There’s always amazing music coming out of Philadelphia. But when the stars align and numerous releases we’re excited about drop in a single day, well, we tell you about it.
Local rock and roll fans have a lot to be excited about today, from the high profile of Dave Hause all the way to upstart scale of Manauynk faves The Tisburys. (But knowing Hause’s affinity for the Ridge Avenue river wards, how sick would a double bill of those two be? Sure, he’s got a gig tonight in Chicago. That’s not till late. Hop on over for an afternoon doubleheader at Main Street Music, Dave!) Then again, you’ll also find mind-bendy psych, dreamscapey folk, and upbeat indie punk in the mix today from the Philly music community. Read and listen on.
Tonight, Philly son Dave Hause kicks off a sold-out two-night stand at South Philly rock club Boot and Saddle, but if you missed out on tickets, your next chance to see him is right around the corner. Hause plays the 2019 edition of the XPoNential Music Festival in July, his fifth appearance at the fest, and by then, his fourth solo album Kick will be released on Rise Records — so fans will have ample time to absorb the lyrics for maximum shouting-back-at-Dave potential.
Ahead of the album’s April 12th release, Hause shared one final teaser single from Kick with us today. Where “The Ditch” was a driving punk anthem, and “Saboteurs” is a simmering midtempo burner, the new “Fireflies” finds Hause in introspective balladeer mode, thinking about his life and his hometown. He’s a person who’s been constantly uprooted — whether it be on tour with punk bands like Kid Dynamite (as a roadie) or The Loved Ones (as a front man), or criss-crossing the country and globe as a solo artist. Over the past five years, he moved to Los Angeles, sobered up, got married, welcomed twins into the world with his wife Natasha, and just last month celebrated his 41st birthday. Continue reading →
Philly punk veteran Dave Hause is getting ready to release his new album Kick on April 12, and he’s shared its lead single “The Ditch.” Written by Hause and his brother and bandmate Tim Hause, the cathartic song tackles what it’s like to try to stay afloat in the midst of mental illness and a rocky social and political climate. Continue reading →
Cali-based, Philly-at-heart singer-songwriter Dave Hause releases his latest project, September Haze, this Thursday, November 1st. The EP includes four new songs, as well as a cover of Brandi Carlile’s “Hold Out Your Hand.”
Last night, Hause called in to the XPN Local Show to premiere the Brandi cover, as well as another song called “Lemon Hill”; in addition, he talked about the new project, recording with Eric Bazilian of The Hooters, and what he’s been up to since we heard from him last in 2017 at the XPoNential Music Festival.
It’s probably pretty hard to be more Philly than Dave Hause. He was born here and became a mainstay in the Philly punk scene for years, spending time with bands such as Paint It Black and The Loved Ones. Saturday afternoon, he shouted out Strand of Oaks and WXPN’s own Bruce Warren and Helen Leicht during his rockin’ set on the Marina Stage. His current band, The Mermaid, covered The Roots’ “The Seed” in the middle of it all. And their newest album, released in February, is entitled Bury Me In Philly. Like I said, it’s pretty tough to out-Philly this guy. Continue reading →
When I caught up with Philly born rocker Dave Hause by phone a couple days ago, he was enjoying a quiet day off at home, still basking in the afteglow of his recent wedding. Looking ahead at the calendar, he was stoked to connect with his band The Mermaid this weekend for the XPoNential Music Festival. Their Saturday appearance warms up for a modest run of August dates, launching into full-blown road warrior mode in September as Hause and the Mermaid share stages across the country with (at various turns) Tiger Army, Gogol Bordello and Beach Slang.
It’s a heavy haul, but Hause is up for it. “I’ve kind of shifted the focus of how to work,” he says. “Having toured as a duo with select band stuff to augment it, you’re really lean and mean. You can eke out a nice living when its just two of you. You can work a little less and make a lot more. With this band, though, I’m trying to establish my own E Street or Heartbreakers vibe. And to do that, you have to play a lot.”
Going all-in like that is part of the reason Hause left his home Philadelphia, where he was born and creatively based for over a decade, and relocated to Santa Barbara, California a few years back. As evident from his 2017 album Bury Me in Philly, though, his hometown loyalties lie very much on the east coast — he even rings me up via a 215 cell phone number.
Hause’s new music video for “The Flinch,” which we’re excited to premiere for you today, is a testament to that journey. Continue reading →
While out on the road for a “very North” American tour (read: mostly Canada), Philadelphia musician Dave Hause and his band The Mermaid launched into a cover of Pearl Jam’s “Rearviewmirror” during an April 8th show in Winnipeg. The song was originally included on the Seattle outfit’s 1993 effort Vs.
Dave Hause recently made a return trip home to hang with the wonderful David Dye for a session on World Cafe. Hause talked about his new record Bury Me in Philly, an expansion on his hardcore roots that gives some callouts to Led Zeppelin and The Rolling Stones, and performs a couple tunes. Continue reading →
Philadelphia singer/songwriter Dave Hause is devoted to his city. It doesn’t take a rocket scientist to see that, but if somehow you need more proof, his new record is called Bury Me In Philly. From the start of his set this afternoon, it was clear this was going to be a family affair. His brother was to his right playing guitar. His dad was in the audience, and at the end of the performance, Hause let his niece and nephew do their first stage dive. It’s just the kind of feel-good atmosphere you want after a long work week.
There’s a humility to this guy that permeates every aspect of his music. The arrangements, lyrics, even the way he and his band The Mermaid move around onstage feels deeply rooted in classic rock. Most of the songs came off the new record, from was the countrified “Divine Lorraine” to the alt-rock leaning “With You.” These variations kept the songs from blending together too much, but it always came back to the Springsteen-esque chug that got Hause where he is today. Continue reading →