The first time I heard Julien Baker was just about a year ago, and by a happy chance it was at the perfect combination of a live show in a small venue when she toured with British dark folk trio Daughter last summer – I’ve been a fan ever since. The Memphis singer-songwriter brings her voice and guitar on stage and leaves her entire soul, baring all and sparing nothing throughout the set that is both so wrenchingly personal and relatable at the same time. Continue reading →
If you haven’t noticed by now, we at The Key are big fans of Pinegrove and Half Waif, two New Jersey bands that share a common denominator in Nandi Rose Plunkett. Both groups find Plunkett as the sole woman, one in a keyboards-backing vocals situation and the other as the founding, writing, and recording frontwoman. In other words, she is a musical force to be reckoned with.
Why, then, in 2017 – especially in an industry that theoretically draws the creatives, the open minds, the dreamers – do we find Plunkett responding to slews of misogynist aggressions against her being simply because that being is female? After originally posting last month on Twitter in response to comments on her part in Pinegrove, Nandi Plunkett has penned an extraordinarily eloquent, insightful, and sharp long-form piece published by Esquire on what it means to be “the girl in the band,” what it feels like to be a woman constantly silenced and disregarded and dismissed as a girl, as a girlfriend, as a pretty face but nothing more. Continue reading →
The weather’s bad, but it holds. Between setting up and short takes while the rain isn’t too hard, Nandi Plunkett throws an industrial trash bag over her keyboard as a makeshift cover, but even the intermittent April showers can’t get her spirits down too much. Resiliency is a big theme of Half Waif‘s music, and in Plunkett’s life, as well. Between passing clouds, Nandi and guitarist Adan Carlo play completely new arrangements of two Half Waif tracks from the recently released form/a EP. In the secluded side yard of the MAAS Building, the intimate strength of Half Waif springs to resounding life. This is The Key Presents: Half Waif. Continue reading →
Nandi Rose Plunkett brings her Half Waif project to Everybody Hits tonight. Doing double duty as keyboardist in Pinegrove, Plunkett’s solo project hones in on an electronic pop that was beautifully and intimately displayed on this year’s form/a EP. Stream “Severed Logic” below and pick up tickets for the all-ages show with Shannen Moser and Russel the Leaf here.
Recently, a lot of us got to know Nandi Rose Plunkett as the keyboardist for alt-country rockers Pinegrove, but she’s been recording and performing as Half Waif for years. Her new EP form/a drops later this month, so if keyboard-driven indie pop is your thing, keep your eyes (ears?) peeled. We already got a sense of what it might sound like in danceable first single “Severed Logic”, and now, we’re getting a second preview with “Frost Burn,” which you can stream below. Continue reading →
Between the ridiculous rain and the Ticketfly “cyber incident” shutdown, it’s been a weird week to be a concertgoing Philadelphian. Don’t let that stop you from getting out and getting to the gig, though. Here are 22 concerts you can see in and around town in the next week, from indie folk true believers The Decemberists to reigning rap king Kendrick Lamar and his Top Dawg Entertainment showcase tour. Continue reading →
You may have caught Petal in stunning solo form recently at that fantastic show with Julien Baker and Half Waif, and now the Scranton-based project of Kiley Lotz returns to Philly for another solo performance — this time on a smaller-scale, at Everybody Hits, but the show is sure to be no less beautiful and even more intimate than it was on the big stage. Born Without Bones, Super American and Tombo Crush will also play the Home Outgrown Presents gig. Petal’s latest release is the Comfort EP, which includes a cover of Fleetwood Mac’s “Silver Springs.” Listen below and find tickets and more information on the XPN Concert Calendar. Continue reading →
There’s a word that’s often used to describe Julien Baker‘s music: devastating. I think I’ve seen it in almost every review and feature surrounding the release of Baker’s new album Turn Out the Lights; I think I’ve even used it myself. And it’s true, listening to Baker’s songs sometimes verges on painful — but in the most achingly beautiful way. From the Tennessee songwriter’s 2015 debut SprainedAnkle to the just-released Turn Out the Lights, Baker’s music is quiet but powerful, sparse but resonant, and sad in a way that makes it just about impossible to stop listening.
The heart-aching melancholy of Julien Baker may beg a quiet solo listen to her recordings (especially when unpacking the rich layers of the new album), but in a live setting, any sense of despondence that may accompany Baker’s music dissipates, replaced by an overwhelming sense of community. The persistent feeling of “we’re all sharing this special moment together” remained constant throughout Julien Baker’s headlining show at Union Transfer last night, and was shared not just by the audience but by all three sets of performers onstage. Continue reading →
The day is finally here, folks. It’s time to cry our eyes out to Julien Baker at Union Transfer. The Tennessee songwriter released her second LP Turn Out The Lights a few days ago, and if you haven’t had it’s stunningly sad songs on repeat, you’re missing out. Baker has enlisted an incredibly talent-filled lineup of supporting acts for this tour; you’ll want to arrive early to catch Half Waif and Petal. Watch the video for “Appointments” below, and find tickets and more information on the XPN Concert Calendar. Continue reading →
Julien Baker‘s lead single “Appointments” from her upcoming sophomore LP Turn Out The Lights has been giving us chills for the last two months. The album — a highly-anticipated follow-up to 2015’s Sprained Ankle — is out in just over two weeks, and we’ve been anxiously awaiting another murmur from Baker camp. Today, it’s finally arrived in the form of title track “Turn Out The Lights” and a beautiful video to go along with it. Continue reading →