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The Key Studio Sessions: Grace Vonderkuhn

Singer-guitarist Grace Vonderkuhn has been making weird and wild rock music out of her home city of Wilmington for a hot minute, and 2018 is poised to be a breakout year for her.

Her latest full-length, Reveries, is on the way via EggHunt Records, and it’s already attracted attention from tastemakers at GoldFlakePaint (which premiered the undeniable rager “Worry” back in December), NPR Music (which recently included “Bad Habits” on their All Songs Considered podcast) and The Grey Estates (which just yesterday unleashed the cosmic “Cellophane” into the world).

So, what’s different this time around that Vonderkuhn is getting all this love? Continue reading →

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Grace Vonderkuhn shares new track “Worry” ahead of new LP

Grace Vonderkuhn | photo courtesy of the artist
Grace Vonderkuhn | photo courtesy of the artist

Wilmington, Delaware’s Grace Vonderkuhn transcends genre. The musician is inspired by everything from garage and psych rock to dreampop, and does it (mostly) by herself — drummer Dave Mcgrory and bassist Brian Bartling collab with her onstage and instudio to capture on record the wildly energetic essence of her favorite genres with pointed determination.

Vonderkuhn has been releasing a steady stream of songs for the past few years, and now we have a new track to soak in — “Worry” is the first single from Vonderkuhn’s forthcoming LP, due out February 23. It’ll be the artist’s first full-length, but you can find her previous releases on Bandcamp. Continue reading →

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Treat Y’rself Fest II rounds up Swanning, King Azaz, Dreambook, Grace Vonderkuhn and more to benefit March to End Rape Culture

Swanning
Swanning | Photo by Jeff Bolt | courtesy of the artist

Treat Y’rself Fest returns to PhilaMOCA for a second year of music, activism and empowerment on Saturday, August 20th. Organizied by Carly Green of The Pretty Greens (who will play a set at the event), the day brings together musicians, visual artists, speakers, vendors and this year a documentary film screening, all to benefit the annual March to End Rape Culture. Continue reading →

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A secret gig at Cousin Danny’s in West Philly shows that Shame is the real deal

Shame | photo by Joe Del Tufo for WXPN | moonloopphoto.com

It was a Monday night in late November at the Arden Gild Hall when I experienced Shame for the first time. They were the middle band between Grace Vonderkuhn and Ought, and they stepped out into the half-full barn and said “OK, we can do this,” and proceeded to burn the place down for 45 minutes. I’d never seen anything like it, a mix of Joy Division and the Sex Pistols.

The London-based band’s debut Songs of Praise was released in January and, while it is the strongest release I’ve heard in 2018, it still does little to catch the ferocity of their live shows. Vocalist Charlie Steen is a revelation — very shy in public and possessed by something both spiritual and visceral on stage. He is not the stereotypical angry punk rock singer, he seems to channel something that transcends emotion, a wake-up call to monotony. Continue reading →