“We have all of this music that has grown out of jazz music over the course of the last 100 years,” says Christian Scott aTunde Adjuah. “What this generation is doing is trying to re-acculturate all of this music and collapse all of it back into a cohesive sound. We’re stretching jazz to fit all of the conventions of the things that have grown out of it”.
With his latest album Diaspora (the second installment of an ambitious trilogy of works he’s releasing this year), the New Orleans born trumpeter / composer seeks to illuminate the underlying harmony of the seemingly disparate musical cultures of the world. The music of Diaspora is a highly thoughtful melding of sophisticated jazz harmony and melody (“Our Lady of New Orleans”) with trap and NOLA Bounce Beats (“IDK” and the title track, respectively). The record is a masterwork which finds Scott and his ensemble reverse-engineering the past ten decades of American popular music, connecting it all back to the roots of the tree, jazz and the blues.
We spoke with him ahead of his September 10, 2017 performance at World Cafe Live. Continue reading →