80s New Wave icon Gary Numan headlines Union Transfer tonight in support of his new album Savage: Songs From A Broken World, released in September. It’s been over three years since the electro and industrial music pioneer’s last album and stop in Philly. Garage pop duo Me Not You opens the show. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
80s icon Gary Numan headlines The Troacadero tonight in support of his latest album, Splinter (Songs From A Broken Mind), released back in October. A driving mix of heavy industrial textures and dark melodies, it shows the singer in top form, and his setlists from earlier tour dates sees him balancing the new tracks with classics from his back catalog – like “Metal” and “Are ‘Friends’ Electric.” Download the single “I Am Dust” below and get tickets and information on the show at the XPN Concert Calendar.
Gary Numan has impressed generations of ears since his debut album back in 1978 with Tubeway Army. As the New Wave subsided, Gary found his footing in the rise of industrial sounds and put out a series of solid releases to his core fan base. With the years ticking by – perhaps led by nostalgia – Gary began to incorporate more electronics and classic “Numan” sounds into his songs – demonstrated with his 2006 Jagged release. His most recent visit to Philadelphia (and The Trocadero) in 2011 allowed everyone to experience flashbacks as he performed The Pleasure Principle in its entirety, in celebration of its 30th anniversary. Now he has come full circle – as his newest release – Splinter (Songs From A Broken Mind) – truly embraces his past with a strong nod to the future. Below, download “I Am Dust.” Numan plays the Trocadero this Sunday night, March 23rd. Go here for tickets and more information about the show.
Purchase Splinter (Songs from a Broken Mind) here.
In his trademark non-sequiter way, Beck Hansen had a perfect way to summarize his varied quarter-century long career: “discursively musical explorations.”
“Thanks for zig-zagging along with me all these years,” he told a packed Festival Pier last Friday night on the final night of tour in support of his 2017 LP Colors. It was a fitting summation of the set, as well, which raced from alt-rock radio classics like opener “Devil’s Haircut” to modern electropop bangers “Dreams,” tender acoustic moments like the aching “Lost Cause,” and globally minded jams like “Que Onda Guero.” Not to mention covers galore: in the mix throughout the night, we heard “Raspberry Beret” by Prince (acoustically appended to Midnite Vultures’ “Debra,” which led to a full-crowd singalong) Kanye West’s “Power” (like a few seconds of “ahhh’s” and “hey’s” at the end of “Girl”) and an absolutely bonkers encore medley…which we’ll get to.
In short, it was a big party fitting for the end of the tour — but bringing the party is exactly what Beck has done for the past quarter century, regardless of whether his albums found him in sad, introspective mode (Mutations, Sea Change, Morning Phase) or upshifted into postmodern impressionist gear (Odelay, Midnite Vultures, The Information, Colors). Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2017 incredible. Today, Key contributor A.D. Amorosi turns to his trusty greyhound Django for some musical feedback.
Your best friend does not always like the music that you like. That’s what friends are for. At least this is the case of Django, our greyhound, with whom my wife and I share a loving bond and living/listening space on a daily basis. It’s his house, he just lets us live there.
If I am reviewing a Migos single with Pharrell Williams, he is reviewing it too. Same with a Johnny Cash box set, a Sheer Mag download, an Archie Shepp YouTube moment, or what-have-you. If I am laughing at Love & Hip Hop: New York and watching the dilemma between Remy Ma and her husband/manager Papoose, chances are Django is observing this behavior – and my reaction – with his ears pricked high. Does he enjoy everything on Love & Hip Hop? No. Can I tell the difference? Yes. Continue reading →
It’s been almost a week since the four-day nonstop multisensory rush that was the 2014 editon of Austin’s annual South by Southwest music conference, which has given me just about enough time to catch up on sleep, edit my way through thousands of photos and sort out my thoughts about the experience. Here are eight artists that grabbed my attention at this year’s SXSW, beginning with the woman you see above.
Kelis – The transformation of the onetime “Milkshake” hitmaker didn’t take me as unawares as it may have taken other festival-goers. A few years back, I caught her on tour with Robyn at The Trocadero, and saw that she’d moved on from her bubblegum dance days to a sleek and more sophisticated electropop sound. But still, this was impressive – her backing band was a dozen members strong, it had a sharp horn section and a disco-funk sound to die for, and the singer had enough awareness of nostalgia’s power that she dropped “Milkshake” in the final third of her late-night Friday set at the Hype Hotel. Which was totally fun, but it would have been a powerful performance without. Her sixth album, Food, was produced by Dave Sitek of TV on the Radio and is out April 18th on Ninja Tune Records.
Feathers – These Austin locals just got off a European tour opening for Depeche Mode, and their sound sits nicely alongside the 80s icons’ dark synth-dance tones. I caught them Saturday at the goth-leaning Red River club Elysium, and frontwoman Anastasia Dimou freaking owned the packed room. While their sound is decidedly hard-hitting, she has the presence and command of a pop singer – or, say, an alt-pop singer a la Emily Haines of Metric. Even when the power momentarily cut out, Dimou kept singing a cappella and off mic. Their Only One EP dropped in January.
Tonight, we’ve got perhaps the most exciting, action-packed edition of the Indie Rock Hit Parade in history! Tune in tonight starting at 10 p.m. (after the November edition of Making Time RADio with Dave P) for a full two-hour show that will include these special features and more:
Our very first Indie Rock Hit Parade Live Session with Aussie popsters Cub Sport!
Selections from ArcadeFire’s fantastic new album, Reflektor!
An Indie Rock salute to the late great Lou Reed, featuring Luna, Jonathan Richman and a rare pre-Velvet Underground recording from Lou himself!
And if that wasn’t enough, here are a few new songs you might just hear in the mix:
As things go every final Friday of the month, the Indie Rock Hit Parade gets boiled down to a condensed, hour-long ‘compact’ edition. Immediately following Land Of The Lost with Robert Drake, the Indie Rock Hit Parade kicks off at 11 tonight. Tune in for new sounds from new wave icons like Gary Numan and Prefab Sprout, plus new projects of familiar friends like Neil Halstead and Dean Wareham. And yes, there will be some Arcade Fire.
Here are a few things you might hear in the mix tonight: