Day” from 90’s Westchester punks 2.5 Children Inc. that has the line, “You said cheer up and I’m trying / But it’s hard when the whole world’s dying.” And that was written almost 25 years ago! Continue reading →