Philly’s Harmony Woods recently signed with independent label Skeletal Lightning, and just announced that they’ll release their second album, Make Yourself at Home on October 4. Songwriter/vocalist Sofia Verbilla and her band also shared the record’s lead single, “Ghosts,” a song we’ve heard before at live shows but was previously unrecorded. Continue reading →
Philly indie rockers Harmony Woods played a gig at PhilaMOCA last night, and singer-songwriter Sofia Verbilla included a cover of the boygenius song “Me and My Dog” in the band’s set. The supergroup of Phoebe Bridgers, Lucy Dacus, and Julien Baker, who are all well-known for their solo careers, boygenius formed last year and was met with instant acclaim. Continue reading →
“High Key” is a series of profiles conceived with the intent to tell the story of Philly’s diverse musical legacy by spotlighting individual artists in portrait photography, as well as with an interview focusing on the artist’s experience living, creating, and performing in this city. “High Key” will be featured in recurring installments, as the series seeks to spotlight artists both individually and within the context of his or her respective group or artistic collective.
Candid and genuine, Harmony Woods’ singer and songwriter Sofia Verbilla will openly cop to how much time she’s spent reflecting on her own talents, impugning her own songwriting skills, wondering if she’s got what it takes to overcome at turns significant self-doubt and claim confidence in her own creations.
It’s a tenuous tightrope she seems to have found some familiar comfort in walking, as the Philly rocker capably straddles the stark contrasts of both her self-effacing and introspective and hot-pink-haired ass-kicking-frontwoman personas, at once conflicting and complementary, while she negotiates an earned place for herself and the HamWoo crew to stand out among Philly’s basement DIY rock-and-rollers.
They’ll be back onstage in Philly on May 30th, opening for Slingshot Dakota at Everybody Hits. Continue reading →
If Sofia Verbilla was nervous stepping outside of the zone of dimly lit basements to play a massive festival, it didn’t show. Harmony Woods was effortlessly able to recreate the intimate vibe of jamming at a house show. Pink-haired and cat-eyed, Verbilla expressed gratitude and humility to be playing on the River Stage. “My dad used to take me to this festival as a kid, so playing it is so unreal.” Continue reading →
Underneath neon lights and in front of a sunset on a Philadelphia skyline, local band Harmony Woods performed for the first of Spruce Street Harbor Park’s 2018 Waterfront Sessions. The air smelled of beer, local food trucks, and the miscellaneous scents of the Delaware River, and as Sofia Verbilla, front-woman for the four-piece band, noted: “I’ve seen so many dogs and babies in the last hour! This is why I do what I do!” An incredibly peaceful and joyous night of amazing music, it was a perfect way to start off the summer-long series, featuring all local Philly bands and free admission.
The Key’s own John Vettese warmed up the crowd for a couple hours with an amazing DJ set featuring tracks from Kississippi, Maggie Rogers, Caroline Rose, Lauryn Hill, Sylvan Esso, Japanese Breakfast, and an infuriatingly smooth transition from Hop Along to Daft Punk. He concluded with the almost-too-on-the-nose track “The Walk” by Oso Oso for Harmony Woods to walk onto.
Harmony Woods began with the opener of their 2017 album Nothing Special, “Vignette # 1” leading into “The Best Things”. Their sound was surprisingly clear for an outdoor venue, the rough rhythm guitar of Sofia Verbilla punctuated by the sharper lead guitar provided by Chance Halter, smooth bass from Hank Byerly, and dynamic drums by David Juro. Sofia’s vocals were stellar as well, standing out among the instrumentation, particularly on their hit single “Renovations,” which rises from hold-your-breath serene to breathtakingly anthemic within three minutes. Their set also featured standout tracks “Jenkintown-Wyncote” and “Negro y Azul” with sparkling guitar riffs perfect to match the outdoor lighting and transportive descriptions of romance. Continue reading →
I am an unapologetic cheerleader for summer. There’s water ice, hang outs down the shore, you can ride your bike everywhere, and most importantly there are outside shows! I mean, say what you will about the beauty of West Philly in winter – and it really is quite nice, don’t get me wrong – but given the choice between sledding down the rock-strewn hills of Clark Park on a ripped pizza box I just found in a trash or sitting around and watching a bunch of bands play while eating ice cream during the annual music festival there, I know where I’ll be. Continue reading →
Between the ridiculous rain and the Ticketfly “cyber incident” shutdown, it’s been a weird week to be a concertgoing Philadelphian. Don’t let that stop you from getting out and getting to the gig, though. Here are 22 concerts you can see in and around town in the next week, from indie folk true believers The Decemberists to reigning rap king Kendrick Lamar and his Top Dawg Entertainment showcase tour. Continue reading →
Summer calls for live music outdoors, and lucky for us, Spruce Street Harbor Park delivers. The popular park along the Delaware River draws crowds all season long, but perhaps one of its best kept secrets is the Waterfront Sessions series, which showcases performances by local musicians every Thursday night throughout the summer. Better yet, all shows are free. Continue reading →
These are exciting times, folks. As if this year’s XPoNential Music Festival lineup wasn’t already stacked enough, today we’re thrilled to announce several more artists that will be joining us this summer on the Camden Waterfront. Continue reading →
Though the inherent weary restlessness of folk music can never truly be contained, local folk organization, Folkadelphia, has a home here at WXPN on the air and at The Key through Fred Knittel’s studio sessions. This past year hosted a particularly gem-filled handful of folk discoveries, which is documented in the fifth installment of the Folkadelphia Sessions compilation featured below. Continue reading →